Girl Unit, EPROM, with Grenier

Originally starting out DJing under the name Girl U No Its True around 2007, Girl Unit has been producing since about the age of 17. His productions finally started picking up in 2009 and put out his first ep, IRL on the Night Slugs label early in 2010. Girl Unit aims to produce physical 808-based club tracks that serve to project his love for RnB/rap music and regional US. club music styles.

During Girl Unit’s DJ sets he tries to cohesively work his way through global house sounds, dirty south instrumentals, detroit/chicago classics, raw US club tracks and local bangers from rising UK producers, as well as his own productions and Night Slugs label mates releases. The second ep featuring title track ‘Wut’ is out now on Night Slugs.

EPROM is one of the vibrant West-Coast scene’s most colourful characters and an important cog in the international Rwina machine. He’s a consummate post-millennial producer, and his sound varies from toxic hip-hop to searing garage mutations to bizarre concoctions somewhere in between. His beats jiggle and drip and contort wildly, always in some perpetual state of melting, churning, and mutation. He’s had releases on Warp, Surefire, and Bristol-based Bad Acid, but it’s his Rwina releases that have been the most visible and enduring, whether it’s the timestretch torture and fierce melodic geysers of “Humanoid” or deconstructionist mayhem of his “Pipe Dream” EP, where dubstep and grime collide for a staggering beast that shakes off heavy blotches of radioactive fluorescent sludge with every beat that lands. His live sets are something to behold as well, emphasizing the hip-hop roots that lurk underneath his sewer beats, and an hour of EPROM is bound to turn your brain into to the same sort of goo that gums the gears of his distinctive beats.

Fans and supporters of Eprom include Flying Lotus, ?uestlove, DJ Shadow, Rustie, The Gaslamp Killer, The Glitch Mob and BBC Radio One’s Mary Anne Hobbs, and the producer has shared the stage with many of the international electronic music community’s hottest artists. With his new album, Metahuman, garnering critical acclaim from all corners, Eprom is finally getting the recognition he has earned as an integral part of the giant bouncing backbone of West Coast Sound.

with Grenier

Born and raised in the San Francisco Bay Area, Dean J. Grenier, A.K.A DJG, landed in the Bay Area underground dance music scene 2006 with his first 12" "Shadow Skanking" b/w "Joyful Sound" on Narco.Hz, two slices of lithe, slick dubstep. Immediate airplay for "Joyful Sound" on Rinse FM and drops in the clubs from prominent DJs like N-Type quickly propelled DJG to the forefront of American bass music producers early on in his career.

Grenier's production style is rich and welcoming, sometimes visceral but never anything less than evocative. Now considered a veteran of the American scene, DJG self-released the two-disc Voids collection in 2010, revealing not only a clever grasp of dubstep and dnb but ambient soundscapes, and since then he’s released on labels like Gilles Peterson’s Brownswood imprint, Headhunter’s Transistor, Frite Nite, Pushing Red and Wheel & Deal Records. Now working under the name Grenier his recent productions see him moving in a more experimental direction, dropping the tempo to as low as 125BPM while playing around with rhythmic structures that hint at soulful house, garage, and other weird shapes, all imbued with the warm melodic embrace he’s always kept hidden beneath the beats. With forthcoming releases on Tectonic, Photek Productions, Get Darker and Frite Nite (with LA’s Salva), 2012 looks to be a banner year for Grenier, as he continues work on his debut album. DJs ranging from Mary Anne Hobbs, Mala, Pearson Sound, 2562, Pinch, Addison Groove, Salva, Photek, N-Type, Distal and many more have been supporting Grenier's recent and forthcoming releases.

Grenier’s performance behind the decks reveals a wide-ranging taste and smart grip on all sorts of music, elegantly-paced sets full of his own productions and like-minded efforts from others. His DJ talents have brought him all over the world, including a recent set at the legendary club Fabric in London and a tour around Europe in 2011, and back home in North America he’s headlined British Columbia’s Bass Coast Festival.

$12.00

Tickets Available at the Door

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Girl Unit, EPROM, with Grenier

Thursday, December 12 · Doors 11:30 PM at Glasslands Gallery

Tickets Available at the Door