Ankh Marketing & Thud Rumble Present Release Party for the New Album GALAXXXIAN!
DJ Shortkut, Dan the Automator, Peace, Bambu, & more!
444 Jessie St
San Francisco, CA, 94103
This event is 21 and over
Watch & Listen
Richard Quitevis was born October 7, 1969, in San Francisco, California. Known by his stage name DJ Qbert or Grandmixer Qbert, is a Filipino-American Turntablist and composer. He grew up in the golden age of the San Francisco Bay Area DJ battle scene of the late 1980's. Battling and training in the artform is what sets DJ Qbert apart from the rest. He is relentless in unlocking the sounds and systems of scratching. It is Qbert who is credited for championing the turntable as a musical instrument. He is often referred to as the Jimi Hendrix of the turntables, known to make them sing in complex and unimaginable ways. He has invented the most scratching techniques and musical innovations than any DJ in history. QBert is credited for being the world ambassador of the DJ as a musician and turning the turntable into a respected musical instrument.
DJ QBert delivers on this discipline like no other DJ. Along with dear friend Roc Raida of the X-Ecutioners, they have been the only two DJs in history to be Knighted by the Grand Masters of the Hip Hop culture. His peers and the media call him the Greatest DJ in the World, one of the most influential DJs of all time.
A former DMC World Champion and DMC Hall of Fame inductee, DJ QBert has developed some of the most important works that have shaped the Hip-Hop and Electronic music landscape to what it is today. From the early beginnings, with the 1994 release of Demolition Pumpkin Squeeze Musik, hailed by Source Magazine as the best mixtape of all time. To his innovations with his very own skratch records that set the stage for DJs to rebuild all their elements ready to manipulate through custom created vinyl. He created a DJ group to play pieces of his turntable band, giving rise to the Invisibl Skratch Piklz. In 1998, he released his album Wave Twisters, while immediately an animated film to sync with the music was drawn by legendary San Francisco artist Dug-1, drew the movie as he heard it. While in production of Wave Twisters the Movie, another film, Scratch, by director Doug Pray, was being filmed about the history and culture of the Hip Hop DJ, featuring DJ QBert as he is Knighted by GrandMixer DXT. Both films premiered at the 2001 Sundance Film Festival.
In the musical technology circles, DJ QBert is the most sought after stamp of approval. His inventions for Vestax hold as today's blueprints for turntablism. In 5 years, 5 different designs broke the 1 million sales mark, unheard of designing mixers above the $500 price tag, five times more than the price of battle mixers at the time. Ortofon, backed by almost a century in the phonograph industry chose to spotlight DJ QBert's achievements and designs by creating the first needle ever made to celebrate a DJ. His last hardware concept was the QFO for Vestax, a lightweight all in one turntable and mixer combination. Limited to only a few thousand made, it set the explosion of portable musicianship for the digital disc jockey.
DJ QBert was also first to breakground for DJs in gaming. In 1998 EA Sports brought him in as the first turntablist to score several of their titles which led to the DJ/Producer invasion inside the gaming industry. QBert has been featured in Street Fighter 4, Frequency by Harmonix, Tony Hawk Underground by Activision, and rumors abound about his next projects with Activision for 2010.
Apple Computers with the comeback of Steve Jobs started series of smart and forward thinking ad campaigns and brought in the likes of Will Ferrell, Yo Yo Ma, Tony Hawk, Kelly Slater, and the one and only DJ QBert. The campaign showed today's influential contemporary's who have made the switch from PC to Mac. It solidified Apple's "cool" effect on it's brand standing by leaders in their respective markets.
DJ QBert live performances are to be witnessed by jaw dropping fans in total standing about-face solidarity. Entire dance floors stop and just amaze in the turntable wizardry that no other DJ can perform. Throughout his entire career, his style has never veered away to explore the current trends and the latest fads, but stay true to the skills of two turntables and a mixer, these are the official instruments of Hip-Hop.
No other DJ in the world will ever be a member of the three most innovative and influential DJ crews to ever exist. As a member of the Invisibl Skratch Piklz, Beat Junkies and Triple Threat DJs, Shortkut's contributions to the DJ world greatly assisted in building this culture into the multi-million dollar industry it is today. His years of musical experience and unparalleled presence in the national and international circuits exemplifies his passion and dedication to a culture he helped create. In 2007, Shortkut celebrated 20 years as a DJ, producer, DJ equipment designer, and battle champion.
Dan the Automator
Producer Dan The Automator is known internationally as one of the most groundbreaking and inventive creators of hip-hop music. He first achieved critical and commercial success in 1996 with the esoteric Dr. Octagon album, and followed suit with a slew of landmark recordings and remixes that established him as not only a producer to be reckoned with, but as a remixer and songwriter as well. His collaborations with hip-hop legends Prince Paul (Handsome Boy Modeling School) and Del tha Funkee Homosapien (Deltron 3030) resulted in success on a larger scale, and he went platinum as the producer of the debut Gorillaz album in 2001. Another Handsome Boy Modeling School record followed in 2005. Dan co-wrote and produced "Get Your Way", a hit single for British singer Jamie Cullum. His new project, NBA2k7, features Mos Def, E-40, Fabulous, Ghost Face, A Tribe Called Quest, Rhymefest, Lupe Fiasco, and many others. The soundtrack will be released on September 19th, 2006.
Dan "The Automator" Nakamura was born and raised in San Francisco. A chance meeting with Kool Keith in San Francisco resulted in Keith hiring Dan for some work on his own record. Keith then suggested Dan assume production duties for his Dr. Octagon alter-ego, and Dan started to put tracks together for the record that would ultimately aquaint him with a much larger audience.
A fusion of hip-hop beats and bizarre atmospherics, Dr. Octagon was released on the Bulk Recordings label in 1996. Propelled by Kool Keiths' rhymes and mind-bending meter, the record owed its' success in equal measure to Dan's inventive production. Dan's studio, the Glue Factory, also served as the workshop for recordings by Mo'Wax's DJ Shadow and for various artists on the latter's Solesides label.
As Dr. Octagon spread through the underground scene, DTA found himself collaborating with directly or remixing for a wide variety of artists: Primal Scream, the Eels, DJ Krush, Cibo Matto, Dust Brothers, Mike Simpson, Cornershop, the Jon Spencer Blues Explosion, Stereolab, and more. Dan then teamed up with hip hop guru Prince Paul for a project called Handsome Boy Modeling School. An album titled So, How's Your Girl? was released by Tommy Boy Records and was an instant underground success. 2000's Deltron 3030 project followed, a collaboration with rapper Del tha Funkee Homosapien and DJ Kid Koala.
In 2001, DTA reached his widest audience yet with the Gorillaz, an eclectic collaboration with Blur's Damon Albarn and artist Jamie Hewlett. The self-titled debut was a hit on both sides of the Atlantic, going platinum in the U.S. and spawning Dan's first major hit single, "Clint Eastwood", featuring Del tha Funkee Homosapian.
In 2002 Lovage, a collaboration with former Faith No More singer Mike Patton and smoky vocalist Jennifer Charles was released. A mixtape of many of his favorite remixes called Wanna Buy A Monkey? followed, featuring remixes of Black Rob, Air, Zero 7, Tortoise, the Doves, De La Soul, Dilated Peoples, and more.
After reaching worldwide success with Gorillaz, demand for Dan as a remixer and producer grew exponentially. A known genre-bender, he worked on singles from acts ranging from Blink 182 to Sarah McLachlan, and co-wrote songs with artists such as Mos Def, Beanie Man, Beck, Busta Rhymes, and more. Additional collaborations with Alex Kapranos (Franz Ferdinand), Pharrell, RZA, Mars Volta, Casual, Cat Power, and Linkin Park were the beginnings of what would be the second Handsome Boy Modeling School album, which was released on Atlantic Records in 2005, and followed by a sold-out U.S. tour.
Hip-hop is a genre that has proved itself far more flexible and groundbreaking than anyone might have predicted at its genesis: from its massive worldwide popularity to its seemingly endless "next levels", as it were, hip-hop music continues to be full of surprises, thanks largely in part to record producers like Dan The Automator. While paying homage to his heroes and influences, Dan has crafted a career as unique as his records, always walking the line between music that makes a serious statement and music that delivers undeniable hooks and knows when not to take itself too seriously.
The apparent tranquility of peacetime has been known to foster the most fervent feelings of unrest, and this likely seems the case for Vancouver quartet Peace. The fresh young faces that stare out placidly from press photos or mug and jeer for the camera in videos for songs such as "Your Hand in Mine" are at odds with the deeper sense of unease contained in the music which the band propagates. Unsuspecting music aficionados lured in by the unassuming nature of the band and the aforementioned tune's beguiling sweetness are reduced to squirming uncomfortably in front of their laptops. Because despite the superficial aptness of their name, this is music drenched in the clammy sweat of existential crisis. Even beneath the smirking alcoholic mysticism of the lyrics, this music questions the foundations that it is built on. Do the guitars entwine or escape from one another? Are these songs hypnotic mantras or sadistic marches without destination? The band's 2012 album title,"The World is Too Much With Us", nods in agreement with Wordsworth's rejection of the material world while it's sound languishes in their native rain-choked streets. Perhaps this is the most telling explanation that the band leaves in its wake: Peace presides in the landscape of the mind, and there too the weather is bitter.
Bambu is a father, MC and community organizer. Raised in the Watts district of Los Angeles, as a young boy he experienced a life that other rappers have glorified, but rarely experienced. As he navigated through a turbulent youth, Bambu turned around the destructive energy that surrounded him and poured it into making music. Bambu has been lauded by his fans and contemporaries for his lyrical storytelling abilities. Whether fictional or autobiographical, his vividly-detailed narratives are characterized by an honesty that is equal parts brutal, thought-provoking and liberating. Bambu music is not for mere performance – he utilizes his music as a tool for a larger goal – to reach and support youth who face similar issues that he did, and move them to question what goes on in the world.
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