HOT CHIP (DJ Set)

Hot Chip (DJ Set)

There are five words slipped into the middle of ‘Night and Day’ – the hyper-infectious, propulsive track that comes halfway through Hot Chip’s fifth album – that in many ways sum up what’s In Our Heads. Somewhere between the fizzing percussion and the relentless and addictive bassline, a processed voice intones the line, “I like Zapp not Zappa”.

Although the Alexis Taylor penned words were written primarily as a reaction to ill-informed requests during the frontman’s DJ gigs, if viewed as a statement of intent for the record as a whole they speak volumes. They seem to say this record is playful yet unburdened by extraneous fuss or showiness. That this is a joyous record aimed squarely at the heart and at the heart of the dancefloor.

It’s an ideology that seems to subliminally seep through the rest of the tracks on In Our Heads. You can hear it on the opening track – ‘Motion Sickness’ – where the track seems to dizzily modulate one step ahead of the listener with every four bar loop and on ‘How Do You Do’, a celebration of the joy of life itself stretched over a backing track that sounds like a Chicago house record reinforced with titanium. It’s there throughout the seven-something minutes of ‘Flutes’ in the chopped up rhythmic chant that runs through the heart of it while the rhythm track crackles like electrical cables in heavy weather and it’s in the ocean deep melancholy of the gorgeous ‘Look At Where We Are’. It’s there in the utterly ecstatic wordless chorus of ‘Let Me Be Him’. And it’s there on the constantly evolving, Abbey Road-esque ballad ‘Now There Is Nothing’. In fact, it’s there right through the middle of In Our Heads, helping to forge something akin to the perfect synthesis of electronics and live instrumentation, a place where Alexis’ beautifully soulful vocals sit as perfectly on liquid R&B backing tracks as on songs that sound like Prince beaming back from the 31st century.

Juan Maclean

Since the turn of the 21st century, DFA club music maestro Juan MacLean has been laying groundwork. First, there were killer singles, from "By The Time I Get to Venus" in 2002, to international mega hit of 2008 "Happy House" as well as the "The Simple Life". There was a debut full-length (Less Than Human, 2005); remixes for colleagues like Air, Yoko Ono, Daft Punk, David Gahan, Franz Ferdinand; international tours with Cut Copy and Shocking Pinks, and DJ gigs from Telluride to Tel Aviv.

In April 2009 came the second album, The Future Will Come – a more pop inspired collaboration with DFA mainstay Nancy Whang. "In my career as The Juan MacLean, my guiding principle was to start out more dance-y and instrumental, and someday bow out making flat-out, three-and-a-half minute pop songs." As he puts it himself – The Future Will Come estimated this creative arc is at its midpoint.

The next stop on the journey was 2010's Juan MacLean DJ KiCKS mix CD. True to the series' standard, it was selected by DJ Magazine as the #1 essential mix of 2010. Juan's expert take on pure house music (re) introduced house to a new generation of dance music fans such that the genre's popularity has risen to new heights.

Last year DFA released a 12" under Juan's "house-de-plum" Peach Melba and a digital-only album called Everybody Get Close. It pulled together songs which had previously never been released on an album and remixes of The Juan MacLean songs by the likes of Cut Copy, Holmes Price and DFA's Jee Day.

Sleazemore's personality in American electro culture is big and hugelike the ocean is deep. The ever-ready party machine has been known called the antithesis of many bad decisions. His party in San Francisco, Light's Down Low (nominated for best club in SF '08 music awards), is an essential spot, acting as a minor league for artists who shortly after become major players, and has recently become intenational with the opening of Lights Down Low Amsterdam and Lights Down Low France to much acclaim. Sleazemore's graphic design is not only in demand, but has been one of the most influential of today's electro scene. His track selection is consistently solid he's been known to mix the hottest track of the minute with the hottest track of tomorrows when it's not even 5 hours old. He's shared the stage with the likes of Simian Mobile Disco, Green Velvet, Justice and the Ed Banger Crew, MSTRKRFT, Boys Noize, Laidback Luke, Jesse Rose, Miss Kittin, Tiefschwarz, Kid Cudi, Felix Da Housecat, Major Lazer, Matthew Dear, the Sounds, Sinden, Crookers, A-trak, Trevor Loveys, Dj Craze, The Glimmers, Tim Sweeney,The Jaun Maclean, Tommie Sunshine and countless others and has played everywhere from NYC to Berlin to Mexico City to Paris.

Richie Panic

Richie Panic is a SF based disc jockey, underground comedian, and producing dreamboat. Richie makes and applies various theories to the object of "dance music". He is really into Kate Bush, KMFDM, and Richard Allen. Richie Panic enjoys mattress fires, kitty cats, and swimming. He thinks everyone looked better when people read magazines. Get into what he is selling and you will live to your fullest potential. Do it today!

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