Taste of Cincy Groove

Cincy Groove Music Festival

Formed in 2008, Shiny and the Spoon quickly established itself as one of the most intimate and honest folk acts in the Midwest. Videos of living room performances gained viral status, while a tightly knit group of fans packed perfor- mances in listening rooms and local “dive” bars.

The past year has been their most momentous to date, with the addition of veterans Pete Brown and Matt Frazer, and release of their first full-length album: Ferris Wheel, produced by Afghan Whigs’ John Curley. The band has quickly moved from back rooms to bandstands throughout the Midwest, retaining the same unadorned simplicity and tightly wound harmonies as before. With a clever ease and lack of airs, Shiny and the Spoon, is quickly becoming one of the most exciting and broadly accessible folk acts performing today.

Shiny Old Soul

Shiny Old Soul has taken to the description “Cosmic Roots” given their fusion of a bluesey, roots driven foundation and an eclectic, unbound catalogue of original songs.

Comparisons range from Van Morrison to the Grateful Dead, the Meters, Pink Floyd, and The Decemberists, to broader things like gypsy jazz & vintage rock. Yeah, they’re one of those bands, sounding inevitably like themselves but with a bizarre tip of the hat to countless others.

But really it’s all about the songs. Bank robberies, pregnant pirates, time travelers, voodoo spells, allegory, and plain old sex, drugs and rock ‘n’ roll, that conspire to reveal a world of simple feelings in exotic places. A broken heart by any other name. If that wasn’t wierd enough, folks really like to dance to it too.

Fans can be seen singing along to many of songwriter, guitarist Gregory Morris’ vast collection of songs, elevated by the jazz stylings of drummer Katherine Monnig and low end folk maestro Michael Sadoff. In fact, Gregory, Michael & Katherine have been playing together since 2003, formerly known as the Gregory Morris Group.

The latest SOS album (Cash is King, Jan 2012) features two charming female vocalists, Lee Schmidt, with her sultry deep water timbre, and Laura Hughes with her clear, high Nashville croon. Together they round out the 5 piece ensemble with it’s unique blend of harmony, beat and lyric, ranging from the ominous to the ridiculous, thriving on a balance of low gain and high intensity.

$5.00 - $7.00

Tickets

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The Southgate House Revival-Revival Room

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