Chris Douridas (KCRW) & MFG Present
School Night! featuring: Cloud Control
Avers, ARMS, TJ Mizell (DJ Set), Bands and DJs curated by Chris Douridas (KCRW), & Matt Goldman (MFG), resident DJ Jason Eldredge (KCRW/East Village Radio), Sharon Jones & the Dap Kings album preview
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 6:00 PM / Show 8:00 PM
This event is 21 and over
School Night! featuring:
Cloud Control came together during the warmest winter on record. They were four folk from the Blue Mountains; school friends, brother and sister. Inspired by the great melody makers of our time, Cloud Control embrace the alt-folk tradition, with Neil Young-inspired vocals and inventive pop melodies. The band salutes the music of yesteryear with boy/girl harmonies reminiscent of The Lucksmiths and Fleetwood Mac. Their first demo received high rotation on FBi radio and saw them emerge as regulars on the Sydney gig circuit in the wake of winning the 2006 Sydney University band competition. In the summer of 2007 Cloud Control recorded their debut EP live to analogue tape, inside a stone house in the Blue Mountains. Produced in collaboration with Jon Hunter (Belles Will Ring, The Holy Soul, The Laurels) and mastered by Don Bartley at Benchmark Studios, the EP showcases a depth of songwriting that is characterised by a playful, yet intelligent originality.
Inspired by chance encounter, Avers was formed over the course of ten nights of writing and recording–an absence of expectation, and the beauty of an unexpected result.
Chemistry, a substance generally cultivated on rare occasion, materialized instantly while members James-Lloyd Hodges (Farm Vegas), James Mason (The Mason Brothers), Adrian Olsen (Hypercolor), Alexandra Spalding (Lost in the Trees) and Tyler Williams (The Head and The Heart) explored ideas and sounds that resulted in their debut album, Empty Light. Within the confines of a two-hundred-year-old farm that houses Montrose Recording (Richmond, VA), ghosts echoing from a Flickinger console once owned by Sparklehorse; fires burned until first morning light. Five new friends trusting in the unexpected, following the creative tide. These elements reveal the heart and soul of the band itself.
Avers is defined by creation within a moment – a trust that music recorded so close to its inspiration has a certain magic that is valid/rare in a world of over-thought perfection. Their debut spans a psychedelic spectrum of musical light; ethereal, cathartic, and illuminated from within by raw emotion, blending the aural colors which fill the space of Empty Light.
"I was exhausted," says Todd Goldstein, reflecting on the years since the release of his band ARMS’ lush, ambitious 2011 album, Summer Skills. “I put everything I had into that album—creatively, emotionally—I had nothing left in me.” After spending his mid-20s playing guitar in New York’s much-loved Harlem Shakes and the ensuing years crafting two albums and an EP as ARMS, Todd took a sharp turn away from music. He went back to school to study design; he spent long afternoons throwing down in the kitchen; he looked elsewhere to find his creative kicks. Eventually though, he remembered why he can’t help but write songs. ARMS’ EP2 is the proof.
The product of a long, slow collaboration with drummer Tlacael Esparza, EP2 feels both urgent and relaxed, its five home-recorded pop songs projecting a lived-in looseness without sacrificing an ounce of tension. “Comfort,” the EP’s opening track, seems at first to be about music—or a girl. But, unlike most love songs that pull this double duty, the message of “Comfort” is unexpected: Neither one is a prescription for the ailments of real life. “Sleepwalker” plays like an insomniac’s wake-up call, dressing a careening rhythm in melancholic guitar figures and peals of glowing distortion, while “Up & Up” is the late-night ripper, an album closing comedown that refuses to land. EP2 is the sound of a kid with a worried mind—a frequent character in Todd’s musical universe—learning to let go at last. It only seems right that ARMS’ leanest, most immediate record would finally arrive after leaving it all behind.
ARMS is Todd Goldstein and Tlacael Esparza. ARMS has shared the stage with Passion Pit, Walkmen, Beach House, White Rabbits, The Long Winters, A Place to Bury Strangers, Japandroids, Hospitality, Caveman, Asobi Seksu, and more.
Bands and DJs curated by Chris Douridas (KCRW)
"I plan an interview like a trip," says longtime music curator, radio host, and two-time Grammy nominee Chris Douridas. "I know I'm going to get from here to there, but the side trips and roadside attractions are always the most interesting." Chris' penchant for crossing borders has led him to audiences around the world. Throughout most of the 90's, Chris held the music director position at KCRW. As host of KCRW's popular daily new music program Morning Becomes Eclectic (1990-1998), he was the first to play demos from then-unsigned artists Beck, Gillian Welch and eels, among many others.
While Chris was still in his KCRW role, Geffen Records enlisted him to identify and recruit new artists as an A&R consultant, bringing to the label the bands Remy Zero and That Dog. Two years later, he became an A&R executive at DreamWorks Records where he brought in the eels and Propellerheads, among others.
While at DreamWorks and KCRW, he hosted the debut season of Sessions at West 54th, a weekly PBS music performance and interview program, which bowed in the summer of 1997, and is still in syndication. The show featured interview segments filmed by D.A. Pennebaker, and extended sets from Beck, Fiona Apple, Ben Folds, Sonic Youth, and Zap Mama, along with the television performance debuts of Belle and Sebastian and Jane Siberry, among many others.
Chris is probably best known in film circles as a music supervisor and consultant for major motion pictures and television series, having put together music for Northern Exposure, the Austin Powers series, One Eight Seven, As Good as It Gets, Heat, Grosse Point Blank, Grace of My Heart, American Beauty (GRAMMY nominee for Best Soundtrack), One Hour Photo, Down With Love, The Girl Next Door, The Chumscrubber, Rumor Has It, the record-setting Shrek 2 (GRAMMY nominee for Best Soundtrack) and Bobby, the Robert Kennedy tribute from director Emilio Estevez.
As the new millenium began, Chris set new standards in the online arena as the former VP at AOL Music where he created, produced and hosted the popular Sessions@AOL interview and performance program. For Sessions, Chris interviewed Paul McCartney, U2, Moby, Radiohead, Peter Gabriel, Madonna, Nelly, John Mayer, Sheryl Crow and Avril Lavigne, among hundreds of others.
Also a creative programming consultant for Steve Jobs and Apple's iTunes Music Store, Douridas created and produced the inaugural two years of the live performance and interview series, iTunes Originals, featuring Paul Simon, Jack Johnson, Alanis Morissette, Sting, Willie Nelson, Bjork, PJ Harvey, and others. Additionally, Douridas created and curated the launch of iTunes Essentials, an ongoing series of downloadable music playlists for the iPod culture.
In his voice-over work, Chris was recently heard in the Nissan Shift TV commercial campaign.
He continues his dedication to discovering and nurturing unsigned and forward-leaning artists through his global radio program, heard on KCRW-FM and KCRW.com.
& Matt Goldman (MFG)
MFG Productions is an event production & promotion boutique based in downtown Los Angeles. We have produced influential live music and DJ events since 2006, having averaged over 200 shows per year ranging from 100 to 10,000 people in attendance. Our partners include music festivals, international hotel chains, relevant magazines, influential radio stations, leading beverage brands, and every facet of the apparel industry. We are consistently approached for our understanding of current and future trends in art, fashion, design and, most importantly, music.
“Matt Goldman is an LA nightlife titan, responsible for Thursday’s Dance Right at La Cita and Monday’s School Night at Bardot, as well as the bi-coastal Swimming with Sharks summer pool parties at the NY and LA Standard Hotels. And then there’s the match-made-in-heaven team-ups with Mad Decent and Scion, the one-off after-parties for poised-to-be-huge bands like Foster the People, the secret shows with M.I.A. and Spoon... should we keep going? Because [MFG] is...”
- Excerpted from Paper Magazine Nightlife Issue
resident DJ Jason Eldredge (KCRW/East Village Radio)
With individual taste and a passion for musical risks, Jason Eldredge appeals to the avid music lover as well as the casual fan seeking a soundtrack to their life’s adventures.
Jason’s musical education started at an early age. “It was obvious to everyone around me that I had a real fondness for music, so babysitters and older kids were always feeding me the cornerstone albums of that time."
“Later on in school, my friends would ask me to create mix tapes for their parties. I never really thought that much about it, but other people seemed to realize that I had a knack for it.”
Jason became a “public radio junkie” while living in Chicago listening to WBEZ. He was involved in the local theater scene and finally moved to the West Coast to pursue his acting career. He discovered KCRW and became a volunteer almost immediately. “I showed up to my volunteer interview in a tie and brought along a portfolio. I knew what I wanted and was determined to be involved with the station.”
Jason's desire for accessibility in introducing the newest jam or resurfacing the occasionally forgotten gem brings a mixture of sounds that is consistently varied and original. “I always take chances. Sometimes the things I think people are going to hate end up being what people love the most. That's one of the best parts of my show.”
Jason was previously named by Billboard Magazine as one of the ‘Top 30 Under Thirty’ in the music Industry for his music supervision work in film and television. His credits include: HBO’s Six Feet Under (music coordinator), The Closer for TNT, and Free Radio for VH-1. He has been featured in other print and online publications such as Monocle Magazine, Hamptons Magazine, LA Weekly, and Mashable.
He has deejayed live for the MTV Video Music Awards, Oliver Peoples, Ace Hotels, Soho House, Santos Party House, Flavorpill, The Standard Hotels, The Bowery Hotel, Armani, and The House of Blues.
W Hotels and The Patina Group run exclusive mixes produced by Jason in a variety of their establishments worldwide.
In addition to his work in music, Jason has acted in a variety of commercials, films, and stage productions. He studied acting with the Atlantic Theater Company in New York and completed the BFA acting program at the University of Colorado, Boulder. He has also studied photography at UCLA and recently completed a major candidacy in Art History at Columbia University.
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