mewithoutYou

mewithoutYou

Those who have followed mewithoutYou’s music in recent years will likely see their new, self-released Ten Stories as a return to old form. Their previous record, It’s All Crazy!, etc. had been a drastic and intentional departure. Aaron Weiss’ manic, unorthodox hollering was nowhere to be found, deliberately giving way to a more conventional melodic vocal approach. The explosive, schizophrenic drumming and swarthy, tempestuous low end (Rickie Mazzotta and Greg Jehanian, respectively) were accordingly subdued, relegated largely to keeping basic time. Chris Kleinberg had jumped ship for med school, leaving Mike Weiss reluctantly alone on electric guitar, feeling like a session player embellishing his little brother’s folk songs, no longer part of a coherent unit.

In short, due largely to their singer’s creative wanderlust, the band had entirely forsaken whatever they’d become; in an effort to spurn the familiar, they had grown unrecognizable, alienating no shortage of fans in the process. Those fans, and whoever has come to miss what was most distinct about mewithoutYou, will welcome Ten Stories as the rightful follow-up to their 2006 release, Brother/Sister, and 2004’s Catch for Us the Foxes. To be sure, the band hasn’t altogether renounced the psychedelic-rustic-pop elements of It’s All Crazy!; rather, they have renounced the scrupulous control inherent to its renunciation. Simply put, they seem to have let go of the steering wheel, and are back to writing music, well, ‘naturally.’

“They’re not quite children’s songs,” vocalist Aaron Weiss explains, “with not quite coherent storylines, but there is an overarching and kind of child-like narrative: a circus train crashes in 19th century Montana. Some animals escape, others stay in their cages. The traveling menagerie re-rails, stays its course, and struggles to fill in the missing attractions. Meanwhile, freed from institutionalized life, the rice-cake rabbit takes to a peripatetic fortune teller, the monastic walrus is tempted by a hedonistic owl, a fish falls for an eggplant. Other songs describe a contemplative Fox’s prophetic dream, a starving Bear’s vision of a martyred saint, and an indecisive Peacock & gnostic Tiger learning the virtues of megalomania from an ego-annihilated Potter Wasp.”

This bizarre, character-heavy lyrical approach let the band revisit their perennial leitmotifs of romantic disaster & quasi-mystical speculation, without the self-pity/indulgence of direct autobiography. Reflecting recent, devastating personal losses, practically every song addresses our inevitable dying, apparently easier to face when projected onto anthropomorphic animals. This zoological ventriloquist act allows them to explore abstract philosophical themes and draw on finespun literary sources with a profound goofiness that deflates whatever danger of pretentiousness. The story-teller elements are obscure enough to avoid the short-lived rock opera aesthetic, leaving most plot details and potential moralizing to the imagination; and this without succumbing to insincerity/irony, overt relativism, or outright nonsense.

The ever-odd Daniel Smith’s production and veteran Brad Wood’s mixing combine to improve upon the best sonic elements of the band’s past releases. Musically, Ten Stories is a mix of the brazen noisiness, hypnotic soundscapes, and derelict shouting of their old songs, the dead-level melody and extravagant orchestration of recent years, and a newfound reliance on ethereal harmonies, courtesy en masse of female guest vocalists (most notably, Paramore’s Hayley Williams). Whimsically morbid as an Edward Gorey alphabet, simultaneously self-abnegating and -aggrandizing, defying simplistic musical or intellectual categorization, mewithoutYou’s new collection of songs is the fabulously vivid outgrowth of an ongoing religious and irreverent eclecticism, a ‘decade-plus narcissistic scramble for artistic affirmation’ (their words), and the even longer-running and peculiar friendship of four not-so-younggentlemen from nowhere in particular, apparently at the height of their mutual affection.

Epilogue:
mewithoutYou’s 17-ton grease-powered bus — the ornately-chipped, floral-painted, “mental hospital on wheels” — will once again, according to the band, “hem and haw its way across the country this summer, punctuated no doubt by near-daily breakdowns, makeshift repairs, newborn babies, manic depressive episodes, and desperate attempts by all parties involved to separate [them]selves from separation itself.”

The Lighthouse And The Whaler

The Lighthouse and the Whaler is a band from Cleveland, Ohio, though its name alludes to the waters off the coast of Massachusetts. Inspired by a theme from Moby Dick, the band’s name alone is enough to make underpaid Literature teachers beam with pride.

Here is what most band bios won’t tell you:

Michael LoPresti studied literature and theology in college but rushed home after graduation to become a musician. Michael is the voice of the band and his head is filled with wayward melodies one could chase for days. He wears boat shoes, jean cut-offs and flannel shirts all year round. Michael is a web designer and has approximately two dance moves. Put a chick flick on mute and he will make up hilarious new dialogue to go along with the picture.

Matthew LoPresti was on his way to becoming a professional soccer player but left the pitch to join The Lighthouse and the Whaler. Matthew is a percussionist and puts the passion and heart into the songs. He has a nice smile and often requires extra space on stage to accommodate his raw emotion. Matthew tells loud jokes because it makes everyone laugh more. He thinks LeBron James is a traitor and is dogmatic on the subject.

Mark Poro was a solo artist who wanted some company. He plays mandolin, violin, guitar, piano and glockenspiel, but has yet to master the triangle. Mark is a lover of the poignant and sincere, and fills each song with his pure spirit. He secretly likes to be silly, especially in serious situations. Mark is perpetually training for a marathon and has blue eyes that would remind a sailor of a calm day at sea. Mark Poro is not his real name.

Lisa Kim met The Lighthouse and the Whaler on her 24th birthday. A native to Sammamish, Washington, Lisa holds her Master’s degree in Violin performance at the Cleveland Institute of Music and almost gave up modern violin to pursue baroque music instead. In first grade, she wanted to be a taxi driver thinking that that was the only way to travel and see the world. Now she drives the tour van with her bandmates.
The Lighthouse and the Whaler recently released its new album, “This is an Adventure,” produced by Ryan Hadlock (The Lumineers, Ra Ra Riot), which NPR Music liked so much it named the band the “next artist on the rise.”

The band has performed at SXSW, CMJ, Pop Montreal and venues across North America, though its favorite show to date took place in the attic of an old bookstore. The band has shared stages with the like of Ra Ra Riot, Jukebox the Ghost and GIVERS, and shared blankets in its tour van, nicknamed Serena in honor of the band’s first TV placement on “Gossip Girl.”

John Richards of KEXP called The Lighthouse and the Whaler his new favorite band. He may be the smartest man on the planet.

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Johnny Brenda's

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mewithoutYou with The Lighthouse And The Whaler

Sunday, December 29 · Doors 8:00 PM / Show 9:15 PM at Johnny Brenda's

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