Emancipator Ensemble + Blockhead + Real Magic

To some, it must seem like this young electronic producer came out of nowhere this year, but those in the know have been following Emancipator since he self-released his first album, "Soon It Will Be Cold Enough," at the age of 19 in 2006. His agile melodies layered over headnodic, immaculately-produced beats captivated fans across the internet and across the world. "Soon It Will Be Cold Enough" was picked up by Japanese super-producer Nujabes, pressed in Japan and sold 5,000 copies in the first six months. Emancipator landed a Puma sponsorship, gave an interview to Rolling Stone Japan, and even had his song "Maps" played at the Bejing Olympics.
His latest album "Safe In The Steep Cliffs" blends new instrumentation and organic samples with the signature Emancipator style of clean production, silky melodies and addictive drums. Dense layers of choirs, horns, American folk instruments such as the banjo and mandolin, violin and some distinct Asian influences make for a playful but refined album built out of intricate tracks listeners can enjoy on as many levels as they want. Dance to it, chill out to it, immerse your mind in it.

Tony Simon, a/k/a Blockhead, has been making and releasing utterly distinctive, funky and emotive music for 15 years. 

Blockhead grew up in downtown New York City. As the son of an artist, surrounded by visual culture, he early on found that his passion was for music, for the sonic. A fan of a whole range of sounds, especially hip-hop, Blockhead steadily built a tremendous collection of tapes and later CDs from innumerable artists, a quiet accumulation of knowledge and know-how. 

After a brief stint as a rapper, he realized his calling was behind the boards and not on the mic – and from there he began to produce beats. Since making that decision, he's kept pretty busy: carving a niche as a quality underground beatmaker that people call when they want something special. 

Blockhead produced nine tracks on Aesop Rock's critically acclaimed album "Labor Days." Additionally he produced half the tracks on Aesop's follow up EP, "Daylight." He has also worked with other indie giants Atmosphere, Murs, Mike Ladd and Illogic. In between, he found time to complete a break beat album entitled "Blockhead's Broke Beats," with ten hard-hitting instrumental tracks, which was released on Mush Records, the US home of cLOUDDEAD.



To understand Blockhead's presence and gravitas – look no further than the fact that he has also contributed three tracks (including the first single) for Cage's "Hell's Winter" on Def Jux. The other producers on the project are DJ Shadow, El-P and RJD2. 

All this occurred simultaneously to his debut album on Ninja Tune, "Music By Cavelight," described as "one of the most fantastically good albums you're going to hear this year" (Sunday Telegraph) and "a beautiful record" (Metro), with Blockhead himself tipped as "definitely one to watch" (Touch.) 
Blockhead returned in 2005 with "Downtime Science," another set of deep, emotional instrumental hip hop tracks, this time dedicated to the downtown area of Manhattan where he grew up and has lived his entire life, encompassing all the attitude, anger and edginess of the neighborhood. This expansive album also features some melancholy reflections upon failed relationships and the promise of future loves. "The Music Scene," his first full album in 5 years (discounting the tour-only release of "Uncle Tony's Coloring Book" in 2007) has elevated his craft to another level. 



Blockhead released "Interludes After Midnight" in 2012, marking his latest triumph in the world of instrumental music. His thoughtful beats and iconic samples continue to help him stand apart from the crowd when it comes to originality and emotion.

Since 2010, Blockhead has performing in a variety of electronic festival like Photosynthesis, Emerg-n-See, Art Outside, Camp Bisco, Trinumeral Festival and One Step Beyond, co-headline tours with Emancipator and Signal Path, and support date runs with both Bassnectar and Pretty Lights. No longer content with being behind the boards, Blockhead has emerged as a real touring force with his new live show that keeps audiences nodding along and wanting more!

Bay Area newcomer Drew Englander, also known as Real Magic, got his start in early 2011 when he recorded "No Things Left," an experiment in which he layered his somber and heartfelt croon over a whirlwind of grimey electronics and breakneck rhythms. It was to be a jumping off point for Englander, as he continued to delve into the capabilities of his voice and songwriting.

His influences are as numerous as they are diverse, including vocal-harmony masters Simon and Garfunkel, singer/songwriters Johnny Cash and Elliott Smith, composers Steve Reich and Philip Glass, and electronic artists Aphex Twin, Burial and Brian Eno.

What distinguishes this singer/producer from his sample-and-effects laden contemporaries is the surprising range and character of his vocals, which are featured prominently in the mix to create a sense of genuine humanity often absent from electronic music. Englander's melancholy voice sits atop carefully arranged compositions of synthesizers, strings, guitars and twittering drum machines, leading the way through a soundscape that is dark and brooding, yet hopeful and triumphant.

Following his 2011 release with LA's Heart Music Group, and subsequent features on Stereogum and Brooklyn Vegan, Englander has been polishing his frenetic live show, opening for the likes of YACHT and School of Seven Bells, along with performances at festivals such as CMJ, SUNY Purchase's Fall Fest, Goldrush and Westword Music Showcase. He released his Debut album "Deep Breathing" on March 12, 2013.

$16.00 - $20.00

Tickets Available at the Door

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Emancipator Ensemble + Blockhead + Real Magic with Blockhead, Real Magic

Tuesday, January 14 · Doors 9:00 PM / Show 10:00 PM at Republic New Orleans

Tickets Available at the Door