New England Metal And Hardcore Festival ***SATURDAY ONLY*** feat. TESTAMENT

Testament was one of the first thrash metal bands to emerge from the San Francisco Bay Area in the 1980's. Originally formed as 'Legacy' in 1983 by founding members Eric Peterson (rhythm guitar), Derrick Ramirez (guitar) and Louie Clemente (drums), the line-up included vocalist Steve Souza and Greg Christian (bass). Ramirez was later replaced by wunderkind Alex Skolnick (lead guitar). Souza soon departed to join Exodus and suggested that the towering Chuck Billy take over as frontman. The band became known as 'Testament' 3 years later, while recording their debut album in Ithaca, New York.

"The Legacy" was a brutal intro in 1987, putting Testament at the forefront of the flourishing thrash metal scene. Following "Live At Eindhoven", an EP recorded at Holland's Dynamo Festival, "The New Order" in 1988 was well received producing one of the band's most memorable classics "Disciples Of The Watch". Next came the highly successful "Practice What You Preach" in 1989, then the release of "Souls Of Black" in 1990, coinciding with the European 'Clash Of The Titans' tour with Slayer, Megadeth and Suicidal Tendencies.

After "The Ritual" in 1992, Skolnick, who was losing interest in pure metal, decided to pursue his interest in jazz and left the band. Clemente also departed. "Return To Apocalyptic City" in 1993 brought Glen Alvelais (guitar, ex- Forbidden) into the fold, and filling in temporarily for Clemente, Paul Bostaph (ex- Forbidden, Slayer). James Murphy (ex- Death, Obituary, Disincarnate, Cancer) soon stepped in for Alvelais on lead duties for "Low" in 1994, as John Tempesta (ex- Exodus) took over on the drums. Tempesta later left to join White Zombie, and was replaced by John Dette (ex- Evil Dead ). "Live At The Fillmore" was released in 1995, then Dette left in 1996 to join Slayer. "The Best Of Testament" was released in 1996.

Exodus is one of the first thrash metal bands to come out of the bay area, formed in 1980 in San Francisco, California, by Kirk Hammett, Tom Hunting, Paul Baloff, Jeff Andrews, and Gary Holt.

They were cited as major influence by pretty much every thrash band. Known for their aggressive brand of thrash, as opposed to the more melodic, NWOBHM rooted thrash sound of the likes of Metallica, and equally aggressive live shows.

At their prime (83-86) they were known as 'Kings of the Bay (area)', with practically no band daring to headline over them at the bay area.

After several personnel changes, Exodus split in 1993. The band reformed from 1997-1998 with new bassist Jack Gibson. The band reformed a second time in 2001.

Exodus is currently touring in support of the newly released album "The Atrocity Exibition: Exhibit A".

In 1983, founding member Kirk Hammett left to join Metallica and was replaced by Rick Hunolt and Rob McKillop replaced Andrews on bass. This lineup released the classic title Bonded by Blood (1985) cited as an influence on up-and-coming bands of the era.

Shortly before the release of Pleasures of the Flesh (1987), Paul Baloff left and was replaced by Steve "Zetro" Souza, who also sang for Legacy, which developed into Testament.

NAILS' music is beyond brutality; filthy, vicious and raw. Imagine a cross between the good Amrep bands of the nineties (Helmet, Hammerhead, Today is The Day, Unsane) and Cro-Mags Age of Quarrel riffage played at breakneck speeds. Their epic battle cry Unsilent Death was recorded during the cold winter of 2009 at Kurt Ballou's (Converge, Trap Them, Disfear, Black Breath) Godcity Recording Studio. The CD version of Unsilent Death was originally released in very limited quantities by Six Feet Under records. The LP version was self released by the band on the band's own Streetcleaner label and quickly sold through the 1000 piece pressing. Southern Lord is extremely honored to pick up the torch of this album and let it burn brightly through many more countless battles!

Indecision

NYHC

Incendiary

Incantation

Without a doubt one of the most important bands ever to emerge in the world of extreme music, INCANTATION has set the standard for USDM and is often credited as a pioneer in the genre. For over two decades, INCANTATION has stood out as one of the most uncompromising forces in metal with their blasphemous and bone-crushing doom-tinged brand of death. Responsible for classics like Onward to Golgotha and Diabolical Conquest, INCANTATION's legacy speaks for itself.

Throughout their illustrious career, INCANTATION has become an infamous death metal institution and a pillar of the international underground metal scene. The staggering combination of the band's ominous sound, vicious style, incredible work ethic and unwavering dedication has left an indelible mark unmatched by all except the most legendary of their peers. Arguably metal's hardest working band, INCANTATION has ventured forth like conquering crusaders, converting thousands of new fans time after time. From Canada to Colombia, Argentina to Europe, Central America to Australia and the States, INCANTATION has endeavored to reach every corner of the world. Additionally, they have given such other prestigious acts as Nile, Decapitated, Krisiun, Enslaved, and Kataklsym their first opportunities to tour on U.S. soil.

The INCANTATION of today sees the band stronger than ever with a lineup comprised of founder/guitarist/vocalist John McEntee, longtime drummer Kyle Severn, guitarist Alex Bouks [Goreaphobia] and bassist Chuck Sherwood [Bloodstorm]. The combined efforts of all four members have resulted in an album that will undoubtedly go down as among the best in the band's history. Vanquish in Vengeance, INCANTATION's long-awaited follow up to 2006's Primordial Decimation, features over 50 minutes of the band's trademark dark and unholy death metal. Recorded at the infamous Mars Recording Compound with Engineer Bill Korecky and mixed and mastered by the legendary Dan Swano at Unisound studios, Vanquish in Vengeance deals with the numerous counts of genocide in the name of religion our society has witnessed over a millennia.

Sherwood elaborates on the album's lyrical content, "The concept of our world so enslaved by monotheistic dogma that only a rebirth, with nothing but distain for the previous, would be tolerated. The lyrical content is the vehicle of this ideology from modern to ancient history combined with the occult/pagan views and the rage we as a band hold for those religions and their followers who'd refuse to acknowledge their own failure. Let this vortex we offer permeate and enlighten or shun and obliterate."

While few artists leave an outstanding mark upon the music world, INCANTATION has built a legacy that will extend past their years. Their shadow has been cast forever over the genre, and we are eternally grateful.

Allegaeon (pronounced: uh-lee-juhn) was formed in 2008 by founding member and guitar player Ryan Glisan. Soon thereafter joined the classically trained guitarist Greg Burgess, vocalist Ezra Haynes and bassist Corey Archuleta to round out and form what people have come to know now as the Colorado Kings of Melodic Metal. In 2008, Allegaeon released their 4 song, self-titled EP and quickly gained attention from the local, national and international metal fans as well as Metal Blade records. In 2009, barely a year after releasing their first EP to the world, Allegaeon agreed to a deal with Metal Blade Records and thus began their relationship and Allegaeon's entry into the ever expanding metal community.

2010 brought Allegaeon's debut album Fragments of Form and Function (FOFAF). FOFAF was recorded in Denver at Flatline Audio with Dave Otero (Cephalic Carnage, Cattle Decapitation, Vale of Pnath) and was released on July 20th, 2010. Between 2010-2011, Allegaeon had a slew of singles that played in such heavy rotation on the Sirius Liquid Metal Station that they cracked the stations top 20 most played bands list. Metalstorm.net lists Allegaeon's debut album, FOFAF, as the #4 rated death metal album of all time (by the websites rating standards). FOFAF was critically acclaimed by many and catapulted the band out of obscurity and into the ranks of metals elite new bands.

In January 2012, the band traveled to Southern California and entered Lambesis Studios with Daniel Castleman (As I Lay Dying, Impending Doom, Carnifex, Winds of Plague) to begin work on their follow up record titled Formshifter. The latest album brings forward a sound that both plays off the band's previous releases mixed in with some new flavors that will be sure to enthrall old and new fans alike. Guitarist Greg Burgess had this to say about the new album, "With Formshifter, I think we kept the sound a lot of our fans love about us, but achieved them through certain compositional challenges. Be it style, or genre mixing, I believe that we seamlessly applied certain elements we didn't have on Fragments, and it added a color and dimension we didn't have before". Guitarist Ryan Glisan adds, "This album to me indicates the future of the band but nods to our past as well. It, to me, is more of where I have envisioned our band being since I started the band a couple years back, it relies on similar songwriting structures and musicality but adds more groove and memorable riffing than our previous efforts."

Lyrics, an oft over-looked facet of death metal is one the more interesting aspects of Allegaeon. The band crafts their prose with a bit of a different mindset - often touching on space, civilization and philosophy. Vocalist Ezra Haynes elaborates: "Lyrically speaking, this record carries more depth to me than the last. The song Twelve is actually a concept I've had in mind for roughly five years. It's about a pairing of serial killers, but instead of going about it in a more typical death metal setting, such as glorifying it; I chose to point out the stupidity and unfairness of the judicial system. I've always wanted to write an anthem-esque type song; something that involves the listeners with present day topics. With "controlled media" as the target I feel A Path Disclosed is a perfect example of that. Tartessos: The Hidden Xenocryst is definitely one that sticks out to me. I was raised on Edgar Cayce readings and tales of Atlantis. When Greg [Burgess] and I knew we wanted to touch base on an ancient civilization, Atlantis was the logical choice. Hopefully the meaning in the songs will be "found", if you will."

"The new face of ruthless modern death metal." Metal Hammer Magazine

Formshifter will be released on May 8, 2012 via Metal Blade Records.

Rivers Of Nihil

In a time when the music industry is highly over saturated, it's rare when artists genuinely strive to create something different from the norms of their genre. This Reading PA based 5 piece has been doing just that. Forming out of previous bands and local comradery, Jake, Brody, Jon, Biggs and Ron are on a relentless path of taking things to the next level. In the fall of 2009, they recorded an EP titled "Hierarchy" with producer Carson Slovak of Atrium Audio. The positive response to "Hierarchy" throughout the online community and local music scene gave the band the opportunity to play countless shows, including an appearance on the "Midwest Fuckfest" held in Milwaukee, as well as a 2 week tour within the first year of existence. Nearly 2 years of playing out "Hierarchy", the band entered the studio in June of 2011 with Len Carmichael to record "Temporality Unbound", which features six tracks of pure sonic devastation sure to please fans of the old material, while bringing in new listeners with the matured songwriting and niche for writing more than just riffs. "Temporality Unbound" will be released on October 28th, with touring currently being planned around the release.

No Zodiac

Hardcore/punk band based out of Staten Island, NY.
DIY or dont. Message means everything.
Biography
Formed in 2010. Fed up. Pissed off. We want to bring back the meaning of hardcore with our own sound. Listen to the words. Message means everything. Hardcore lives.
Description
VICE- "YOU MADE US THIS WAY" CD (Self Released April 20, 2012)
Hailing from NYC's Staten Island this is the debut full length from VICE (Vague Intentions Cause Empathy). The disc starts off with "Teenage Nightmare" and lead singer Andrew's screams of "These fucking kids, they just want shit, they just take shit"…leads into a tirade against the spoiled brats of today. Right off the bat you can hear that Vice is just straight up nasty, raw and pissed the fuck off. Andrew's screamed vocal approach, a raw production, lots of guitar feedback (think Indecision's "Unorthodox"), and A LOT of grind-core parts where they hit warp speed sums up what this band is about. 20 songs in 34 minutes? Do the math, these songs come and go like rapid fire leaving your head spinning and dizzy. There are a lot of grind-core style parts here which is not my thing but there is more on display here as well as Vice does a good job of meshing different styles together to come up with their sound. If you think back to the 90's, NYHC had the Coney Island High bands that fit what was perceived to be the lone NYHC style and then there were the ABC No-Rio bands that were more out there, diverse and didn't always fit in to any one style. Vice would have been a rarity in that they more than likely would have fit into both scenes. The dance parts that Vice have constructed within a lot of their songs are simply brutal and will leave many a pit-dweller bruised and battered. There are a couple of clever sound bites in between a few of the songs but the one that made me crack up was one of a guy saying "Being miserable and treating other people like dirt is every New Yorkers God given right". No idea where this sound clip came from but many of you living here in NY will get a good laugh from reading that quote as there are a lot of people living here that basically think that way. A nice DIY effort… not perfect, but a disc worthy of your attention from a young band that is out there playing a lot of local shows and not afraid to roll their sleeves up and get their hands dirty.- In Effect Hardcore
Get it here...
http://vicexnyhc.bandcamp.com/ or hard copy and merch www.vice.bigcartel.com

Absolute Suffering

Hardcore from Holyoake, MA.

Without Warning

$40.00 - $45.00

Tickets

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