Poplife & Grand Central present
Moombahton Massive: Nadastrom, Schlachthofbronx, Sabo
697 N Miami Ave.
Miami, FL, 33136
This event is 18 and over
When the beat drops at a Nadastrom show, you better have your hands up. Dave Nada is known to stage dive while his DJ partner Matt Nordstrom squeezes the duo's most riotous beats through the speakers. It's a reminder Nadastrom aren't just pushing 21st century dance music toward the edge – they're jumping off it.
The D.C.-born, L.A.-based duo of DJ-producers come from different backgrounds, but share a ravenous appetite for extremes. As the prime architects of Moombahton – a sound Nada invented on the fly at a basement party by slowing Dutch house music down to the tempo of reggaeton – the duo have been praised in the pages of Spin and Rolling Stone, pumped on the airwaves of BBC Radio 1 and NPR, and revered at nightclubs and festivals across the planet.
Nada was born in Maryland, a first generation Ecuadorian-American surrounded by five brothers and the sounds of cumbia, Ecuadorian folk, salsa, merengue and reggaeton. As a teen, he gravitated toward Washington's legendary hardcore punk scene, playing in bands while learning to DJ on college radio. A move to Baltimore landed Nada in the second surge of Baltimore club music, where he DJed alongside club icons K-Swift, Rod Lee and DJ Technics, while producing acclaimed club tracks of his own.
Nordstrom grew up in Virginia on the other side of the Washington beltway where skateboarding provided a contact point with punk, metal and hip-hop. In the late '90s, he swapped the skateboard for turntables and switched his college major from psychology to audio engineering. Soon, Nordstrom was the resident engineer for esteemed D.C. house heroes Deep Dish and piloting recording sessions with the likes of Stevie Nicks and P. Diddy, even scoring a Grammy nod along the way.
When Nada and Nordstrom came together in 2007, the chemistry was instant and the music was colossal. The group signed to Switch's Dubsided label where their debut debut EP, "Pussy," immediately topped the charts on Beatport. Since then, Nadastrom have produced tracks for a slew of artists, including Kid Sister, and have done remixes for Kid Cudi, Benny Benassi, Christina Aguilera, Waka Flocka Flame, the Death Set and Alex Clare.
In 2010, the duo relocated from Washington to Los Angeles and hit the road, performing at the biggest festivals in dance music, including Australia's Creamfields festival with Deadmau5, the Disco Biscuits' Camp Bisco festival, Bass Island with Bassnectar, the Mad Decent Block Party with Major Lazer and the HARD Festival in Los Angeles with Ducksauce, Chromeo, BoysNoize and Odd Future. Last fall, Nadastrom joined Skrillex and 12th Planet for more than 50 nights on the hotly anticipated Mothership Tour.
Meantime, Moombahton has become a movement of its own, with Nadastrom serving as the genre's leading ambassadors. Diplo's Mad Decent label dropped the acclaimed compilation "Dave Nada presents Blow Your Head Vol. 2: Moombahton" in May and Scion released Nadastrom's Moombahton EP "El Baile Diabluma" this fall.
"There are never any rules," says Nada of the duo's approach. "And Moombahton helped us realize that even more.
Schlachthofbronx are still living in laid-back Munich and still doing the thing they like most: Producing highly danceable bass music.
In this respect, nothing has changed. But since their debut album in 2009, Schlachthofbronx have been touring almost non stop: Clubs & festivals all over Europe, supporting M.I.A. as well as doing solo tours in the US, Canada and Mexico.
Some call their sound Booty Bass, some label it Munich Bass, Tropical or even Alpine Bass, but you probably could just go with „dirty dance music". Their influences - amongst others - are Ghettotek, UK Bass, Cumbia, Dancehall/Reggae and HipHop.
In the club they deliver a fastpaced, eclectic mix of styles, genres and tempi. So forget about the cliché 128bpm club tempo dogma. Everyone is just talking about it, Schlachthofbronx do it. Why not play different tempi in the club? Why not wildly mix Booty Bass, Dancehall, Tecno Brega, Juke and Rave. With this formula Schlachthofbronx left crowd after crowd with happy sweaty smiles after a powerpack of their takes on all kinds of club music – always custom made and targeted on maximum dancefloor impact.
And the two certainly do not intend to stop any time soon, with their aptly titled new album „Dirty Dancing" about to push it to an even higher energy level. So better start to practise your pronounciation skills.
Mention the name Sabo to anyone familiar with the tropical end of EDM and the response will be unanimous: deep, unquestioning respect, tinged with a healthy measure of awe. For the past 15 years, the globetrotting DJ and producer, now based in Los Angeles after moving from his native New York, has set the benchmark for his peers, thanks to his unmistakable signature style: Funky music to make you feel good, as he describes it – an irresistible, resonant, Balearic fusion that draws upon house, tropical bass, latin, Brazilian, afrobeat, disco, reggae, cumbia, dub, Miami bass, hip hop, funk and soul. In a glowsticks era when the word uplifting has lost much of its meaning, Sabos productions, many released via his own Sol*Selectas label, are every bit uplifting as they are finely crafted and timeless. Its led him to performing alongside the likes of Sting, Erykah Badu, Chromeo, Brazilian Girls, and Aloe Blacc, while publications such as Rolling Stone, Spin, Mixmag and The Fader, through to tastemaker sites like XLR8R, Generation Bass and Highsnobiety have all queued up to acknowledge his talents.
It has also led him to become a pivotal part of the fast-growing moombahton scene, with the sounds creator, Dave Nada, openly crediting Sabos experiments with traditional latin cumbia and modern beats for Bersa Discos as a key influence on his Dutch house-reggaeton derived sound. Not only was he a major factor in its inception, Sabo remains one of the biggest influences on its ascent. Hes responsible behind many of the genres key tracks, hes a driving force behind the already legendary Moombahton Massive parties at Washington DCs U Street Music Hall and LAs Vibrate monthly, and as the compiler of the seminal Moombahton Massive EPs, has set the tone for a legion of producers.
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