STATESIDE PRESENTS AND NEW TIMES:
VIVA PHX: A DOWNTOWN PHOENIX MUSIC FESTIVAL
THE NEIGHBOURHOOD, Z-TRIP, PINBACK, BLACKALICIOUS, SIR MIX-A-LOT, MURS, NITE JEWEL, YACHT, + MANY MORE!
Central and Washington
Phoenix, AZ, 85003
Doors 6:00 PM / Show 7:00 PM
This event is all ages
"Buzz-band is a term that has been fluttering around the Internet for quite some time now. It's meaning is pretty straightforward: it is an underground indie band, formerly unknown, that comes out with a single worthy of Internet hype. That is why I disagree with labeling the recent indie Internet phenom, The Neighbourhood, as buzzworthy; they are clearly destined for so much more.
The band is also exceptionally mysterious. It's a quintet based out of LA, with Rutherford as the frontman. However, I couldn't tell you who plays what instrument. Their website doesn't even have any biographical information. The shroud of mystery surrounding them is part of the reason people like them so much, they're not out there for fame and glory—yet—they're just producing great tracks, (and all of these tracks are available FREE online…just keep reading). Their mysteriousness also perfectly parallels with the way they blend the genres of rock, R&B, and folk in a way only an indie band can.
Their 5-track EP is available for free download on their website. All the tracks are well worth listening to again and again." --Candor News
Z-Trip is often referred to as a young Rick Rubin. His roots are based in Hip Hop, but he covers and loves all music styles. Considered by many as the godfather of mash-ups, his style of mixing and producing reaches way beyond that. Z-Trip received the award for America’s Best DJ and still remains on the top 10 lists year after year. He has collaborated with some of the very best to ever do it: Nas, Bassnectar, Public Enemy, DJ Shadow, Rakim, Shepard Fairey, Talib Kweli and many others.
As a performer, Z-Trip is one of the very few able to play traditional festivals like Coachella, Lollapalooza, Bonnaroo, SXSW and Australia’s Big Day Out, as well as the EDM circuit. His Electric Daisy Carnival and Electric Zoo sets were both festival highlights.
Z-Trip’s artist debut album “Shifting Gears” received 4 stars in Rolling Stone. His subsequent releases were also given high praise. As a producer & composer, he’s worked on many video game sountracks including the EA Sports “Madden” series, 2K Sports “All Pro” and Activision’s “DJ Hero” series. He is also a featured avatar in the game alongside Daft Punk, Tiesto, Grandmaster Flash and Deadmau5.
Z-Trip also remixed tracks for Nirvana, The Beastie Boys, Dead Weather and The Jackson 5 to name a few. Most recently, he collaborated with Lee Scratch Perry to rework Bob Marley’s classic “Punky Reggae Party” and with Brillz for Jay Z’s hit “Dirt Off Your Shoulder”.
No stranger to TV, Z-Trip performed alongside LL Cool J, Chuck D, Tom Morello and Travis Barker closing out the 2013 Grammy Awards. He has also appeared on Jimmy Fallon, Carson Daly and Jimmy Kimmel Live.
Z-Trip’s work with film is equally diverse, having scored music for the documentaries “Infamy”, “Scratch All The Way Live” and “Bob Marley: Legend remixed”. His music and scoring have also been featured in the movies “Battle of the Year”, “Warrior” and “Small Soldiers”. Most recently Z-Trip was the music supervisor and composer on the Documentary “La Bare” directed by Joe Manganiello.
"That weird smell in the air when you somehow get outside in the morning of the harsh sun is baking the night off of the concrete. It makes you feel as if you've been missing something, and of course you have. One wonders how many experiences one will miss during their short time on earth just by doing what they would normally do everyday. There is almost always somewhere that you'd rather be, whether you know it or even think it's possible or not. I think I'll sleep on the roof tonight. When I was a kid, I would bring my guitar, my radio, and a couple of pillows up there and watch packs of coyotes invade the neighbor's backyards chasing rabbits. There is always so much more going on, even right next to people, than they would ever know about. How many times have you been able to say to yourself that there was absolutely no place you'd rather be? Have you ever thought that and then something even better happened? How about when something horrible happened and you just wish that you had just waited an extra hour before getting out of bed and everything would have turned out different. There are people for whom denying themselves pleasure makes them feel the most alive. I'm not sure if that would make life more or less difficult. This has nothing at all to do with Pinback's new album, Autumn of the Seraphs." - Rob Crow
Around here, we embrace the mystery of life – coyotes and all. So allow us to present this new record from San Diego's finest, Pinback. Comprised of two core members, the prolific
Armistead Burwell Smith IV (Zach) and the inexhaustible Rob Crow, the band began in 1998 when the guys took a break from their various other projects (3 Mile Pilot for Zach and Thingy and Heavy Vegetable for Rob). Autumn of the Seraphs is Pinback's fourth full-length record, and second on Touch and Go. 2004's Summer in Abaddon hit the scene like high tide gliding in, whirling around listeners, full of beautiful intensity. It found its place in the hearts of a crazy amount of people worldwide following the success of the single "Fortress," and rightfully so. This record, Autumn of the Seraphs, pushes forward and upward. Its melodies are more dynamic and aggressive, while still gently pulling you back in again and again. While entirely recorded in the band's home studios once again, this record is tighter, the drumming more
immediate and crisp. Those duties were shared by Mario Rubalcaba (Rocket from the Crypt) and Chris Prescott (No Knife), and it's a marked difference from Pinback's previous releases.
"Good to Sea" is the jam of Indian summer. "Walters" saunters its way to a buzzy guitar breakdown while "Subbing for Eden" works steadily toward each climactic chorus. Autumn of the Seraphs is for both rabbits and people, for good days and for ones where you should have stayed in bed. It's Pinback's best yet, and it's going to take you over.
In a hip-hop career that has stretched past a decade, Blackalicious has earned respect the old-fashioned way–rising through honesty, commitment, and artistry. Blackalicious is an American hip hop duo from Sacramento, California made up of rapper Gift of Gab (born Tim Parker) and DJ/producer Chief Xcel (born Xavier Mosley). They are noted for Gift of Gab's often "tongue-twisting", multisyllabic, complex rhymes and Chief Xcel's "classic" beats.
Sir Mix-A-Lot parlayed a gonzo tribute to women with large buttocks into hip-hop immortality. But even before he struck crossover gold, Sir Mix-A-Lot was one of rap's great D.I.Y. success stories. Coming from a city — Seattle — with barely any hip-hop scene to speak of, Mix-A-Lot co-founded his own record label, promoted his music himself, produced all his own tracks, and essentially pulled himself up by the proverbial American bootstraps. Even before "Baby Got Back," Mix-A-Lot was a platinum-selling album artist with a strong following in the hip-hop community, known for bouncy, danceable, bass-heavy tracks indebted to old-school electro. However, it took signing with Rick Rubin's Def American label — coupled with an exaggerated, parodic pimp image — to carry him into the mainstream. Perceived as a one-hit novelty, he found it difficult to follow his breakout success, but kept on recording, and even toured as part of a rap-rock supergroup called Subset, a collaboration with the Presidents of the United States of America.Sir Mix-A-Lot was born Anthony Ray in Seattle on August 12, 1963. An eclectic music fan but a rabid hip-hop devotee, he was already actively rapping in the early '80s, and co-founded the Nastymix record label in 1983 with his DJ, Nasty Nes, who also hosted Seattle's first hip-hop radio show. His first single was 1987′s "Posse on Broadway," which referred to a street in Seattle, not New York; it became a local hit, and paved the way for his first LP, 1988′s Swass, which also featured the popular novelty "Square Dance Rap," and a Run-D.M.C.-style cover of Black Sabbath's "Iron Man," with backing by Seattle thrashers Metal Church.
Murs first appeared as a solo artist in 2003, after nearly a decade of working with various groups in the underground. Based in Los Angeles, his first single was released in 1993, and came from a self-released album by his first group, 3 Melancholy Gypsies. The track barely made a dent, but it did catch the attention of indie hip-hop fans in the area. Through time, the group members became friends with Mystik Journeymen, who... asked 3MG (their shortened name) to join him when he started the Living Legends collective in 1996.
Between both 3MG and the Living Legends, Murs rapped on several influential indie rap albums, appearing on more than 20 records, EPs, and singles within a seven-year period. When El-P started to pull together his Def Jux label, Murs contacted the producer and told him he would release his solo record for the company once he had the opportunity. His commitments to both the Legends and 3MG often kept him from working on the album, but after a few years of slowly putting together tracks, Murs finally delivered The End of the Beginning in the spring of 2003.
The rapper returned to solo work with Murs 3:16: The 9th Edition, a collaboration with producer 9th Wonder, in 2004. Murs is also part of a punk fusion band called The Invincibles with Jacksonville, Florida’s Whole Wheat Bread as lead vocalist.
YACHT is a conceptual pop group based in Los Angeles, California. It’s the brainchild of Jona Bechtolt and Claire L. Evans, whose wide-ranging interests and deep-seated ADD cause YACHT to frequently metamorphose: from band to belief system, from disco infiltrators to punk rockers, from performance artists to graphic designers, publishers, sculptors, or philosophers.
YACHT was born in 2002 in Portland, Oregon, as a solo cross-disciplinary experiment for Jona Bechtolt, using technology to extend physical boundaries of communication, performance, and music. In 2008, after a shared mystical experience in the Far West Texas desert, Bechtolt was joined in the YACHT endeavor by longtime collaborator Claire L. Evans. Spurred by this paranormal bond, this new incarnation of YACHT wrote and recorded the critically-acclaimed See Mystery Lights in Marfa, Texas. This album was followed in 2011 by Shangri-La, a genre-defying concept album about utopia, dystopia, and every place in between.
Currently, the Straight Gaze, Robert “Bobby Birdman” Kieswetter and Jeffrey “Jerusalem” Brodsky, round out the live YACHT band. YACHT’s heart is in their live shows, which they call “Temporary Autonomous Zones:” uncluttered, anarchic, inspiring sessions of damaged dance moves and coded ritualism, backed by constantly changing elements—Power Point presentations, audience Q&A sessions, and shamanistic video environments.
YACHT has toured with LCD Soundsystem, the Yeah Yeah Yeahs, Hot Chip, Architecture in Helsinki, Vampire Weekend, The Dirty Projectors, and Chairlift; YACHT is multidisciplinary enough to have been paired with the Chemical Brothers, the Breeders, and Phoenix; YACHT has played on boats, in caves, in bathrooms, in art galleries and museums, in rural China, and at the Hollywood Bowl; YACHT are prolific remixers, dismantling songs by Snoop Dogg, Kings of Leon, Phoenix, Neon Indian, Stereolab, RATATAT, Classixx, and many more.
Bechtolt has been a promiscuous genre-smasher since his adolescence, when he opted to tour in a punk band over attending high school. He’s plied his unique breed of beat-heavy laptop wizardry and grunge ethos to endless collaborations, both as producer and drummer, with west coast mainstays like Devendra Banhart, The Blow, Little Wings, and Bobby Birdman. He’s also been recognized by such bigwigs as David Byrne, who name-dropped Bechtolt’s production on The Blow’s Paper Television in his Artforum Top 10 list, Paris’ Centre Georges Pompidou, where he was commissioned for a large-scale performance, and Vibe Magazine, who touted Bechtolt as “indie rock’s Timbaland.”
Evans joined the band full-time in 2008. She’s a science writer and artist who pens a popular blog about the intersection of art and science, Universe, for National Geographic’s ScienceBlogs network. She has lectured at MoMA PS1, The Kitchen, The Smithsonian, and the Portland Institute for Contemporary Art, spoken at the Rubin Museum of Art about extraterrestrial life, co-written a book about technology and art at Carnegie Mellon University, made commissioned films for the World Science Festival and SEED Magazine, and has collaborated with Bechtolt on literally hundreds of projects since they met in 2004.
$25 Day of Show / TICKETS AT CITYSCAPE, CRESCENT AND MONROE STREET STAGE STARTING AT 5PM
- Sorry, there are currently no upcoming events.