Deja Voodoo at Preservation Hall, Featuring the Preservation Hall Jazz Band with Beats Antique

Preservation Hall Jazz Band

The Preservation Hall Jazz Band derives its name from Preservation Hall, the venerable music venue located in the heart of New Orleans' French Quarter, founded in 1961 by Allan and Sandra Jaffe. The band has traveled worldwide spreading their mission to nurture and perpetuate the art form of New Orleans Jazz. Whether performing at Carnegie Hall or Lincoln Center, for British Royalty or the King of Thailand, this music embodies a joyful, timeless spirit. Under the auspices of current director, Ben Jaffe, the son of founders Allan and Sandra, Preservation Hall continues with a deep reverence and consciousness of its greatest attributes in the modern day as a venue, band, and record label.

The building that houses Preservation Hall has housed many businesses over the years including a tavern during the war of 1812, a photo studio and an art gallery. It was during the years of the art gallery that then owner, Larry Borenstein, began holding informal jam sessions for his close friends. Out of these sessions grew the concept of Preservation Hall. The intimate venue, whose weathered exterior has been untouched over its history, is a living embodiment of its original vision. To this day, Preservation Hall has no drinks, air conditioning, or other typical accoutrements strictly welcoming people of all ages interested in having one of the last pure music experiences left on the earth.

The PHJB began touring in 1963 and for many years there were several bands successfully touring under the name Preservation Hall. Many of the band's charter members performed with the pioneers who invented jazz in the early twentieth century including Buddy Bolden, Jelly Roll Morton, Louis Armstrong, and Bunk Johnson. Band leaders over the band's history include the brothers Willie and Percy Humphrey, husband and wife Billie and De De Pierce, famed pianist Sweet Emma Barrett, and in the modern day Wendall and John Brunious. These founding artists and dozens of others passed on the lessons of their music to a younger generation who now follow in their footsteps like the current lineup.

Growing like wildfire under the canopy of live electronica and experimental world fusion music, the acclaimed musical trio Beats Antique have concocted their most ambitious and spectacular live performance to date for their upcoming summer tour, A Thousand Faces, in conjunction with the release of a new record bearing the same name in the fall of 2013.
 
As the trio masterfully merges modern technology, live instrumentation, brass bands, string quartets, glitch, and dubstep, Beats Antique's highly anticipated new album explores another octave of musings first beginning in 2009 with Contraption Vol. 1 and their sophomore release, Contraption Vol. 2. The new album heavily pulls from their innate talent as live performers and vision for adapting their musical recording to inimitable live experiences. The "A Thousand Faces" tour elevates this music to how it was truly meant to be experienced, utilizing new technology co-created with Obscura Digital to bring Beat's music to new visceral territory.
 
With a stage performance containing more sensory indulgences than the most lavish genie's lair, Beats Antique will indulge their fans to a raw, animalistic musical event that blurs the lines between the provocative, the spiritual, and the artistic while still maintaining allegiance to the muses of class and beauty. Having already enchanted audiences at Coachella, Lollapalooza, Bonnaroo, Red Rocks and beyond, Beats Antique's live performances blend electro-coustic breakbeats set to a Bollywood bass-circus stage show, with the sophistication of top hats receding to a sea of animal masks and wild feather headdresses. Their ability to blur the line between artist and audience even before the curtain rises creates a total escape both through live performance and the album experience that leaves critics and fans reeling alike.
 
The journey that led to Beats Antique was a winding and twisted path from the West Coast and eclectic underground of San Francisco's performance art scene, to the ancient trade routes of the Silk Road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori studied at California Institute of the Arts and Tommy Cappel studied at Berkelee School of Music before they ventured to locations such as Bali, West Africa, and Serbia. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation with skills born from Traditional Folk to Hip Hop and old school Jazz. Zoe Jakes adds a third dimension as the diverse and disciplinary dance counterpart to Beats Antique's sound. Jakes has worked with two major dance troupes, including Miles Copeland's Bellydance Superstars and Rachel Brice's Indigo Belly Dance Company, and is a student of ballet and contemporary techniques.
 
Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world's music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you'll still be surprised and taken to a place you hadn't previously known existed.

Their new album, A Thousand Faces, available fall of 2013, continues to venture into this wildly untamed direction, beckoning a brand new live experience that can only be seen first hand to truly comprehend.

$50.00 - $75.00

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Deja Voodoo at Preservation Hall, Featuring the Preservation Hall Jazz Band with Beats Antique

Sunday, November 3 · Doors 11:30 PM / Show 11:59 PM at Preservation Hall