As a songwriter and singer, Cohn combines the precision of a brilliant tunesmith with the passion of a great soul man. He's a natural storyteller, balancing the exuberant with the poignant, and able to distill universal truth out of his often romantic, drawn-from-life tales. He similarly finds the emotional essence in the vintage songs he's just recorded, even as he brilliantly reshapes his source material. Cohn’s own career took off at the turn of another decade, in 1990, with the recording of his critically acclaimed, self-titled debut disc, which yielded such classics in their own right as “Walking In Memphis,” “Silver Thunderbird,” and the lovely “True Companion.” For Cohn, 1970 - -which saw the release of Moondance, Bridge Over Troubled Water, and John Lennon/Plastic Ono Band to name but a few -- “was still the golden age of the single, but was also the beginning of the golden age of the Album. Even while all these deeply personal and poetic records were being released, there was this eclectic mix of pop music on the radio; it was great to be able to explore that range on this record. Just as a consumer and a total music fan, if I saw a sequence on a record that had songs by Paul Simon, Badfinger, John Lennon, Cat Stevens, The Grateful Dead and Bread, I would immediately be intrigued, and I’d probably buy it just to find out how badly the artist had lost the plot! But somehow all those disparate styles and approaches to songwriting seem like they belong together.”

Marc's latest offering Listening Booth: 1970 is a collaboration with longtime producer-arranger-multi-instrumentalist and fellow Grammy Award winner John Leventhal, who states, “Marc’s voice is the unifier. There’s a depth and a soulfulness that I don’t think people are aware of.”

Rebecca Pidgeon

She's been recording albums for more than 20 years, but Rebecca Pidgeon had a creative breakthrough as she began working on the music for "Slingshot," her compelling sixth solo effort.

The deeply melodic "Slingshot" marks the third time Pidgeon and Grammy-winning producer Larry Klein (Joni Mitchell, Madeleine Peyroux, Herbie Hancock) have collaborated. The two made an often intentionally quiet album that compellingly beckons the listener to lean in and pay attention. "There's simplicity and air and space to it," she says. "That was a conscious decision."

In fact, Pidgeon wrote 35 songs for "Slingshot," more than she has ever written for an album before. Working primarily with Klein and David Batteau on the "kernel of the record," Pidgeon also wrote with Timothy Bracy and acclaimed singer/songwriter, Freedy Johnston including the deceptively jaunty, upbeat "I Love No One." "I loved writing with Freedy," she says. "We [both] tend to like stories about being rather bleak. It seems more interesting."

Throughout the summer and fall of 2011, Pidgeon has headlined Wine, Women & Song, a series of concerts that take place at female-run vineyards coordinated by wine company Women of the Vine. "These women are entrepreneurs and artists", she says. "The concerts with the wine tastings have been very lovely."

Pidgeon has also shared stages with such artists as Aimee Mann, Madeleine Peyroux, Jeffrey Gaines, Peter Himmelman, and Keb Mo, and joined founders Willie Nelson, John Mellencamp and Neil Young at the 2011 edition of Farm Aid.

$45.00

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Marc Cohn with Rebecca Pidgeon

Saturday, January 25 · 7:00 PM at Rams Head On Stage

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