Shurman & Family Holiday Jubilee

There is an elusive sweet spot at the crossroads where soul music, country, and rock'n'roll intersect, and the Austin, TX-based band Shurman hits that bulls-eye dead on. The band is gaining a reputation as a "must see live act" built on their sweat-drenched shows that pack a powerful punch of rock laced with Motown inspired melodies and just the right amount of twang. Underneath the energy and grit of the band's performance lie songs that breathe the truths of unrequited love, every day life experiences, and emotions that are both familiar and haunting.

The foursome's latest offering for Sustain/Universal Republic, Still Waiting for the Sunset, is a smoking 12-song tour de force that blends the best of heartland rock with an enthusiastic nod to the rebels and hell-raisers of Country music's past. The record blasts off with a propulsive kick of barroom existentialism on "Is It True" and wraps up with the blistering twang and statement of musical purpose of "Three Chords." In between one finds everything that a fan of real American music holds dear: songs about life and death, love lost and found, noble and shady characters, and places both familiar and otherwise that speak from the heart with sincerity and conviction. Music that is so intoxicating and potent that it can lift a weary soul as well as drown the deepest of sorrows. In short, it's the best elements of what rock'n'roll and country used to be, driven by the impassioned vocals of singer, songwriter, and guitarist, Aaron Beavers.

Co-produced by Beavers and Danny White, Still Waiting for the Sunset was tracked at Nashville's 16 Ton Studios and Austin's Premium Recording. Joining the band on the sessions are such Americana luminaries as steel guitar legend Al Perkins (known for his work with The Rolling Stones, Bob Dylan, The Eagles, Gram Parsons and a host of others), Grammy-winning artist Robert Reynolds of The Mavericks, rising Memphis soul singing sensation Susan Marshall on background vocals, and former Wilco/Uncle Tupelo drummer Ken Coomer on percussion.





Read more: http://www.myspace.com/shurman#ixzz0ylRjpTDD

Dead Hot Workshop

Dead Hot Workshop is an American rock band based in Tempe, Arizona. They were a popular fixture of the Tempe music scene in the 1990s, when Tempe was being dubbed as "The Next Seattle" by music reps, and as a region that would produce many new, talented bands that would be ripe for national discovery. The band got their start at a Tempe club named Long Wong's, which at the time was at the center of downtown Tempe's music scene and the starting point for bands such as the Gin Blossoms, The Refreshments and The Pistoleros, who all (including Dead Hot Workshop) signed with major record labels in the 1990s.
The guitar-driven lineup was led by singer/songwriter Brent Babb, who formed the band during the late ‘80s with help from guitarist Steve Larson, drummer Curtis Grippe, and bassist Brian Griffith. Dead Hot Workshop built up a sizable following with shows at Long Wong’s, Sun Club, and other Tempe venues, and the band began pursuing a wider audience after signing a contract with Tag Recordings, a subsidiary of Atlantic Records, in 1994.

Like a number of Tempe-based groups, Dead Hot Workshop’s sound owed a good deal to the band’s surroundings. They played desert rock & roll with a country bent, taking influence from the likes of Neil Young, Johnny Cash, and the Replacements. Tag Recordings first unveiled that sound with the 1994 EP River Otis, which was followed one year later by the full-length album 1001 (the title of which referred to the Sun Club’s street address).

$10.00 - $12.00

Tickets Available at the Door

Who’s Going

96

Upcoming Events
Last Exit Live