Sacred Bones x AdHoc Late Night with Lust For Youth, Pharmakon, Container, Croatian Amor, UNIFORM

Lust For Youth

Lust for Youth is the solo vehicle of Swedish electronic musician Hannes Norrvide. The project began in 2009 in Gothenburg, Sweden, at a collective venue/practice space when Norrvide's friends were starting up a punk band. He was inspired to join in, but he only had access to a somewhat useless toy keyboard, so due to the limitations of his instrument, he opted instead to make music alone. The early experiments of Lust for Youth were raw, primitive, and drony. Norrvide worked on the project tirelessly, releasing several cassette albums and miscellaneous 7" singles before the release of 2011's proper full-length, Solar Flare, on the Italian label Avant! Records. At this point Lust for Youth had grown from its hazy beginnings into a tormented darkwave sound, minimal electronics, and gothic beats that bordered on harsh noise. Loke Rahbek of Sexdrome joined Hannes in collaboration following the release of the record, and the duo played shows throughout Europe. In 2012 the harsh and dissonant Growing Seeds album materialized, released again on Avant! in Europe and on Sacred Bones in the United States. Around that time the band relocated from Sweden to Copenhagen, Denmark. They followed in 2013 with third album Perfect View, again released on Sacred Bones.

Pharmakon

Uniform formed in New York City in late 2013 when old friends Ben Greenberg (Hubble, The Men, Pygmy Shrews) and Michael Berdan (York Factory Complaint, Drunkdriver, Believer/Law) realized they lived on the same street. Their impulsive collaboration quickly yielded Our Blood / Of Sound Mind and Body single. The six tracks that comprise the equally abrasive but more refined Perfect World have been coming together between tours and work ever since.

The music that Greenberg and Berdan conjure up under the Uniform moniker is immediate, aggressive, and even primal in form, but it plumbs untold depths. Berdan’s venomous voice mines deeply personal themes of resentment, regret, reflection and addiction over the hum of Greenberg’s almost impossibly disciplined guitar, bass synth, and drum machine lines. Greenberg uses the word “templatized” to describe their approach to writing songs for Uniform.

“There’s this set bunch of gear to create sounds, and it only creates sound through a certain process, or within its own limitations,” Greenberg said. “The goal of songwriting is to see how many different kinds of sounds you can get from the same basic process and machine.”

On Perfect World, that machine is firing on all cylinders. The guitar is run through a cheap ’80s preamp marketed to metal kids. The drum machine is equally no-frills, an Akai XR20 that Greenberg says “most people wouldn’t want to keep around.”

These humble components are combined with noisy synth and Berdan’s profound howling to form something much greater. Post-punk, synthpunk, and industrial traditions are borrowed from as needed, but the constraints placed on the process mean the result is unique to Uniform. Berdan describes his lyrics as the consequence of feeling “so full of pain, confusion, deep selfishness, and general animosity that you make some horrible mistakes and have to learn how to forgive yourself for them.” Perfect World feels like the sum of all that pain and confusion, but it also feels like the catharsis.

$10.00 - $12.00

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