Tricky Falls and Pony Productions Present
The Summer Slaughter Tour
Morbid Angel, Dying Fetus, The Faceless, Thy Art Is Murder, Goatwhore, Origin, Decrepit Birth, Within The Ruins, Fallujah
209 S El Paso St
El Paso, TX, 79901
Doors 2:00 PM / Show 3:00 PM
Morbid Angel is an American death metal band based in Tampa, Florida. UK music magazine Terrorizer ranked Morbid Angel's 1989 debut Altars of Madness first in its list 'Top 40 greatest death metal albums'. Decibel Magazine also rated guitarist Trey Azagthoth as the number one 'death metal guitarist ever'. The band's songs are complex in arrangement, owing to the considerable technical skills of both Azagthoth and drummer Pete Sandoval, who also played in the grindcore band Terrorizer. According to Nielsen SoundScan, Morbid Angel is the third best-selling death metal band in the United States (after Cannibal Corpse and Deicide with sales of over 445,000, with their third album Covenant being the best-selling death metal album of all time with over 127,000 units sold.
Dying Fetus is a brutal death metal band formed in 1991 in Upper Marlboro, Maryland, United States.
Dying Fetus's music is a hybrid of death metal and grindcore, characterized by extremely fast blast beats, complex riffing and slow breakdowns. Lyrics-wise, the band dabbled in the usual gory death metal subject matter on their early albums, and respectfully covered "Born in a Casket," a song originally written by famous death metal band Cannibal Corpse. By 2000's Destroy the Opposition, however, they shifted towards politically driven lyrics. Their lyrics are often left-wing, mostly consisting of aggressive critique addressed towards things such as religion, corporations, consumerism and war. Their fusion of death and grind is called Slam.
The Faceless are a technical metal band from the Los Angeles area who have formed to astonish their live audiences with dizzying guitar work, lightning fast drumming and unmatched brutality. Formed by guitarist Michael Keene and bassist Brandon Giffin, the band quickly found the perfect mix of dedicated musicians to complete the line up.
Drummer Brett Batdorf having played a brief stint with Himsa and long time drummer of the acclaimed Los Angeles death metal band Tchildres complimented the group perfectly and was added to the line up soon after. The combination of blistering guitar work, complex and fast-paced rhythms, offset by haunting keyboards and brutal vocals from singer Jeff Ventimiglia set The Faceless in a class with the metal legends who have come before to change metal forever. The Faceless have developed a large following from their dead accurate live performance and the online success of 3 songs recorded and produced by guitarist Michael Keene. The band has already become a buzz in the metal scene drawing up to 300 kids at local shows. The Faceless is quickly rising to the top in a sea of mediocrity to claim their place in metal virtuosity.
In the past year The Faceless have been lucky enough to share the stage with such talented acts as: Cephalic Carnage, Vital Remains, Impaled, Through the Eyes of the Dead, Animosity, Ed Gein, The Number 12 Looks Like You, Into The Moat, Reflux, On Broken Wings, From A Second Story Window, Ion Dissonance, Crematorium, Phobia, Light This City, Neuraxis, Job For A Cowboy, Intronaut, Anal blast, All Shall Perish, Winter Solstice, Radiation 4, The Red Death, Embrace The End, Psyopus, Deadsoil, Glass Casket, and many others.
Thy Art Is Murder
Rising from the unhallowed wastes of Western Sydney, extreme metal outfit Thy Art Is Murder have carved a trail of bloody mayhem since their inception in 2006. With an acclaimed EP and debut album in Infinite Death and The Adversary to their name, the band have traversed the highways and autobahns of Australia, the UK and Europe on a relentless crusade to destroy every venue and audience they can with like minded peers in a who's who of heavy metal.
2012 brings a new ritual offering of darkness from the five piece. Simply titled Hate, the band's second full length is the pointed result of Thy Art Is Murder's growing dissatisfaction with all aspects of modern life - political, religious, social and environmental - everyone is to blame. Fusing the blasting technicality of metal luminaries The Black Dahlia Murder with thunderous breakdowns and the intensity born of their nascent hometown scene; the blackened grandeur of Behemoth and the pit churning groove of Tampa originators Morbid Angel and Cannibal Corpse, the furious musical arrangements provide a bloody canvas for vocalist CJ McMahon's outpourings of bile.
No strangers to stoking controversy and criticism, the band have not toned down their art for the sake of palatability and have introduced a morose melodicism into their maelstrom - the rumination before pulling the trigger. With their best work to date ready to be unleashed on an unsuspecting world, Thy Art Is Murder will once again take to the road to unleash the Hate with one simple message - get in the pit or get out of the way.
Over the course of nearly 15 years and an incalculable amount of tour miles, New Orleans' own Goatwhore have inadvertently established themselves as one the most diligent and consistently ferocious bands of the 21st century. Forged in fire by ex Acid Bath/Crowbar guitarist Sammy Duet in '97, their storied legacy follows a dramatic —and often traumatic — series of lineup shifts, injuries, hauntings, natural disasters and an assortment of other mishaps large and small. But, driven by a blood oath to heavy metal and perhaps the powers of Satan himself, Goatwhore forever persevere.
Their journey began with the bestial Serenades To The Tides Of Blood demo and subsequent Eclipse Of Ages Into Black debut full-length unleashed over a decade ago. Then a five-piece comprised of Duet, Soilent Green vocalist Ben Falgoust, guitarist Ben Stout, bassist Patrick Bruders and drummer Zak Nolan, the band's stanch DIY work ethic, rigid tour schedule and the bludgeoning force of songs like "Invert The Virgin" and "Desolate Path To Apocalyptic Ruin" quickly spawned a maniacal cult following. By 2003, Goatwhore had systematically harvested a legion of followers possessed by the band's profound maze of unhallowed lyrics, Celtic Frostian rhythms, and blackened bayou swagger. Catastrophe–brewed sophomore release, Funeral Dirge For The Rotting Sun, bore a slower, broodier brand of apocalyptic menace; one that trailed a near-fatal van crash that left Falgoust temporarily paralyzed and the future of the band in disarray. Against all medical odds, Falgoust regained use of his legs and the band, now a four-piece with Duet taking on full guitar responsibilities, quickly returned to their rightful place on the road. Seemingly drawn to bouts of misfortune, A Haunting Curse found the revised Goatwhore lineup of Duet, Falgoust, drummer Zack Simmons (ex-Nachtmystium) and bassist Nathan Bergeron, fleeing the debilitating floods of Hurricane Katrina. Delayed but undeterred, Goatwhore's first Metal Blade offering proved their most volatile yet. Relentless in speed, precision and barefaced animosity, Goatwhore had traveled well-beyond the confines of conventional black metal with a thrashier end product that fully-embraced their long-avowed Hellhammer and Venom devotion without ever plagiarizing it.
Released in 2009, the sinistral Carving Out The Eyes Of God hit with titanic urgency. Hailed among the year's most worthy metal albums by fans and critics nationwide, Goatwhore's fourth long-player shattered mainstream conventions. The record broke Billboard Top 200 ranking in at #190, debuted on the Billboard Hard Music chart at #33, the Billboard Top New Artist (Heatseekers) Albums chart at #16, and the Billboard Top Independent Albums chart at #34. Decibel magazine declared the production, "the band's tightest, most guitar-driven offering to date. An unholy smorgasbord of rigid tempo shifts, gargantuan hooks, blasting black mass anthems, and Falgoust's soot and venom snarl…," while Outburn compared it to, "a modern day, 'roid-injected sword fight between Celtic Frost and Venom." High traffic web portal Blabbermouth crowned the production "…one of 2009′s purest metal albums…nefariously black and sadistically thrashing in a way that is uniquely Goatwhore," while MetalSucks proclaimed Carving Out The Eyes Of God "the catchiest album Goatwhore have ever released." Further album triumphs included a spot on the 2010 edition of Ozzfest and two performances at the annual SXSW music conference enabling the horned collective to deliver their sadistic hymns of religious treachery to an even broader sect of listeners.
For the next two years, the band maintained an infamously unyielding tour cycle, leveling cities throughout the US, Canada, Europe and Australia with their universally praised live rituals. Further educating the potentially unversed, "Apocalyptic Havoc" appears on the Xbox 360/PlayStation 3 game soundtracks for Splatterhouse and more recently, Saints Row 3, while the video for the song was featured in an episode of Last Call with Carson Daly. And as if to close out a near perfect run of riotous adventures, Goatwhore was named Best Hard Rock/Metal Artist of 2010 at The Big Easy Awards last April, a deserving honor based on performance throughout the year.
In 2012, Goatwhore again raise their cloven hoofs in salutation to Blood For The Master. Now featuring Duet, Falgoust, Simmons and bassist James Harvey, who joined the goaty ranks in 2009 following the departure of Nathan Bergeron, the record finds Louisiana's notorious metal horde at their most unified. Recorded and mixed at Mana Recording Studios in St. Petersburg, Florida with longtime friend/producer Erik Rutan, who worked with Goatwhore on both Carving… and A Haunting Curse, the ten-track, 38-minute Blood For The Master is epic in sound, mind and execution.
Released through Decibel Magazine's flexi series, and later posted online for the masses to absorb, a cover of Motöhead's "(Don't Need) Religion" was presented as an album teaser in October. An appropriately infernal rendition of an often neglected classic, the song served as the perfect precursor to an album prevalent in its hailstorm of fist-pumping, heathen anthems and rhythmic devastation.
Exhibiting a labyrinth of moods and meticulous tempo shifts, Blood For The Master is streamlined without ever rendering itself predictable. As memorable as it is menacing, the band's fifth full-length quite literally writhes under the weight of its own deviant heaviness. Led by the traditionally iconoclastic sermons of the leather-throated Falgoust, and made whole by its mammoth guitar tone, unconditional drum/bass battery and Duet's intermittent snarls of wrath, the record again challenges god's legitimacy/authority while further exploring the ritual of death. Conveyed with a poetic, near occultish grace, songs like violent opener "Collapse In Eternal Worth," "Embodiment Of This Bitter Chaos," and "In Deathless Tradition" finds Falgoust, dubbed "one of the best live and recorded singers in metal history," by notable Canadian website Hellbound, in full domination mode. "I always have a lot of words," he elaborates. "I don't like repeating things but I've started doing more chorus-verse-chorus stuff. I started letting the music breath more."
"It's not like the new songs are a drastic change," Duet noted in an early interview with Decibel Magazine. "It's like an experimentation on how much more metal we can get – I mean actual metal; the roots of heavy metal. But not in a way that it sounds like power metal or anything like that. It's like an extremely metal version of us."
"I thought this was a lot harder to write just because we didn't want to repeat ourselves," he further notes. "I mean, we could have easily gone and written another Carving Out The Eyes Of God but we didn't want to do that. There are still elements on the new album that we wouldn't normally do, but it definitely still sounds like us."
"It's definitely harder at this point," Falgoust agrees of the writing process, "because you start to get to the point where you're a little older and more conscious about your ideas and everything; you become more anal about things. I'm still getting used to it, but I really like it. I like the flow. When we write, we try to think of it in a live approach. A lot of people write records but they never really focus on playing it live but that's so important. We can do all of these songs live, which is something we did with Carving… as well."
"I think sometimes we get slighted for stuff" Falgoust continues on where the band now fits within metal's ever expanding pantheon of subgenres. "Whatever terms people decide to lock us into— black metal, death metal, black death metal, everyone's gotta have some kind of little blanket. It's almost like a social standing. To me, it's all just straight heavy metal."
We Are Origins. Bloomed in the spring of 2013, Origins is a hardcore metal band based out of the Kansas City, Missouri area, reaching up into some of the top metal bands from KC. Origins stands out from the rest with their catchy, offbeat breakdowns and booming double bass. Our heart pounding breakdowns being so well placed within our tracks makes Origins a band with high hopes for the future.
Music is our lives, and we've dedicated all of our time in the world to make you (the fans) enjoy our music. We work to the best of our ability to put on the most outstanding show that our fans will remember for the rest of their lives. This is what we do, and it's what we live for. We Are Origins.
Decrepit Birth was formed in 2001 by Matt Sotelo - guitars, Bill Robinson - vocals, and Derek Boyer – bass. Originally the intention was to play devastating, brutal, technical death metal, mixed with influences from the early 1990's Florida death metal scene. Since Matt and Derek had at one time both played in Southern California band, DEPRECATED, it was easy for the two of them to begin collaborating on material for the first full length Decrepit Birth album "…And Time Begins".
In Fall of 2002, with the help of friend Tim Yeung on session drums, they entered Legion Studios to begin recording. Almost a year later "…And Time Begins" was released on Unique Leader Records, artwork by Dan Seagrave. The album had production issues but still managed to forge a very solid fan base in the death metal scene. The band went through a dry period of playing no shows due to the lack of a drummer. Bassist Derek Boyer got the chance of a lifetime and was offered a full time position with death metal legends SUFFOCATION. That left Decrepit Birth with out a drummer or bassist.
During 2004, bassist Risha Eryavec stepped in and not long after that, drummer KC Howard of ODIOUS MORTEM officially joined the band as well. For the next couple years the new lineup played many shows, fests and one North American tour. In 2007 the band took a break and began writing full time for the new album. They went through some lineup changes and also dealt with personal issues related to a past member. This conflicted the band, and brought about a spiritual overhaul. The result was a change in direction and sound. The new music was becoming influenced by melodic and progressive compositions. The sound was more mature and catchy, while still maintaining the brutality Decrepit Birth is known for.
In Spring of 2007 Decrepit Birth entered Castle Ultimate Studios with engineer Zack Ohren to begin recording for the sophomore album. In January 2008 the highly anticipated album "Diminishing Between Worlds" was released again through Unique Leader Records. During that same month of January, Decrepit Birth embarked upon their biggest tour yet, opening for THE BLACK DAHLIA MURDER, THREE INCHES OF BLOOD, and HATE ETERNAL. With the addition of a second guitarist, Dan Eggers and bassist, Joel Horner(both of ODIOUS MORTEM) to replace Risha so he could focus on his family and job, the brand new line up played night after night of sold out shows through out the United States. Now with a new album freshly released, Decrepit Birth was able to catch the attention of Nuclear Blast Records, which was a label the band really wanted to work with for years. After negotiations, they happily signed on with Nuclear Blast in Spring of 2008. The band is currently touring in support of the new album and is also writing new music, which can only be described as an "evolved version of what we did on Diminishing Between Worlds".
Within The Ruins
"Recognizing the talent and passion of Massachusetts natives, WITHIN THE RUINS, it's no wonder Victory Records added them to its growing roster. This quintet is armed with a unique take on blending technology and metal together to write music that sets their band apart from the numerous metal bands today. WITHIN THE RUINS have mastered their technique of bringing breakdowns, riffs, tempo and a dash of personality together in order to form one cohesive entity. The development of WITHIN THE RUINS first began in 2002. That was when founding members Joe Cocchi (Guitar) and Drummer (Drums) began taking a more serious approach and started heading out on the road, doing DIY tours from 2006-2009. At that point in time the lineup was comprised of Tim Goergen (Vocals), Mike Beaujean (Bass), and Kyle Marcoux (Guitar), in addition to Cocchi and Drummer. As things progressed for the band, January of 2010 brought change when Jay Van Schelt (Guitar) was brought in to replace Marcoux; this change refueled the band to write their best record to date entitled INVADE." - last.fm
In Early 2007 A group of high school friends (Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, And Suliman Arghandiwal) from the east bay first started jamming and writing music. The initial product being both misguided and adolescent, the band played its first show on June 15th 2007 In walnut creek. The First 4 song Demo (which is and forever will be out of print) was released in late june of 2007. The songs "tyrant", "verdict", Schleicher", And "Infidel" were the first tracks to define the bands sound, which at the times was hardcore grind and death metal in the vein of The Acacia Strain, Converge, and Despised Icon.
Later that year the bands parted with their bassist Dan Wissinger due to other commitments and their drummer Tommy Logan as well. Brandon "Brando" Hoberg (ex-Vivisection) Joined on bass and Andrew Baird (ex Someones Lullaby) On drums. The band continued to play shows around the bay area and over time broke out into areas such as the Central Valley, Sacramento, and Central Coast. In Winter 2007 The band recorded their 2nd demo (Which is and forever will be out of print) at TWS studios in Vacaville. The songs "Prophets", "Tyrant", and "100 Years From Now" pushed the band further in the realm of musicianship and well rounded song structure. The songs were released January 2008.
After nearly a year of playing songs from previous recordings, the band had done quite a bit of growing musically and began writing their debut EP which was eventually named "Leper Colony". Prior to recording, the band parted ways with their original singer Suliman for personal reasons and guitar player Alex Hofmann took up vocals and Rob Maramonte (ex-Eviscerated) joined on as a new guitar player. The songs were a huge leap forward on maturity as the band truly defined their own sound blending technical death metal, black metal, and atmosphere while still retaining a heavy and energetic vibe. The band Recorded with Sam Pura of Panda Studios in San Francisco. The Songs were released in January of 2009.
The band expanded its conquered territory and reputation greatly in the months after The Release of "Leper Colony". The band ventured from Chico, Fresno, Bakersfield, and in the summer of 2009 the band embarked on its first legitimate tour with Oakland's Antagony. The band toured California, Oregon, Washington, Idaho, Utah, Colorado, New Mexico, and Arizona. The bands came home successful after over 2 weeks of basement shows, parties, and van breakdowns.
Fallujah has since evolved to be one of those most aspiring and respected SF Bay area bands. The band evolved once again both musically and lyrically with songs concerning Satanism, religious fundamentalism, secret societies, nature, and social fallacies. With imagery provided by Artist and Singer Alex Hofmann the band progressed visually as well to a finely tuned machine. In late summer 2009 the band started writing their 2nd EP taking their largest leap forward combining atmospheric and depressive black metal, progressive death metal, and fusion to truly define a unique sound unlike anything else heard in the underground music scene. With the help of mini labels "Grind-house Music" and "Foot & Mouth Records" the EP is to be released worldwide. The band once again evolved in form with the parting of longtime bassist and guitar player Brandon Hoberg and Rob Maramonte due to musical and personal differences. The band took in Anthony Borges(ex-Scourge of Medusa, Valkyrja, and Suffokate) and Danny Farhoud (ex-Scourge of Medusa and Valkyrja). The band will be embarking on a month long US tour with friends Rise of Caligula and plans to release its next album in January 2010.
Mon, April 20
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