The English Beat

The English Beat

The English Beat is a band with an energetic mix of musical styles and a sound like no other. The band's unique sound has allowed it to endure for nearly three decades and appeal to fans, young and old, all over the world. When The English Beat (known simply as The Beat in their native England) rushed on to the music scene in 1979, it was a time of massive social and political unrest and economic and musical upheaval. This set the stage for a period of unbridled musical creativity, and thanks in large part to the Punk movement and it's DIY approach to making music, artists like The Beat were able to speak out and speak their mind on the news of the day, as in “Stand Down Margaret”, things that mattered to them and the youth culture, as in “Get A Job”, and universal matters of the heart and soul, as in their classic hits “I Confess” and “Save It For Later”.
The original band consisted of singer-songwriter Dave Wakeling on vocals and guitar, Andy Cox on guitar, David Steele on bass, and Everett Morton on drums – later additions Ranking Roger (toasting) and foundational First Wave Ska legend Saxa (saxophone) completed the outfit. The band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces they created an infectious dance rhythm.
The Beat first came to prominence as founding members of the British Two Tone Ska movement, with their classic first album “Just Can't Stop It” fitting squarely in that genre. Along with their contemporaries The Specials, The Selecter, and Madness, the band became an overnight sensation and one of the most popular and influential bands of that movement.
However, band leader Dave Wakeling never felt constrained by the movement. Dave has always viewed ska as a springboard, not a straight jacket. Indeed, the band's sound continued to evolve over their first three studio albums, through the General Public era (a band formed by Dave with Ranking Roger, the toaster from The Beat), and has continued it's evolution with the forthcoming English Beat album “Here We Go Love”, a PledgeMusic crowd-funded album set for release in 2016, the band's first new album since 1982's “Special Beat Service”.
Consummate showman that he is, Dave Wakeling has continued to keep The Beat alive and strong. Dave continues to tour the world as The English Beat with an amazing all-star ska backing band playing all the hits of The Beat, General Public, and songs from his new album “Here We Go Love”.
You just can’t stop The English Beat!

Rusty Zinn & His Band

Rusty’s mix of classic reggae, rock steady and ska is imbued throughout with the sound of his magnificent voice, his hook laden original compositions and his thorough understanding of the place of soul in Jamaican music. Of the twelve tunes on ‘The Reggae Soul of Rusty Zinn’, (RockBeat Records, to be released in February 2015) nine are written by Rusty, and show his command of the craft. Meaningful lyrics, memorable and melodic tunes set in timelessly crisp productions, all topped off by his warm and intimate voice. The kind of songs that should be on every radio stations’ playlist.

The album’s opening song ‘Rise Up’, is up on YouTube and is rapidly gaining views. The tune shows the ska side of Rusty’s musical personality, and is a joyful paean to hope and optimism in these doubtful times. It has the sensibilities of a ‘We Shall Overcome’ lyric but with a far better tune and a totally irresistible dance beat. All the songs on the album, whether written by Rusty or not, reflect love, a yearning for love, or an unflinching optimism in what lies ahead. ‘Pushing Towards A Dream’, ‘She Comes From Nothing’ and ‘Woman Don’t Settle’ acknowledge problems but point to solutions, while ‘Angie I Love You’ (written for his wife),’Do I Stand A Chance With You’,’Lover’s Glory’, ‘Put Your Faith in Me’, Frankie Valli’s ‘I Can’t Take My Eyes Off Of You’, Gladys Knight’s ‘Is There A Place’ and Jimmy Holiday’s ‘Turning Point’ are unabashedly romantic to the core. ‘Gift Of Love’ is a glorious celebration of life’s central theme set to a riffing ska rhythm.

The focus of Rusty’s music is always centered on the voice first and foremost. He says: “when I was a small child the very first music I remember hearing were vocal groups like The Spinners and The Stylistics. My parents were always playing music from their youth, mostly Doo Wop, Sam Cooke, The Beatles, Ray Charles, Fats Domino and so many more. I think being raised on all that kind of music made me subconsciously develop certain standards to uphold in my music. Those standards are elements such as soulful singing, good messages, strong arrangements, nice chord progressions…“ These are key ingredients in Rusty’s personal brand of Reggae which is also very influenced and inspired by such great Jamaican singers as Alton Ellis, Ken Boothe, Delroy Wilson, and Slim Smith among many others. and he now brings the sensibilities of soul to his chosen brand of Jamaican music. Emphasizing melody, romance and feeling, he terms his musical vision ‘A Journey to the Soul of Lovers Rock Steady.’

Rusty Zinn’s musical journey started in the eighties in the blues field. A stunning guitarist and singer, he established a world wide presence as a young blues turk, and all who saw and heard him marveled at his mastery of the idioms, his astonishing guitar playing, his soulful singing – a musician’s musician. However,
by the turn of the millennium he found himself drawn to the melodies and rhythms of Jamaican music and rapidly and thoroughly immersed himself in the idiom, studying it and learning its history just as thoroughly as he had the blues.

‘When I was in Kingston in 2009, recording my ‘Manifestation’ CD it was like I was in a dream state. It was like being in reggae Disneyland because on every street corner you would recognize a reggae legend. When I started my recording session there it was the first time I could remember my knees knocking together just like they did the first time I performed on stage at the age of 18. There I was singing and performing my own material with my heroes - some of the biggest legends and veterans of Jamaican music. The great producer Bunny Lee even walked in while I was singing a song. He watched and listened for a while and then gave me a thumbs up and a great big smile and turned and walked out the door.’

Over the years Rusty has performed with a multitude of Jamaican artists, and befriended even more. He’s recorded with the legendary Jamaican rhythm section Sly and Robbie, Boris Gardiner, Robbie Lyn, Mikey Chung, Soul Syndicate, Scully Sims, Hux Brown and many more.

His YouTube video of ‘I Can’t Take My Eyes Off Of You’ has received more than 865,000 hits.

He has twice received Joe Higgs Music Award nominations as Best International Reggae Artist (in 2007 and 2009) and for Best Male Singer (category alongside such notables as Beres Hammond) in 2009. These nominations were a great honor for Rusty as Joe Higgs, known as The Godfather of Jamaican Music, has had a huge impact and profound influence on his music, particularly his approach to songwriting. Other Jamaican performers who have had an impact on his music are his many mentors, Milton Henry, Mikey Mao Chung, Barry Biggs, Clinton Fearon, Tony Chin, and Fully Fullwood. Rusty sought out many of these Jamaican music notables and befriended them so that he could soak up the true vibes of some of Reggae’s foundational singers and musicians. He found that many of these men who are his heroes were more than approachable and willing to share their knowledge with him.

When reviewing an earlier CD in The Beat publication Chuck Foster (KPFK 'Reggae Central') wrote “…. did I mention this guy can sing?” and compared his songwriting talents to the great Dan Penn and Spooner Oldham.

Sly Dunbar, of the legendary rhythm section Sly & Robbie, recently commented: ‘I was blown away by his singing … his voice is clean and smooth. He is a great artist. ‘Nuff respect to Rusty.’

‘Great songs, delivery and execution that hits you with truths, rights & Love! ‘ Doug Wendt (Midnight Dread)

Rusty’s manager, Bob ‘Rob’ Bell says: ‘My first years in the music business were with Island Records and Trojan Records from 1965 through 1972 - the golden age of ska, rock steady and reggae. Rusty has that sound and feeling down without playing the nostalgia card - he plays to the heart’. Echoing the latter sentiment, James Austin of Rockbeat Records adds that ‘this CD has excellent "crossover" potential, opening up the world of Reggae to a whole new audience’.

$22.00 - $25.00

Tickets Available at the Door

Tickets are $22 in advance / $25 day of show. STANDING ONLY; 2 DRINK MIN; NO CAMERAS/RECORDING

Who’s Going


Upcoming Events
Bimbo's 365 Club