Federale has always operated under the guidance of a larger story arc. 2007’s La Rayar is a classic tale of betrayal and vengeance. 2009’s Devil In A Boot centers on a small town terrorized by a railroad company baron’s expansion and destruction. 2012’s The Blood Flowed Like Wine tells the supernatural tale of an evil so powerful that not even hell can hold back its wrath.

All The Colours Of The Dark continues this tradition while breaking new musical terrain. Though the new record includes cinematic instrumentals and that the band is known for, it also sees Federale expanding their vision to narrative songs in the baritone-driven style of heroes Lee Hazlewood, Scott Walker and Nick Cave. Murder, revenge, regret, power and corruption are the lyrical themes of this collection. This album will be the band’s first on Death Waltz Records. A limited number of colored vinyl is available now in advance of the upcoming wide release.

In 2014, Federale contributed five songs to Ana Lily Amirpour’s acclaimed gothic vampire film noir, A Girl Walks Home Alone At Night, setting the mood of both the film and the soundtrack. Lily’s new film, The Bad Batch, will feature the title track from the new album.

Federale is a seven-piece ensemble based in Portland, OR. Spearheaded by longtime Brian Jonestown Massacre bassist Collin Hegna, the band was conceived as an outlet to channel inspiration from ‘60s & ‘70s European soundtracks, particularly those from Italy made famous by the Spaghetti Western & Giallo genres.

Immigrant Union

Two guys meet at a bar and a band is born. It’s a story as old as beer on tap. Like all good stories, Immigrant Union’s started with a few drinks. And… maybe a few dozen more drinks. The story got a little more interesting when the duo started turning simple chords and melodies into completed songs. And then polished recordings of those songs. And empty bar rooms into epic parties. And music loving barflies into lifelong friends.

It was the summer of 2004 when Brent DeBoer of The Dandy Warhols was killing some time in Australia and had a chance meeting with Melbourne’s Bob Harrow. This initial exchange led to a spontaneous trip to the country and an all-night session. The friendship grew. They acquired the talented vocalist and keyboard player, Peter Lubulwa, and the band quickly planted its roots in alt-country-folk, bound by a communal love for classic rock and roll.

Countless shows later, Immigrant Union have now supported Noel Gallagher, Black Rebel Motorcycle Club, Dead Meadow and toured their own headline shows, creating unforgettable moments at boutique festivals and many an odd BBQ and house party across the whole of Australia. Known for having a consistent gift of delivering a good time…allllll the time… the band have naturally progressed into the next chapter of their story: realising their second album, and keeping their eyes fixed on the international touring circuit ahead.

Immigrant Union’s upcoming album is a shift from previous recordings – moving away from the country end of the sound spectrum, they approached their second record with a desire to produce a more layered, trippier sound. To achieve this elusive warmth, the band went literally to the farthest reaches of the earth: to Brent’s hometown in Portland, Oregon and to Altona on the outskirts of Melbourne, Australia.

In the stark, industrial coastal town of Altona, is a hidden gem. A vintage Neve mixing console, a world-class microphone collection and an engineer (Mat Robbins) who never had a band quite like Immigrant Union step into his studio. “I wanted these particular ribbon mics,” Brent says. “It’s hard to find a collection like Mat's at Coloursound– decent 1950's and 60's mics cost so much time and money to collect, when you find a guy with drawers full of them in mint condition, it gives you chills.” Brent explains that the classic mixing desk gave the band’s music a “vintage authenticity and a warm but crusty and dusty sound” – the perfect qualities for the sun-drenched ambience the band were chasing. Similarly, Timothy Stollenwork also keeps a gear-head’s heaven in his Portland home – here Brent worked with Timothy (Woods, Boogarins, Quasi) on mastering the record. The completed work, (featuring former Immigrant Union members, all of which are now Courtney Barnett and The Courtney Barnetts), had the perfect line-up to give 'Anyway' the treatment it deserves.

Immigrant Union’s story is a continuous path of music and gatherings they would want to experience themselves; no matter what state of mind they happen to find themselves in while experiencing those environments of light and sound – but for Brent it’s not a chore. “When we play live, we just play for the trippers and hope that everyone else will fall in line.”

Immigrant Union released 'Anyway' in September 2014 followed by appearances at The Americana Music Festival in Nashville in September and a national tour of the USA in October.

Their music is the classic story telling style of songs that is reminiscent of Neil Young and Bob Dylan... a relaxed set of soulful, folk infused country songs - The AU Review

"Immigrant Union, whose sound is a lush hybrid of folk and country, mixed with dream pop and psychedelic undertones." Nathan Wood - Country Music Channel

Brush Prairie

Brush Prairie is a good time country band covering vintage classics from the country, folk and gospel genres and performing originals that fit right in.

$10.00 - $12.00


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