Part Time Punks

SISU (pronounced "see-soo") is from Los Angeles, California. Led by Sandra Vu, who also plays drums in Dum Dum Girls, the group is completed by Ryan Wood, Nathanael Keefer, Chris Stevens, and Jules Medeiros.

SISU began as a means of therapy for Vu after the previous band she played drums in, Midnight Movies, ended. The endeavor was a way for her to work through and overcome disappointment and disillusionment.

Listeners may be surprised that SISU offers a strikingly different sound and mood from Dum Dum Girls: spare electro beats, sinewy basslines, undulating synths, shimmering guitar, gossamer flute. Floating above it all is Vu's voice, vulnerable and breathy. This is exquisite, devastating music.

Vu records much of the music herself at home. Wood and Keefer helped her complete it in-studio, with Lars Stalfors (The Mars Volta, Marnie Stern) mixing.

Discovering a spectacular new band is an incomparable thrill. The first few listens; the goosebumps from elation. It's rare these days to hear music that's not affected by hype and expectation. Here is such an opportunity.

SISU is:

Sandra Vu (vocals, guitar)
Ryan Wood (guitar, synth)
Nathanael Keefer (drums)
Jules Medeiros (synth, backing vocals)
Chris Stevens (bass)

So Many Wizards

What makes So Many Wizards a band to watch is its off-kilter sense of melody and song structure. Lead single "Inner City" has a caffeinated, pogo-stick verse melody catchier than most bands' sharpest choruses; the trippy, inward gem "Best Friends" unwinds deceptively sophisticated chord changes while Kazerouni demonstrates his sweetest falsetto—it's a heartfelt plea for an idyllic romance, as innocently sweet as a second grader's Crayola-penned birthday card ("I don't care what we do / Don't care, as long as there's a park and then a bench for two / I don't care what we do / And as long as we can sit").

Tennis System

The promise of L.A. may well lie in Tennis System, who have thundered their way through their adopted city with a reverb-drenched ferocity that has, in short order, made the East Coast transplants the city’s band to watch.

One listen is all it takes to comprehend why: Tennis System are masters of unhinged, lo-fi psychedelia, laced with the inescapably pop DNA of Jesus and Mary Chain, Nirvana and Ride. Behind the sweat-drenched performances, behind the Orange amps and squalling anthems is a coolly leather-clad trio, composed of front man Matty Taylor, drummer Hector Gomez, and bassist Zach Bilson. Arriving at the current lineup, however, was spirit quest that took Tennis System from one coast to the other: It was in gritty Washington, D.C. that a young Taylor steeped like tea in the music of Fugazi and Bad Brains, Black Tambourine and Nation of Ulysses. He decamped for Los Angeles, where denizens Gomez and Bilson joined the band, propelling the band forward as a full-fledged L.A. band.

Though Tennis System has shared bills with the likes of Ty Segall, Wavves, Japandroids, Pains of Being Pure at Heart, Mark Gardner and Beach Fossils, and worked with Jeff Zeigler of Uniform Recording (Kurt Vile, War on Drugs, Nothing) and Fred Kevorkian (White Stripes, Pavement, Sonic Youth, the National) since its founding in 2009, life on the best coast has only served to raise its profile: In the past year, crowds at Filter Magazine’s Culture Collide festival, Austin Psych Fest, L.A.’s iconic Part-Time Punks showcase and South by Southwest have begun to bear witness to Tennis System’s slash-and-burn live shows.

After 2011’s much blogged-about self-released album, “Teenagers” (and its stunner of a single, “Hey We Tried”), the band returns in the fall of 2014 with “Technicolour Blind,” the appropriately named, heady fever-dream of a new album that has been a year in the making for Tennis System. Its tracks, including “Technicolour Blind” “Memories & Broken Dreams” and the sparkling, anthemic “Dead Honey” are melodic departures from the gritty, fuzz-washed tunes of yore; rather, Los Angeles life, with its thrilling beauty and starkly menacing underbelly, has left Tennis System sun-bleached and wary, and left their music imbued with the peculiar patina of a rough-and-tumble circumstance. The guitars still squeal, but listen closely: Taylor’s lyricism bears unexpected wisdom and woe. Recorded with Ulysses Noriega (The Wedding Present, Ben Folds, The Offspring) mixed by Drew Fisher (The Melvins, Bleached, Babies) and mastered by John Greenham (Ice Cube, Aesop Rock, Chuck Prophet), “Technicolour Blind” is poised to be Tennis System’s breakout effort, even if fans knew it all along.

HEAVEN was founded by Jacob Cooper, former drummer of Wavves and The Mae Shi. HEAVEN is essentially a solo project, while there have been other people contributing to the band either on tour or in the studio since its conception.

Nightmare Air

"Nightmare Air's freakout-meets-space rock sounds like a Silversun Pickups vs. No Age street fight with Crystal Antlers refereeing."
- Kevin Bronson, Buzz Bands LA

"This lot conjure up the grungier side of Smashing Pumpkins but with a better record collection and taste... awesomely epic layered sounds... screaming vocals and catchy melodies."
- Artrocker Magazine, UK

"Bassist/vocalist Swaan Miller really brings out a fragile and approachable quality to these guitar-fueled, glam-coated anthems. If you're a fan of bands like 18th Dye and Serena Maneesh then Nightmare Air are all yours."
- Surfing on Steam

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