Good Times Miami

No longer is it a crime to mash a hip-hop acappella into a techno track. In this arena, A-Trak, aka Alain Macklovitch, leads the pack. The 27 year-old Montreal native rides the line between hip-hop and electronic beats in a refreshing hybrid of everything ass-shaking." (BPM Magazine, issue 86)

Very few DJs can jump from club sets to high-profile festival performances, to Kanye West's larger-than-life stadium shows with ease. In today's DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America's most trendsetting new label, Fool's Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool's Gold's mission to merge all aspects of club music was already outlined in Trizzy's original mix tape manifesto, Dirty South Dance (2007), which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo's radio smash "aNYway" cemented itself as the dance anthem of the year, A-Trak's first true chart-topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs.

Not bad for a kid whom many viewed as a 90's turntablism prodigy. Indeed, Alain's career began at age 15 when he won the 1997 DMC World Championships and proceeded to take home every other DJ title known to man. He then toured the globe, first alongside Q-Bert's Invisibl Skratch Piklz and then with Craze and the Allies. In 2004, he was handpicked by Kanye to be his tour DJ. A near decade of youthful meanderings was captured on his acclaimed DVD Sunglasses Is A Must.

Somewhere along the line, A-Trak also became a streetwear culture icon, collaborating with Nike, New Era, Kidrobot, Zoo York and pretty much every designer worth his salt. And all the while, his brother morphed into the lead singing lothario in the acclaimed electro-pop sensation Chromeo. The last couple of years have seen Trizzy headlining tours and festival stages the world over. Add to that scratching on Common's classic Be, Kanye's Late Registration and Graduation, and Kid Cudi's Man On The Moon, as well as producing Kid Sister's debut album Ultraviolet, songs with Lupe Fiasco, and original releases with Stones Throw and Kitsune.

After years of schlepping vinyl, accumulating air miles and dressing smart, A-Trak has finally become the man to call to make the kids dance. Ask him and he'll tell you that this is the moment he's been waiting for his whole career.

Amtrac

"Amtrac, the solo project of Kentucky's Caleb Cornett,
has just the right mixture of pop and cutting-edge sonics to break through the void. On 'Came Along,' Amtrac guides a rapid, crunchy beat and electric piano figures to a thoroughly mature songwriting space. He's restless, though. This poise quickly evolves into spliced samples flickering across the track in microtonal dots -- a true dancefloor deconstruction."
-RCRD LBL

Since 2006, Anna Lunoe has been leaving a trail of exhausted and ecstatic crowds wherever she goes. Clubs throughout Australia have become her weekend playground, she's a festival favorite with multiple appearances at Big Day Out, Splendour in the Grass, Parklife, Field Day, Falls Festival & more, steadily moving closer to the top of bill with each passing year. When artists like Diplo, Daft Punk, Switch, Calvin Harris, A-trak or Soulwax come to town it's more than likely Anna's on support, throwing down a set that has the crowds and the main act talking for days.

Despite having dominated down under for the most part she is no stranger to touring, having racked up a mountain of flyer miles playing world renowned parties throughout Asia, Europe and the U.S. Flashing lights in NYC, Mad Decent & Dim Mak joints in LA, Raves in Kansas City, and all the way across the Atlantic at Ed Banger soirees in Paris, Vice shows through the UK, Razzamatazz in Spain, and Rust in Copenhagen to name a few. In 2009, Ministry of Sound approached her with the prestigious offer of being the first female to curate one of their mixes, and the resulting CD [Clubbers Guide to 2010, mixed alongside Axwell & Hook N Sling] went gold in the snap of a glowstick.

Her reach does not stop in club land. When international brands like Chanel, Fendi, Prada, Louis Vuiton and Hugo Boss need music direction for their shows, whether in London, New York, Paris or Sydney, Anna can be found behind the decks looking as graceful as the models on the catwalk.

So far in 2011, Anna performed across Australia on the Big Day Out tour, completed a month long USA club tour, wowed Japan for MTV, Dj'd (and hosted!) Parklife main stage, mixed her 3rd Ministry of Sound Compilation followed by a national tour, was chosen as the Australian ambassador Smirnoff, returned to Splendour In The Grass [with her all-girl DJ crew Hoops] plus made huge leaps further into the production world.

Her first original production, a disco-inspired collaboration with Wax Motif called 'Love Ting' reached #12 on the national independent radio charts, getting radio play all over the world, with Chuckie championing it on BBC Radio 1. Her second, a dark banger 'Voodoo' (produced alongside LA's Them Jeans) features her on vocals, and is on her new Ministry compilation. It's a very exciting sign of things to come for Anna's production, with some massive releases on the horizon.

Since getting her start on radio over 5 years ago, Anna has gone on to influence numerous fledgling DJs and steer clubbers towards breaking genres in the world of bassline & bashment sounds. At the end of 2010, Sydney magazine named her in their 100 most influencial people list, and she continues to host her popular radio slot on Tastemaker radio station FBi 94.5 each week. Now she is taking on the world- and with heavyweights like Brodinski, Switch, Calvin Harris and Axwell turning up at her shows, its safe to say Anna Lunoe is the little Aussie girl that could, winning over the big boys one spin back at a time.

Congo Rock (real name Rocco Rampino) is a DJ and producer based in Lecce, Italy, he is part of the current fidget house trend along with other Italian producers The Bloody beetroots Crookers and Gigi Barocco

Alex Ridha (aka Boys Noize) was first known for his influential work as a producer and remixer for Daft Punk, Depeche Mode, Santigold, Scissor Sisters and Feist. Voted by Rolling Stone as one of the top 10 "DJs Who Rule The Earth," in 2012, Boys Noize has since toured the world, released three full-length albums and has collaborated with artists like Snoop Dogg, Skrillex, and Erol Alkan. "I donĀ“t compromise when it comes to music," says Ridha. "I do what I think is cool and what I like and not what the market wants or people may expect. Maintaining artistic freedom has always been the most important thing to me; for my own music and for anyone on my label."

Brodinski

"Brodinski is the most exciting dj and producer to explode onto the scene in recent years. Yes, he may hail from France (Reims, Lille) but he is quite unlike any of his Parisian peers. His taste in music is broad and this is reflected in his own productions and dj sets which may encompass noisy techno, bass heavy house through to more melodic minimal. His programming is impeccable and he plays with such spirit that his 6'2'rame jerks and bounces when he gets excited by a track (yet he is neveruelled with anything more than Fanta Lemon!). The hot fuss started with his debut track Bad Runner which leaked onto blog sites months before it's release on Mental Groove in October 2007. Supported by everyone from Soulwax, Tiga, Chloe, Erol Alkan, A Trak, Busy P, Switch and Laurent Garnier the track peak time techno with Martian's yakking through it was one of the sleeper hits of the year. When it was eventually released the subject 'Bad Runner' had garnered over 3500 views on Erol Alkan's forum, people just couldn't wait to get their hands on it. The flipside Solaris was a more subtle and seductive slice of techno. At the time Brodinski told FACT magazine that he would like to record for both Erol Alkan and Damian Lazarus' labels and this record seemed to sum up that ambition. Since Bad Runner Brodinski has remixed Bonde de Role, Klaxons, Das Pop, Shoes, D.I.M, Heart Revolutions and Adam Sky. Each remix has had a different approach, from the acidic (D.I.M), to vocal techno (Das Pop) to melancholic end-of-nighters (Klaxons). This May he has two releases readied to rock the summer: Gold-digger which is a primitive house groove with ululating sirens and vocal gruntsollowed by an as yet untitled techno bomb. Brodinski has already been championed by Radio Soulwax, Tiga's Turbo and Bugged Out who have all already offered him multiple gigs and festival slotsor 2008. Expect to be hearing a lot more about Brodinski this year and beyond!"(Annie Mac)

producer tryna write hits.

DC and Hooks are Zeds Dead.

They first hooked up in 2004 and formed Mass Productions. Influenced by the digging in the crates sampling school of hip hop, Mass Productions released one independent album in the summer of 2007 entitled Fresh Beetz. It was their first and only release.

In the summer of 2009, the two launched their second collaboration - Zeds Dead - turning up the bpm and aiming the bass-lines at the dance-floor. Soon after Zeds Dead (alongside the Killabits) founded a weekly party in Toronto called BassMentality. Guests have included Nero, Skrillex, 12th Planet, Borgore, Mary Anne Hobbs, Plastician, Netsky, and many more.

Two of the hardest workers in electronic music, Zeds Dead's tireless efforts have earned them an excellent reputation amongst a new generation of producers as artists without borders - genres hold no bearing over their music as they transcend style and form with ease. By pulling from a vast array of source material (Radiohead, The Rolling Stones, The Moody Blues, Sublime), and molding it into their unique brand of dance-floor classics, They have established themselves as a dominant force in EDM circles and have received recognition and praise from tastemakers worldwide.

$25.00 - $55.00

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Good Times Miami

Wednesday, March 26 · 4:00 PM at Good Times Miami