AdHoc Late Night with Xeno & Oaklander, Cloudland Canyon
Brooklyn, NY, 11211
This event is 21 and over
Xeno & Oaklander
Xeno and Oaklander are a minimal electronics girl/boy duo, and they are based in Brooklyn, NY. They began writing music and soundtracks in 2004. Miss Liz Wendelbo is French / Norwegian and Sean McBride is from Maryland. They record their songs live in their studio and play analogue synthesizers and instruments exclusively. They have toured Europe and the West Coast extensively, and they have played on the East Coast in music venues, lofts and festivals. They have also performed at SF Moma, PS1 Warm Up, Miami Art Basel, the Zürich Kunsthalle and the New Museum in New York. Sean McBride has created original music for artists Annika Larsson, Jonah Freeman, Annee Olofsson and Dara Birnbaum. Xeno & Oaklander have recently scored a soundtrack for artist Fabian Marti. Their latest Remix is for John Foxx and the Maths
This record totally knocked us for a loop. And the thing is, I'm not entirely sure we can explain why. This is one of those rare records that is darn near indescribable. The label suggest Cloudland Canyon would appeal to fans of Boards of Canada, Animal Collective, The Dead C., Ash Ra Tempel, This Heat, Gong, most of which we can definitely see (maybe not the Boards Of Canada), there is a definitely a far out Krautrock vibe, some classic long lost, extra damaged super freaked out sixties or seventies psychedelia, but filtered through modern technology.
It's almost like some super computer a million years in the future began picking up these strange transmissions from the old Earth, German Oak, Faust, Amon Duul, but after traveling billions of miles and being interpreted by some alien machinery, those songs and sounds came out sounding, well, completely fucking nuts!!! It's like some sort of laptopped Dead C / Ash Ra mash up. Rich clouds of metallic shimmer surround looped guitars, creepy chanted vocals are submerged in demented spacey FX, dense deconstructed pop songs emerge from the chaos, rife with swirling vocals, and layer after layer of drone and processed harmonies, fuzzy shopping mall synth warbles beneath straining lo-fi vocals, the whole thing run through some intense stereo panning. Suddenly the band burst into some stomping propulsive psych rock jangle before the whole thing splinters into a gorgeous expanse of tranquil ambience, beneath delicately finger picked guitars, everything always within a cloud of mysterious sonic events.
Dense cinematic soundscapes of keening high end and minor key pizzicato strings melt into super fuzzed out classic rock jams, with horns and pulsing basslines, but buried in a dense swirl of My Bloody Valentine haze, with relentlessly squiggly riffing, buried vocals, a dizzying array of chaotic sound, tinkling chimes and little bits of percussion. Strange collages of warped warbly sound drift into weird seventies circusy prog with calliope like organ, moody riffing, and awesome male / female vocals, like some totally drug drenched unhinged Fleetwood Mac. Nearing the end of the sonic journey, the record devolves into huge stretches of squiggly analog synth, tangled and intertwined into fuzzy warped low end drones, squirming and buzzing with the different layers constantly shifting and slipping in and out and around each other.
Woah. Gorgeously fucked. And thus completely recommended.
$10.00 - $12.00
Tickets Available at the Door