White Denim

"It has taken five records to make one that sounds the way we do onstage," says White Denim frontman James Petralli, explaining the band's new full-length Corsicana Lemonade.

Set for release October 2013 via Downtown Records, Corsicana Lemonade puts White Denim's freewheeling stage ethos to wax and cements their position as a quintessential, unique American rock band. Featuring production on two songs and a full mix from iconic songwriter Jeff Tweedy, it's a revelation, merging the group's manic live virtuosity into a rollicking ten-song mission statement.

The Austin, TX four-piece is no stranger to mixing crunchy punk energy, scorched psychedelia, Southern rock and knotty funk, but Corsicana Lemonade, the group's fifth studio album, naturally covers so many bases that it plays like the greatest lost mixtape you could find on your dashboard during a hot summer afternoon.

Since its formation in 2005 and first string of EPs in 2007, White Denim has steadily expanded its sound. From the rootsy classicism of Last Day Of Summer (2010) and noisy sun-soaked sizzle of Fits (2009) to the soft-edged riffage of D (2011), the group's commitment to fiery live performance, textured exploration and blissful interludes has never wavered. It peaks on Corsicana Lemonade.

Album sessions started in Chicago at fabled Wilco compound The Loft with Jeff Tweedy (and frequent production partner Tom Schick) manning the boards and providing motivation. The record was almost entirely recorded live with full-band takes, ensuring a lived-in live feel.

"Before, we had kind of leaned on the ability to give the impression of a full live band on our recordings. That Protools Rock is way more common than people know," says Petralli. "On Corsicana Lemonade, it was actually the band playing together and doing takes as a whole. Whatever sounded best was what we stuck with."

After the Chicago sessions, White Denim returned to their native Austin, holing-up in a house overlooking Lake Travis from a 100-foot cliff. There, with the help of local producer Jim Vollentine, the band designed a makeshift studio, wheeled in a bunch of crazy '50s gear and solidified the mixture of hard and classic rock elements that they began exploring on their fourth album D.

The record's songs feel at home with the skuzzy rawness of contemporaries like The Black Keys or Jack White and the Americana experimentalism of Wilco, while the band cites the classic rock shuffles of Thin Lizzy and The Allman Brothers' instrumental ecstasy as primary influences.

And now, with the support of leading publications like the New York Times, Rolling Stone, Pitchfork and Relix, as well as adoring crowds from Bonnaroo to their sold-out headlining tours, White Denim has fully arrived with a record to claim their own spot in America's great rock lineage.

The Districts

"The Districts are an impressive young four-piece from Lititz, in Lancaster County. The band channeled the rock-and-soul vibe of Cold War Kids and Spoon; singer Rob Grote's searing voice cut across the concert hall, blending with the band's smartly-arranged instrumental interplay. They do the very Pixies loud-quiet-LOUD thing, but in a more textured way than simply turning their overdrive pedals on and off. A thundering swell cuts, leaving a clean guitar arpeggio floating in space as Grote catches his breath; the verses build in waves, with the heaviness sometimes derived just from Braden Lawrence's drums. Grote is an intense, emphatic, occasionally bewildering stage presence -- he kicks, stomps and snarls, both at the mic and far away -- but guitarist Mark Larson and bassist Connor Jacobus hold their own, shuffling and bobbing and giving the overall band a dynamic stage presence. Check out "Four and Four" from their album "Telephone."

"...And sometimes, it's just as exciting to sitback and let the music speak for itself. In the case of Lancaster County rock n' soul four-piece The Districts, it's definitely one of those latter cases. The band recorded five songs in our studio last weekend -- three from its impressive 2012 debut Telephone, one from the more recent While You Were in Honesdale EP ("Dressed to Kill") , and one new track -- the impressionistic, evocative swell of "Went To the City." That one's often their set-closer, the one they bring down the house with when they play live, and it had the same chilling effect in the studio, and later still in my headphones as I was editing the music to present to you today. Listen below, draw your own conclusions, and most importantly, see this band live."

- WXPN's John Vettese

JARED BARTMAN

Jared Bartman is a songwriter, composer, and bandleader based in Peoria, IL. Merging genres to create a sound that is all his own, Bartman combines indie, American folk, Eastern European, and afro-Cuban music with classical arrangements, occasionally returning to his rock and roll roots. Today, Bartman's live shows span from solo performances to large ensemble performances featuring vocal harmonies, string quartet, bass, and percussion accompaniment that recreates the vivid sonic pictures captured in his studio recordings. Sharing the stage with artists like John Vanderslice, Richard Buckner, and Night Beds has allowed Bartman to perform for audiences that value a richer, raw sound driven by poetic lyricism. A new full-length record, "Misery Makes Strange Bedfellows", will see release in fall of 2013.

Tickets

Jared Bartman plays an acoustic set starting at 6:15 pm. $6 Tickets available at the DOOR ONLY on night of event. One non-perishable food item also required for entry. Proceeds to benefit the Friendship House in Peoria. General Admission Tickets have limited seating on first come basis, remainder is standing only.

Who’s Going

Upcoming Events
Limelight Eventplex

  • Sorry, there are currently no upcoming events.