464 Spadina Ave
Toronto, ON, M5T 2G8
This event is 19 and over
Watch & Listen
Canadian Death Metal legends Kataklysm officially formed in the fall of 1991, they released a now classic demo called Death Gate Cycle Of Reincarnation in 1992 that got world attention and a record deal with Germany's Nuclear Blast records, the band signed in 1993 and immediately released the demo on CD format and added the bonus track The Orb Of Uncreation which resulted in the creation of the critically acclaimed MCD The Mystical Gate Of Reincarnation. Kataklysm gained world praise and recognition ...a new style and influence was born : the Northern Hyperblast ..and that was just the beginning! In 1995 the band releases their first album entitled Sorcery which quickly propelled Kataklysm as one of the new leaders and forces to be reckon with in the extreme metal scene!
The band follow up again with another hard hitting assault in 1996 with the release of the second full length album Temple Of Knowledge accompanied with a video clip for the track The Awakener which resulted in headliner tours and a bright future a head. With releases like Northern Hyperblast Live a limited edition CD and the controversial 3rd album Victims Of This Fallen World in 1998 the band showed divesity and explored new territory in which Kataklysm found new ground to establish a new sound that soon that would pave the way for new classics to come!
In 2000 Kataklysm strike with a deadly weapon and 4th album called The Prophecy (Stigmata Of The Immaculate) an album that put Kataklysm on a new course and new horizons, that critics called one of the most devastating release in extreme music in years. With all eyes on Canada's finest export Kataklysm, the pressure was one. but that's when Kataklysm are their most lethal! In 2001 a classic extreme album was born entitled Epic (The Poetry Of War), with a melodic edge backed by extreme roaring power. The bands 5th album has become Kataklysm's finest hour leaving critics stupefied and the world begging for more!
So here we are today with tours in over 19 countries around the world, TV appearances expanding in 11 years of existence of blood & sweat, Kataklysm are back to prove that aging brings experience that make great leaders, Kataklysm are at the top of they're form and have evolved into a powerhouse that will crush all and leave nothing but Shadows & Dust for the mortals to beg! Their 6th album to be released in fall of 2002! Once again handled in the true mercenary fashion of Kataklysm with a production that will leave you breathless. A new chapter is born.. a new era in extreme music.. be prepared for Kataklysm's deadly grip!! Here is what one of North Americas most respected writers has to say about this new masterpiece: "Like true Gladiators, Shadows And Dust tears at you with violent power, crude anger and the barefaced truth of somebody with nothing to lose. A hailstorm of musical swords, without the sorcery, Kataklysm are primed to 'Face The Face Of War' with their latest. This is a furious speed freak with enough doom and gloom to lock and load you for many years to come. Think In Flames huffing gas while classic Priest blares in the background. Shadows And Dust is beauty from a world viewed with revulsion and malice. Unlike anything they've done and a true succession, Kataklysm, once again, take the heaviest of music and add true weight and consequence. " Mitch Joel (Circus Magazine/Hour/Revolver online)
Mankind’s sense for creativity probably manifests best in the sheer unlimited ways of torturing, mutilating, and killing each other. Successfully applying this atrocious inventiveness to their perversely precise sonic executions, “European death metal butchers” ABORTED with members hailing from Belgium, France & UK have refined and re-defined the tools of their trade on their seventh full-length “Global Flatline” to murder the listener with unimaginably gruesome, shockingly diverse brutality.
After the already much-lauded Century Media debut “Slaughter & Apparatus: A Methodical Overture” their newest effort turns out to be ABORTED’s most meticulous, ferocious and variable to date. Whether they pummel the listener with relentless blastbeats, fester in your veins with infectious grooves, cut arteries utilizing sadistically shredding leads and gurgle, snarl with inhuman violence, these guys make sure they leave no witnesses to their evil deeds.
“Global Flatline” impresses with a more raw and extreme, effective songwriting emphasizing dynamics and darker, refreshingly modern elements that broaden the extremely lethal death metal the band has been known and feared for since its conception in 1995.
Combining the band’s undeniable live energy with a powerhouse production from Eric Rachel (The Red Chord, The Black Dahlia Murder, God Forbid etc.) and a “fuck you' rock'n roll” approach to the overly edited, sterile sounding death metal records of today, ABORTED succeed in retaining their vicious roots while evolving in terms of melody, musical virtuosity and vigor. Taking the album’s lyrical concept of true crime, serial killer topics quite literally, Colin Marks’ frighteningly realistic and brutal artwork for “Strychnine.213” reinforces the notion that ABORTED have doubtlessly developed into extreme metal’s most promising new breed.
Having toured with Behemoth, Kataklysm, Cryptopsy or lately Heaven Shall Burn, sharing festival stages with Hatebreed, Napalm Death, Cannibal Corpse, the Belgian quintet is highly respected for its intense live shows. In ABORTED’s degenerated worldview murder is fun and you will be delighted to be killed by their new aural toxin…