Visionquest 13 with Seth Troxler, Ryan Crosson, Shaun Reeves, Lee Curtiss, Wolf+Lamb, Nick Monaco
74 Wythe Avenue
New York, NY, 11211
This event is 21 and over
In accordance with Mayan prophecy, Seth Troxler was, in fact, a gift to Detroit techno from intergalactic house demigods from the future. Rumours that Seth Troxler is actually an alien are untrue; in the early first century these demigods kidnapped the virile first-born child of a Roman centurion and his Egyptian trophy wife. After years of travelling around the western end of the Milky Way studying linear algebra, Byronic verse, city planning, and the essentials of electronic music composition, these demigods lost young Seth to the Old God Horus in a game of trans-dimensional poker. Before Horus could consume his soul, disguised as Freemasons, they managed steal the young Seth back, and fearing the wrath of Horus, hid him in the Mid-Western town of Kalamazoo where he was raised by a kindly family of Amish.
Since then Seth has gone on to ignite the world of house and techno with a constant barrage of vocal jams, been voted Number Three best DJ in the world in the Resident Advisor Top 100 DJ Poll (beaten only by Ricardo Villalobos and Richie Hawtin), landed a much vaunted residency at DC10 in Ibiza and been invited by Pete Tong to deliver an Essential Mix for BBC Radio One. He has played many outstanding international gigs, notably fabric (London), Panorama Bar and Watergate (Berlin), Womb (Tokyo), Tenax (Florence), Robert Johnson (Frankfurt), The Rex (Paris), Fuse (Brussels), Avalon (LA), The End Up (San Fransisco) plus The Detroit Electronic Music Festival and Mutek. In the studio he has collaborated with such dance luminaries as Matthew Dear, Art Department, Tiefschwarz, Deetron, Masemenos and dOP, in addition to groundbreaking remix work done as Visionquest alongside fellow astral refugees Shaun Reeves, Ryan Crosson and Lee Curtiss. Together their Visionquest project has spawned the most exciting new record label in dance music today, plus a four deck DJ spectacular that will see the four of them tour the world reminding people how lucky they are to be human.
Troxler is currently in Berlin, where he began his self-imposed exile from the United States after sleeping with then-Senator Barak Obama’s wife. Seth will remain in Europe until his 33rd birthday, at which point he will descend upon the Levant and battle his way westward as he reclaims his kingdom. At least that’s what some dude at Burning Man told us.
Ryan Crosson makes house and techno inspired by the historical precedent set in his native city of Detroit and his adopted hometown of Berlin. His musical output is shaped by pioneering artists like Richie Hawtin, Kevin Saunderson and Moodymann in the US, in addition to European heavyweights like Pantytec, Ricardo Villalobos, and Thomas Brinkmann. Situated loosely between these two defining poles, alongside his partners in Visionquest: Shaun Reeves, Seth Troxler and Lee Curtiss, Ryan delivers a obsessive attention to the constant progression of his sound and embodies a ceaseless energy that carries itself from the studio directly into his live set and DJ performances. Whether it’s solo in the studio or as a guiding hand in the Visionquest label and DJ/production partnership, Ryan consistently chooses to steer away from the predictable circuit of so-called “underground” club hits, instead favouring a process of constant renewal, returning both to early influential material and to emerging sounds that depart from well-trodden trends. As a key member of Visionquest, Ryan is responsible for much of the concepting and day to day running of what has rapidly become one of dance music’s most cherished new labels. Between them, Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and more esoteric leftfield electronica, gambling against the predicable to introduce emerging talent like Tale Of Us, Maceo Plex, Footprinz, Laura Jones and Mathew Burton to the record buying public. Their efforts were rewarded when their label was voted number seven in Resident Advisor’s 2011 label poll, no mean feat given that it’s back catalogue has only recently hit double digits.
In the studio, Ryan’s production and sampling practices depart from the world of electronic music by accessing histories of sound, referencing musique concrete, 1970's funk, and East African jazz. This is best demonstrated by the evolution of his sound from minimal hits like ‘Gotham Road’ and ‘Hopskotch’, through to the organic underground house strains of his ‘Visionquest’ remixes of Kiki’s ‘Good Voodoo’ and more recently via his Visionquest remixes of David Lynch’s ‘Pinky’s Dream’ and Guy Gerber and P Diddy’s forthcoming ‘Eleven Eleven’ project. In addition to dancefloor bombs like ‘You’ve Got Me’ EP on Supplement Facts he’s also capable of conjuring up the haunting cosmic beauty of his recent ‘Birds & Souls’ project on Spectral Sound alongside the genre-busting sonic experiments that make up his recent DRM album collaboration with Cesar Merveille released at the start of the year on Visionquest.
In the past Ryan has released tracks on diverse and groundbreaking labels like m-nus, Telegraph, Trapez, and Wagon Repair and more recently Soma, Spectral Sound and Supplemental Facts. From the outset Ryan immediately gave himself over to a life of touring and performance that keeps a steady focus on both the avant-garde aesthetics and deeply emotional bonds of dance music subculture. Ryan’s back-to-back live sets with Lee Curtiss, at the sold out Visionquest showcase at fabric last year and at Movement in Detroit, stole both these shows boding well for 2012 which will see him repeat his live show at some of the world’s most famous clubs and festivals alongside a packed schedule of DJ gigs, both solo and as part of Visionquest, including his much anticipated new residency at Circo Loco at DC10 this summer.
Shaun Reeves is an enigmatic pioneer who's trailblazing quest to export his unique brand of cosmic underground house and techno from his hometown of Detroit to Europe and beyond has brought him international acclaim. Alongside best friends Ryan Crosson, Lee Curtiss and Seth Troxler he has helped put a warm, esoteric spin on the city's musical heritage taking it away from clinical minimalism, back towards warmer, more spiritual party music. Together they have formed Visionquest, a genre-busting four-piece DJ combo, live act, record label and forward-thinking school of thought.
Shaun grew up putting on parties in and around Detroit, starting off in small bars and attic spaces, booking the likes of Magda, Dan Bell and John Tejada to play for him. During this time he started drawing deep inspiration from the early Perlon records and listening to sets from its label boss Zip, in 2004 Shaun decided to make the bold move to Berlin closer to the source of this sound. Since his move to Berlin, Shaun Reeves has been enthralling audiences on both sides of the Atlantic with his own highly distinctive mixture of American house, both classic and contemporary, and the deepest, most cutting edge aspects of post-minimal techno and tech-house. In addition to playing in Berlin's celebrated Panorama Bar, Watergate, the legendary Beatstreet loft parties and holding his 'Soul Shower' summer residency at Club Der Visionaere, he has appeared at DC10 (Ibiza), Fabric (London), Robert Johnson (Frankfurt), Cityfox (Zurich), Sankeys (Manchester) and played for Wolf+Lamb at The Marcy Hotel (NYC).
The last few years have seen Shaun blossom in the studio, both on his own for New York's Wolf+Lamb, as 'The Royal We' with Seth Troxler for Crosstown Rebels, alongside Guti and Miss Fitz for Wolf+Lamb and Raum…musik and most recently as Visionquest remixing Tracey Thorn (for Strange Feeling), doP & Seuil (for Eklo) and Paul Ritch & D'Julz (for Quartz Music).
When he's not conjuring up bombs in the studio or trawling through record shops and the farthest reaches of the internet in search of forgotten gems and untapped jams, that sound decidedly fresh and exciting, Shaun remains committed to pushing all genres of dance music forward. His is music not just for the dance floor, but also for the body, soul…and brain. As the recent resurgence of interest in the border between house and techno makes all too clear, Shaun has always been one to set musical trends rather than follow them.
Over the last two years Lee Curtiss has made a name for himself creating primal, exquisitely deep and emotional dance tracks that pulse with life, sex, and humour, incorporating countless influences and genres but beholden to none. With his broad shoulders, even wider grin and keen sense of humour, Lee may give off the straight-shooting air of a Midwestern woodsman, but he's got the ear, plain and simple. Lee Curtiss is an eccentric, an original, an innovator, a ten-year veteran of the electronic-music scene. His love of his craft shines through in his tracks' every bump and shudder. From last year's Visionquest remix of Kiki's 'Good Voodoo', sighted by many as the underground smash of the year, to his 'Black Door EP' on Spectral (Mixmag's techno 'Tune of the Month', October 09), Lee has an innate ability to create instantly memorable lead riffs that will stand the test of time.
Lee grew up in Western Michigan and eventually moved to Detroit, living the guitars-to-turntables, concerts-to-underground-parties arc shared by so many other children of the electronic music revolution. The similarities end there though. Lee displayed an immediate knack and passion for dance music that translated his love of Prince, Quincy Jones, and good old underground disco into a production and DJ style noted for its sensuality and effortlessness. Recently back in Detroit after an extended stay in Berlin (where he swapped ideas and lived with his close friends and partners-in-crime Seth Troxler, Ryan Crosson and Shaun Reeves), Lee continues to produce vital releases and remixes on labels including Spectral Sound, Get Physical, Dumb-Unit, Wolf+Lamb, Esperanza, and Mothership, and play DJ gigs the world over.
Lee's previous trans-Atlantic tours have seen him play at some of Europe's most important clubbing institutions including, Fabric in London, Watergate in Berlin, City Fox in Zurich, Kiss Klub in Nurnberg and the UK's Bloc Weekender Festival. He tore up the Toilets in East London for Kubicle, supported long standing friends Wolf+Lamb in Paris and look his, as Resident Advisor described it, 'libidinous tech funk' to Bristol, Leeds, Cardiff and Aberdeen.
Lee's live debut at Fabric earlier this year was met with universal praise and Matthew Dear was so impressed with his live show at the Spectral party at the Miami WMC that, he immediately invited Lee to join him as the live face of Spectral Sound, touring alongside Matt over the coming months. In June Lee is set to follow up his Beatport chart topping 'Love In The Key of Freak' EP on Get Physical with 'I Can Hear You Arthur', his tribute to Arthur Russel on Guy Gerber's Supplemental Facts label which is set to be one of the summer's biggest underground anthems.
Nick Monaco is here to take you back.... and move you forth.
In the year 1990 Nick Monaco was conceived by two passionate lovebirds in the mystical depths of the Grand Canyon, it was known then that this boy was destined to make magic himself. Nick is a 90's baby from Northern California's Bay Area. He likes long walks on the beach, appreciates sunshine, bass and abides by his personal philosophy: the weirder, the funkier, the better.
Rocking house parties is how Nick spent most weekends in his not so distant adolescence. Thank G-O-D for out of town parents! While his peers fussed over iPod playlists, Monaco busted in with crates of wax and brought down the spot, learning to win the crowds in true school style.
As a freshman in high school, Monaco was obsessed with turntablism and anything with the words Hip and Hop in it. Locking himself in his bedroom with his decks he scratched his fingers numb for more than 5 hours a day. Practice seemed to make perfect as he was soon sought after for his innovative scratches by the all-time extraterrestrial DJ Qbert who asked for Monaco's contribution for the instructional glossary "Scratchlopedia Breaktannica." (Available online!)
Nick will tell you himself, he is as much influenced by Deee-Lite as he is by Elliot Smith and you can really hear it in his wide and eclectic musical tastes. The Soul Clap boys would agree. They received a demo from Monaco in 2011, which featured "Set the Table," and were blown away by its quirkiness, innocence, and originality. Since then they have adopted him as a part of the Soul Clap family and have saved a seat for him on the mothership, Soul Clap Records.
Claude VonStroke over in the offices of Dirty Bird Records has also taken a shining to Monaco. When Nick kicked off 2012 with "Long Kiss Goodnight (Soul Clap Edit)," it was signed to Dirtybird's "Hatched" compilation; a meaningful gesture electing him to represent the future of his native Bay Area. Currently Nick Monaco is making his transition from big bass to deeper, emotional, and more musical explorations, a sign of maturity and growth, the fruit of which we are soon to taste.
$40.00 - $50.00
Sat, February 25
Fri, March 3
Sat, March 4
Wed, March 8
Thu, March 9