The Felice Brothers
1026 Spring Garden St.
Philadelphia, PA, 19123
Doors 8:00 PM / Show 8:30 PM
This event is all ages
The Felice Brothers
God Bless You, Amigo is a collection of home recordings made in the spring of 2012. Due to a cloud of misfortune resembling in part the curse of Rocky Colavito, our home was nearly destroyed by a freak hurricane; our prized and seemingly immutable Winnebago was driven to the ground and mercy shot somewhere in Vermont (long may she stalk the golden highways of heaven); our singer and lead guitarist, Wall Street Panic Snopes, was hospitalized for an acute skin disorder in a foreign hospital; and then in what seemed a perfect finale, all of our amps sizzled out and died during rehearsal upon his return.
This made us go insane with laughter and play our favorite song, “Gulf Of Mexico” – which is also a known aid in exorcism – for what seemed like hours. The old fiddle tune had a strange power over the band, but our management convinced us that releasing a four-hour instrumental
was a little too reckless, even for us. After much deliberation we all agreed that we should play more songs along with “Gulf of Mexico.” We all spit in our hands and shook on it. This material consists of eight traditional folk songs and 12 original songs that we’ve always liked,
but never had a chance to put on records.
The proceeds from God Bless You, Amigo will go towards a new tour vehicle so that we can come and play your town, or enable us to go into a studio and record a new album (as we have a lot of new material), or to fix our amps. It’s only a $5 download, but you can give more if you are feeling philanthropic.
God bless you, Amigos – The Felice Brothers
The best of these folks who write songs make you think about time, and I find myself thinking about time a lot when I listen to Robert. When he and his Boys are plugged in, the final hours of a night race along in a sweaty, whisky-soaked blur. And when he sits on a stool -- with just his guitar, voice and songs -- time slows down, as he spins tales of love and life and the way they twist together and are torn apart as we march along to some destination chosen by the great rearranger.
We talk about his folk and his country as though they're hot and cold handles on a faucet. The temperatures are perhaps different but it all has a fluid consistency. There are quieter songs about making a home and louder songs about breaking a home, but they're all about being here now . . . even if they sound old as time while still being well built for the future. All of it could easily be classified as country, of a sort with the great writers and players Robert studies and admires, from George Jones to Paul Simon. Why deal with something as cold as genres. It's American music through and through. (Andrew Dansby)
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