WKDU 91.7fm Presents
All Dogs, Cayetana, Heavy Bangs
2125 Chestnut Street
Philadelphia, PA, 19103
Doors 7:30 PM / Show 8:00 PM
This event is all ages
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last January’s American Weekend -- a collection of minimal acoustic-guitar pop written and recorded in a week at her family’s Birmingham home.
On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”.
There’s plenty of American Weekend‘s instrospection and minimalism to be found, though. “Blue Pt. II” is stripped down, Crutchfield and her sister Alison (of Swearin’) singing in harmony with deadpan vox. She’s still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. “Peace and Quiet” ebbs and flows from moody, minimal verses to a sing-song chorus. “Swan Dive” tackles nostalgia, transience, indifference, regret — over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on “You’re Damaged,” possibly the best Waxahatchee song to date.
pop punk Columbus
“Long time listeners, first time callers “Cayetana” have been around the Philadelphia music scene for quite a while. These three ladies came together about a year ago, which also happens to be when they started playing their instruments. This has let them develop a chemistry that takes other bands years to achieve, if at all. They’ve jumped head first with their clothes on into the pool at the raging party that is the Philadelphia punk scene. Their self-released demo/e.p. is quite the piece of ear candy. The contemplative and sometimes poignant lyrics delivered in a sincere and oft-urgent croon are perfectly complimented with a locked-in rhythm section comprising of melodious bass lines and driven, hoppy work on the skins. You can expect to hear a lot more from Cayetana in the coming months. Have a listen.” - Tom May (The Menzingers)