"Thirty years ago, people said that we were cynical, that we had a bad attitude," says Devo's Mark Mothersbaugh. "But now, when you ask people if de-evolution is real, they understand that there was something to what we were saying. It’s not the kind of thing you want to see proven right, but it does make it easier to talk about."

"The world is in sync with Devo," says his band-mate and co-writer Gerald Casale. "We’re not the guys who freak people out and scare them—we’re like the house band on the Titanic, entertaining everybody as we go down."

And so, now is the time. More than three decades after the release of its visionary debut, Q: Are We Not Men? A: We Are Devo, and a full 20 years since its last studio album, Devo is back with the aptly titled Something for Everybody. The long rumored, wildly anticipated album (which was launched with a memorable performance in Vancouver at the Winter Olympics) features the band's classic line-up—Mark and Bob Mothersbaugh, Gerald and Bob Casale—joined by drummer Josh Freese (Nine Inch Nails, Guns n' Roses). Produced by Greg Kurstin (The Bird & The Bee), the album also includes contributions from John Hill and Santi White (better known as rising hip-hop star Santigold), John King of the Dust Brothers, and the Teddybears.

If you sit and talk to many of the alternative rock artists dominating today’s music, you’ll find that many of them pay homage to the The Psychedelic Furs. Led by front man and songwriter Richard Butler, the Furs won over fans and critics alike by combining poetic lyrics, innovative rhythms and melodies driven by an aggressive, punk desperation. Through it all, the band scored major hits with "Love My Way," "Pretty In Pink," "Heaven," "The Ghost In You," and “Heartbreak Beat” in all releasing seven studio albums and spawning several compilations, a boxed set, and a live concert DVD.

The Psychedelic Furs came together in England's emerging punk scene in 1977 initially consisting of Richard Butler (vocals), Tim Butler (bass guitar), Paul Wilson (drums), Duncan Kilburn (saxophone), and Roger Morris (guitars). By 1979, this line up had expanded to a sextet with Vince Ely replacing Wilson on drums and John Ashton being added on guitar.

The Furs debut, a self-titled album from 1980 was produced by Steve Lillywhite. The LP quickly established the band at radio in Europe and was a top 20 hit in the UK. The album also found success in Germany, Italy, France, Spain, New Zealand and Australia. The US version of the album was resequenced, yet failed to have as strong a commercial impact.

The Furs did find success in the U.S. with their next release, 1981's Talk Talk Talk, which saw the band making its debut on the US album charts. In New Zealand, meanwhile, the band became immensely popular, as Talk Talk Talk reached the top ten in the charts, the first in a string of Furs' albums to chart in the New Zealand Top 10.

In the UK, the album spun off two charting singles, "Dumb Waiters" and the original version of "Pretty in Pink". The latter song served as inspiration for the 1986 John Hughes film of the same name, and was re-recorded for the film’s platinum-selling soundtrack.

In 1982, the Furs, now a four-piece with the departures of Morris and Kilburn, recorded Forever Now, with producer Todd Rundgren in Woodstock, New York. This album included "Love My Way", which became yet another UK and US chart hit.

Ely left the band after Forever Now, although he would return for the 1988 single "All That Money Wants" and the 1989 album Book of Days.

The Furs' 1984 release Mirror Moves was produced by Keith Forsey, and featured the songs "The Ghost in You" and "Heaven". Both charted in throughout the world, and "Heaven" became the band's highest charting UK hit at the time. Strangely, however, "Heaven" was never released as a single in the U.S. Instead, Columbia Records opted for "Here Come Cowboys", despite both international success and heavy MTV airplay for "Heaven". "Here Come Cowboys" failed to chart, but "The Ghost In You" was a hit single on the U.S. Billboard Hot 100.

By the mid-80s, the band had become a staple on both U.S. college and modern rock radio stations. Simultaneously, they were experiencing consistent mainstream success, placing several singles in the pop charts on both sides of the Atlantic.

In 1986, the band recorded a sax-infused version of "Pretty in Pink" for the soundtrack of the film of the same name. Released as a single, it became their biggest hit to that time in the U.S., and their biggest-ever UK hit. Butler later claimed that the success of "Pretty in Pink" caused the band to be pressured into entering the recording studio to record a follow-up release before they were ready. The result was Midnight to Midnight, their biggest Top 40 success to date, but also a more overtly commercial effort than the Furs had ever recorded before. The album also featured the single "Heartbreak Beat", which became the Psychedelic Furs biggest hit yet on the U.S. Top 40. The album also featured drummer Paul Garisto and sax player Mars Williams, both of whom continue to tour with the band.

In the wake of Midnight To Midnight, the Furs found themselves dissatisfied with their new commercial direction, and subsequently returned to a rawer sound with "All That Money Wants", a 1988 track especially recorded for a best-of compilation album "All Of This And Nothing". 1989's Book of Days and 1991's World Outside also saw a return to the earlier Furs' style.

The Furs' steady chart success continued with three #1 hits on the newly-established U.S. Modern Rock chart between 1988 and 1991. "All That Money Wants" was a #1 hit in 1988, while "House" topped the chart in 1990, and "Until She Comes" was #1 in 1991.

The band went on extended hiatus in the early 1990s, with the Butler brothers going on to create the band “Love Spit Love” along with guitarist Richard Fortus and drummer Frank Ferrer. Love Spit Love released two albums and enjoyed some chart success as well.

After spending most of the decade apart, the Butlers and Ashton reignited The Psychedelic Furs in 2000, and released a live album Beautiful Chaos: Greatest Hits Live, which also featured a new studio recording, "Alive (For Once In My Lifetime)." A DVD version of the performance included live versions of "Alive" and three other previously unreleased songs: "Anodyne (Better Days)," "Cigarette" and "Wrong Train." Since then, lead singer Richard Butler has released an eponymous solo album produced by Jon Carin, and has hinted at the possibility of a new Psychedelic Furs album.

These days, the band continues to tour around the world. The current Psychedelic Furs touring lineup remains Richard Butler (vocals), Tim Butler (bass), Rich Good (guitar), Mars Williams (saxophone), Amanda Kramer (keyboards), and Paul Garisto (drums).

TOM TOM CLUB

The Tom Tom Club was created by Chris Frantz and Tina Weymouth in 1981. Graduates from the Rhode Island School of Design in 1974, they moved to New York City where they founded Talking Heads as a trio with David Byrne in 1975. Chris played drums, Tina played bass and David sang and played guitar. In November of 1976 they signed to Sire Records and released their first singles. In 1977 they were joined by Jerry Harrison (of the original Modern Lovers) from Boston. Jerry played guitar and keyboards. It was in early 1981, after five years of touring internationally and four studio albums they wrote and recorded with Talking Heads-- Talking Heads: 77 (1977); More Songs About Buildings And Food (1978); Fear Of Music (1979); and Remain In Light (1980)--that Chris and Tina were encouraged by Jerry and David, who had each left the group to make solo albums, to do likewise. So they signed with Island Records, then owned by industry legend Chris Blackwell, one of the first people to fully appreciate the value of a great rhythm section in and of itself. In March 1981 they flew down to Compass Point Studios, Bahamas, to record.
When legendary reggae producer Lee "Scratch" Perry failed to show up for the scheduled recording sessions, Blackwell allowed Chris and Tina to produce the album themselves with Jamaican engineer Steven Stanley, just 23, at the controls. First they laid down the basic tracks of drums, bass, keyboards and guitar. Then they asked a young Bahamian, Monte Brown, to play guitar on "Wordy Rappinghood" and "Genius of Love." In the studio next door, Chris Blackwell was producing Grace Jones making her classic Nightclubbing album that featured an array of great musicians. So when overdubbing hand claps to "Genius of Love," Chris and Tina thought it would be fun to invite Jamaica's famous "Riddem Twins" of drums and bass, Sly Dunbar and Robbie Shakespeare, to clap with them. Ezikiah "Sticky" Thompson added his percussion magic to "Lorelei" and Tyrone Downie added piano to "L'Elephant." Then, Adrian Belew, who had played with Talking Heads on tour, joined Chris and Tina on vacation to play guitar on several songs. Tina's "Sweetbreath" sisters, Lani and Laura Weymouth, who'd previously contributed their voices to Talking Heads' "Air," flew from New York to harmonize with her. Tina's brother, Loric, sent words of inspiration from overseas for "Booming and Zooming." When asked to describe the eclectic hybrid of music, Chris and Tina thought to call the funky blend "fresh" and "freestyle." On the spot, those tags became part of the dance and hip-hop nomenclature of the day.

$30.00 - $40.00

Tickets

add to your calendar

Upcoming Events
Redhook Brewery

  • Sorry, there are currently no upcoming events.

Ticketfly

DEVO, PSYCHEDELIC FURS, TOM TOM CLUB

Saturday, September 17 · Doors 3:00 PM / Show 4:00 PM at Redhook Brewery