Matuto, The Boston Boys
196 Allen St.
New York, NY, 10002
Doors 7:30 PM / Show 8:00 PM
This event is 21 and over
In 2002, Clay Ross embarked on a musical odyssey that brought him closer to home. The South Carolina native moved to New York to pursue a jazz career and several years later found himself in Recife, Brazil studying the region’s folkloric music. Along the way he rediscovered the straightforward songs of his native South.
The guitarist and singer titled his Ropeadope Records debut Matuto, after a Brazilian slang reference to a man from the backcountry. Described as “Weird and Wonderful… Unorthodox and Delightful” by Jazz Times Magazine, the set allows Ross to carve a niche in a musical tradition created on another continent. He performs North American folk songs like “Home Sweet Home” and Blind Willie Johnson’s “John the Revelator” over South American rhythms Maracatu, Forró, and Coco typical of the northeastern region of Brazil.
In recording the album, Ross called upon the talents of NYC’s most sought-after musicians, including master accordionist Rob Curto. Born in New York, Curto is widely regarded as forró’s foremost ambassador in the States. An early devotee of North American swing music, bebop piano, funk, rock, and blues, he has combined these influences with his mastery of their Brazilian counterparts forró, chorinho, samba, maracatu, and frevo to produce stunning new results. He spent years living and playing in Brazil, completely absorbing and interpreting the country’s musical traditions. Curto was a member of the original scene that established forró, the dance music of northeastern Brazil, as an official dance craze in downtown New York.
Ross and Curto began exploring a shared musical vision and set about combining their individual repertoires into an extensive library of Pan-American influences. Focusing their talents, resources, and experience Ross and Curto set out to establish Matuto as a band.
In February of 2009 they received a prestigious Fulbright Grant and completed a six-week residency in Recife, Brazil. There, with drummer Richie Barshay (Herbie Hancock Quartet) and bassist Edward Perez, the band thrilled audiences at the Garanhuns Jazz Festival and the massive Rec Beat Festival, finding equal comfort along side jazz and blues legends, folk music traditionalists, and indie rock experimentalists. They also lead educational workshops in underserved communities and performed public concerts in theaters and auditoriums across the city. Later that year they headlined the American Folk Festival in Bangor, ME and the Montmagny World Accordion Festival in Canada.
Employing renowned musicians across NYC’s diverse jazz, roots, and world music scenes, Matuto features violin, guitar, accordion, bass, drums, and various Brazilian percussion instruments: the alfaia (a large, wooden, rope-tuned bass drum), the pandeiro (a Brazilian tambourine), the berimbau (a single-string on a bow struck with a small stick), and the agogô (a pair of small, pitched metal bells.)
Currently working on a new album, Ross and Curto have produced a compilation disc of their respective best. This compilation reflects the inspiring live show that the band has developed in the last year. Appalachian fiddle tunes bounce with a Northeastern Brazilian lilt while the one string Berimbau resonates with a strangely effective blues riff. Curto spins long chromatic melodies over intricate arrangements and infectiously funky folkloric rhythms. Like a true southern preacher, Ross delivers colorfully satirical lyrics reminiscent of David Byrne, Tom Ze, and Caetano Veloso.
With an honest love for roots music, genuine Brazilian styles, and improvisational experimentation, Matuto creates a unique and inspired sound from the heart of New York City’s diverse musical culture.
The Boston Boys
Future Roots band, The Boston Boys, formed in Boston in 2012, live in Brooklyn, and play around the world. In only two years, they’ve performed in over a dozen countries throughout Europe, North Africa, and the Middle East. Their unique instrumentation, musicality, and fearless live performance is quickly earning them a loyal fan base. Not so secret spies or just an electrified band of gypsies on a mission? Either way, you’ll hear them coming.
Mandolinist, guitarist, and lead singer, Eric Robertson, initiated the project as a student at Berklee College of Music. He, along with multi-instrumentalist Duncan Wickel, bassist Josh Hari, and drummer Nicholas Falk deliver a new fusion of American roots music inspired by bedrock artists like Paul Simon, Ray Charles and The Band. They recorded their upcoming EP, studied entrepreneurship with California College of the Arts Design MBA faculty, and cut a deal with Musikara, an innovative platform for collaborating, sharing, and rearranging music while they were residents at Zoo Labs in Oakland, CA in October 2013.
The Boston Boys harness American grooves and redesign them for a radical future of global collaboration. Future Roots music combines your first love with what you think you know about the world. It’s big out there and always evolving. What’s the soundtrack? There are two EPs out ("What You Say?!? and "Keep You Satisfied") and a third going public in May 2014.
General Admission; very limited seating || Tickets do not guarantee seats || *Please note, there is a one drink minimum for this show*
Rockwood Music Hall Stage 2
Mon, March 2
Thu, March 5
Fri, March 6
Sat, March 7
Sat, March 7
Sat, March 7
Sat, March 7
Sun, March 8
Mon, March 9
Tue, March 10