Lady Lamb The Beekeeper

Lady Lamb The Beekeeper

To many, Lady Lamb is an enigma. Her songs are at once intimate and unbridled– both deeply personal and existentially contemplative. Aly Spaltro is a fearless performer who can command a pitch black stage with nothing more than her voice. Yet, when the band bursts in and the lights come up, what began as a demonstration of restraint shifts seamlessly into an emphatic snarl. On her newest work, After, Spaltro explores dualities further – giving equal attention to both the internal and external, the before and after. Her most palpable fears and memories are on display here, with a familiar vulnerability even more direct than her last effort. After boasts driving rhythms, bold melodies, candid lyricism, and a growling sonic stamp that is all her own.

Spaltro’s formative years were full of change – moving houses, cities, and countries every three years until she landed in her family’s home state of Maine. It was here that Spaltro found her voice among thousands of films at Bart & Greg’s DVD Explosion, an independent rental store in the small coastal town of Brunswick. During the day Spaltro would rent movies to the locals. At night she would lock up, pull out her 8-track recorder, and create songs completely uninhibited by musical conventions, learning to play and sing as she hit record. These creations brought forth nearly one hundred recordings, twelve of which were carefully curated and fully realized on her 2013 full-length studio debut Ripely Pine (released on Ba Da Bing! Records). Ripely Pine garnered praise for its lyrical intricacies, emotive vocals, and often unpredictable musicality, introducing Spaltro as a formidable new artist.

In between tours, Spaltro returned home, focusing with laser-like intent on writing, arranging, and demoing the songs on After. These new works – which found Spaltro co-producing with her Ripely Pine partner Nadim Issa at his Brooklyn studio, Let ‘Em In – are sonically vibrant, with an assertive use of grit and brightness. Thematically, they provide direct insight into Spaltro’s rumination on mortality, family, friendships, and leaving home.

There are many songs on After that explore themes of a much larger scale. In “Heretic” Spaltro sings of a childhood UFO sighting in Arizona. In “Batter” she dies in a plane crash, while in “Spat Out Spit” she questions whether she was even born at all. Alternatively, in “Billions of Eyes” Spaltro can “only see into her suitcase,” her mind simultaneously present and wandering as she “gnaws [her] way back home.” The tender and sparse “Ten” delves into her mother’s childhood diary, giving the listener a clear view throughout into some of Spaltro’s warmest memories of her loved ones. Ripely Pine was marked by an undeniable passion and confidence, but where it sometimes lacked in personal narrative and directness is where After shines. The last line on After encompasses the self-assurance of the work as a whole, stating “I know where I come from.” This theme is a constant throughout After, as Spaltro seeks to allow the listener to move in closer than ever before, to reflect on the past with grace, and envision the future with fervor. Spaltro invites us to contemplate the dualities that make us human, encouraging the celebration of both fear and love: internally and externally, before and after.

The Ballroom Thieves

Rock disguised as folk. In January 2012 The Ballroom Thieves broke into the Boston scene with a five-song, foot-stomping EP entitled The Devil & The Deep. Since their debut release the trio has captivated audiences with their unique instrumentation and dazzling three-part vocal harmonies. In the span of just one year they have performed at over 50 colleges nationwide, shared the stage with established acts such as Dispatch, The Lone Bellow, Little Green Cars, and Houndmouth, and played to sold-out crowds at the The Sinclair, Great Scott and the historic Club Passim in Cambridge, MA.
The Ballroom Thieves consistently deliver inspiring live performances highlighted by the group's infectious passion and raw energy, which are unrivaled in the local acoustic music scene. The sonic diversity of their growing repertoire allows the band to entrance an intimate listening room one night and entertain a large festival crowd the next.

Paper Castles

: Paper Castles : Burlington VT :
Paddy Reagan
John Rogone
Brennan Mangun

$10.00 - $12.00

Tickets Available at the Door

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Lady Lamb The Beekeeper with The Ballroom Thieves, Paper Castles

Monday, December 2 · Doors 8:00 PM / Show 8:30 PM at ArtsRiot

Tickets Available at the Door