The Bellamy Brothers
Noel McKay & Brennen Leigh
14492 Old Bandera Rd.
Helotes, TX, 78023
Doors 7:00 PM / Show 9:00 PM
This event is 18 and over
The Bellamy Brothers
Best-known for the easy rolling, '70s Southern soft rock classic "Let Your Love Flow," the Bellamy Brothers are the most successful duo in country music history, consistently climbing into the upper reaches of the Billboard country charts during the '80s. More than most acts of the late '70s and '80s, the Bellamys pushed the borders of country music, adding strong elements of rock, reggae, and even rap, racking up a string of Top Ten singles that ran into the early '90s, after which they remained a popular concert attraction.
Howard and David Bellamy were born and raised in Darby, FL. Their father, Homer, played traditional country music around the house and performed with a Western swing band on the weekends. In addition to the country music they heard in their house, the brothers were drawn to the calypso music of the neighboring Caribbean islands. However, nothing provided as much attraction as the rock & roll they heard on their sister's records and the radio. From the Everly Brothers to the Beatles, the Bellamy Brothers soaked up the sounds of contemporary pop and rock. In their late teens and early twenties, they once again became infatuated with country music, thanks to the music of George Jones and Merle Haggard.
In 1968, the brothers moved to Atlanta, forming Jericho. After a while, the Bellamys relocated back to their home state. In 1973, they met a friend of singer Jim Stafford, who directed the vocalist to David's "Spiders and Snakes." Stafford was immediately taken with the tune, releasing it as his next single; the humorous retelling of David's boyhood farm experiences would eventually sell over three million copies. The success of "Spiders and Snakes" gave the Bellamy Brothers enough money to move out to Los Angeles, where they concentrated on a full-time musical career.
In 1975, the brothers signed to Curb/Warner Bros, releasing their first single, David's "Nothin' Heavy." The song flopped. Dennis St. John, who was a friend of the Bellamys and Neil Diamond's drummer, suggested that the duo record "Let Your Love Flow," a song written by Larry E. Williams, one of Diamond's roadies. As it turns out, "Let Your Love Flow" broke the doors wide open for the brothers, topping the pop charts and climbing into the country Top 30, as well as being a major hit in Britain, West Germany, and Scandinavia, going to number one in 15 countries.
The Bellamy Brothers quickly released their debut album, also called Let Your Love Flow, which became nearly as successful as the single. Their second album, 1977's Plain & Fancy, was a major success in Sweden and Norway, but it didn't make much of an impact in America. With their next album, they began to move closer to a straight country sound, beginning with "Slippin' Away," which reached the country Top 20.
The Bellamy Brothers' country breakthrough happened in 1979, with the tongue-in-cheek "If I Said You Had a Beautiful Body Would You Hold It Against Me." The song rocketed to number one on the country charts -- and was also a massive hit in the U.K. -- followed by the Top Five success of "You Ain't Just Whistlin' Dixie." The Bellamy Brothers' success continued to roll forward in 1980, as they scored two straight number one hits, "Sugar Daddy" and "Dancin' Cowboys." They earned a Grammy nomination for Best Country Performance by a Duo or Group, and the CMA named them the Most Promising Group of the Year. Throughout 1980 and 1981, the group continued to rack up the hits, including "Do You Love as Good as You Look" and "They Could Put Me in Jail."
Curb switched the Bellamy Brothers' distribution from Warner Bros to Elektra at the end of 1981. Coincidentally, the change in distribution coincided with Howard and David's desire to experiment with their music. After they released the number one "For All the Wrong Reasons," the brothers followed with "Get into Reggae Cowboy," which was a groundbreaking country record that incorporated Jamaican rhythms. In 1982, the group was given a Lifetime Membership of the Federation of International Country Air Personalities, as well as being named the Top Country Duo by Billboard.
Throughout 1983, the brothers logged a number of hits. The following year, Curb signed a distribution deal with MCA, which had no effect on the continuing success of the Bellamy Brothers. For the next three years, the brothers were at their peak, both popularly and artistically, scoring a number of hit singles that showcased their continuing musical development as well as their increasing lyrical sophistication, as indicated by the Vietnam vet anthem "Old Hippie" and "Kids of the Baby Boom." The Bellamy Brothers continued to have hits on Curb/MCA until the end of the '80s.
By the turn of the decade, the duo switched record labels to Atlantic. After one album with Atlantic, 1991's Rollin' Thunder, the Bellamys left the label, founding their own record company, Bellamy Brothers Records, one of the first artist-driven country independents of the modern era. The Latest & the Greatest (1992) was the first album released on the label. The duo still reached the charts, like the Top 25 "Cowboy Beat," but the strongest proof of the Bellamy Brothers were their reliably large crowd, not just in the U.S. but throughout the world. The Bellamys put out numerous independent records during the '90s and following the 98 collection Reggae Cowboys, the duo switched to Blue Hat Records on for 1999's Lonely Planet. The Bellamy Brothers' biggest project of the new millennium was Angels & Outlaws, Vol. 1, a 2005 record for Curb which found the duo re-recording old hits with a host of other country superstars, including Alan Jackson, Tanya Tucker, and Dolly Parton. Following 2007's gospel album Jesus Is Coming, the Brothers released The Anthology, Vol. 1, a collection of re-recordings of career highlights that also featured new recordings, including a duet with the Bacon Brothers on "Guilty of the Crime." ~ Stephen Thomas Erlewine, Rovi
Noel McKay & Brennen Leigh
Brennen Leigh and Noel McKay craft story songs with equal measures heart (“Before the World Was Made”) and humor (“Breaking Up And Making Up Again”). Evidence: Before the World Was Made. The Austin-based songwriters’ debut collaboration spotlights celebrated troubadours in peak form (“Before We Come to Our Senses”). “These are modern day country duets à la George Jones and Melba Montgomery,” producer Gurf Morlix says, “but with very sophisticated songwriting.”
Before the World Was Made began taking shape three years ago right as Leigh’s solo high watermark The Box stirred waves far and wide. (Lee Ann Womack, Sunny Sweeney and the Carper Family have covered her defiantly traditional country songs.) By that point, Leigh was well rooted in Austin, where she moved after growing up playing in a family band in Minnesota. “I was attracted to the scene in Austin,” she says. “It’s a great place to learn and get better at what I do.”
Meanwhile, McKay fronted the regionally popular McKay Brothers (Cold Beer and Hot Tamales), a band legendary songwriter Guy Clark had been championing for years. “Noel and Brennen are great songwriters,” says Clark, whose new album My Favorite Picture of You contains the McKay co-write “El Coyote.” The album went on to win a Grammy for best Folk album in 2014.
Before the World Was Made proves his point. “Some of these are songs that Noel had from a long time ago that we reconstructed,” Leigh says, “and some we wrote together recently. Writing duets is just almost like writing from one point of view and splitting it and making it make sense. Like ‘Ball in Chain,’ is not like a fight song. Same with ‘Breaking Up and Making Up Again.’ They’re dysfunctional, but the characters are happy with their situation, so it’s almost from one point of view.”
The singular duo effortlessly balances wit (“Let’s Don’t Get Married”) and whimsy (“Let’s Go to Lubbock on Vacation”) throughout. “I’ve loaded up the Nomad and the tank is full of gas/We’ll ride along across the High Plains fast,” the latter goes. “We’ll find the sweetest spot on God’s creation, my pretty little turtle dove/Let’s go to Lubbock on vacation.” Punch line: “Then we’ll know we’re really in love.” The pair consistently doubles down with sharp snapshots charting equally unpredictable romantic byways (“Salty Kisses in the Sand,” “Great Big Oldsmobile”).
“We kind of set out to make out a record of songs that we were singing together, even if it wasn’t specifically duet songs,” McKay says. “We both have solo careers to think about, but we’ll probably revisit this over and over and it’s a nice thing we can keep doing.” “We got to where people were asking us about certain songs and lumping us together in their mind,” Leigh adds, “so we thought we should make something to pay homage to that. Of course, people like the funny ones the best.” Good reason: Only kindred spirits allow a song as wickedly waggish as “Be My Ball and Chain.” Priceless.
Everyday conversation suggests Leigh and McKay indeed share a single mindset. The pair simply compliment each other in every way. “Brennen’s really great at melodies,” McKay says. “She’s always kicking around a melody around the house and it’s great and she’ll attach it to a lyric idea that’s equally great. She writes characters in her songs like a novelist.” “Noel always has the line,” Leigh counters. “It’s like, How are we gonna wrap this up? How are we gonna bring it around so it makes sense? He always ties it up. He always knows. Noel’s a poet.”
Tickets Available at the Door
Indoors - Seating is Limited, and Available on a First Come, First Served Basis. All Minors Will Be Charged an Additional $5 At the Door. Indoor Show. General Admission. 17 & Under Admitted with Parent or Guardian Only
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