SK, MSR and Angioplasty Media Present at ArtsRiot
Lady Lamb The Beekeeper
The Ballroom Thieves, Paper Castles
400 Pine St
Burlington, VT, 05401
Doors 8:00 PM / Show 8:30 PM (event ends at 2:00 AM)
This event is all ages
Lady Lamb The Beekeeper
More than anything, Aly Spaltro has 20,000 second-hand DVDs to thank for her first album. Despite being recorded at a proper studio in her recently adopted home of Brooklyn, Ripely Pine showcases songs conceived during her tenure at Bart's & Greg's DVD Explosion in Brunswick, Maine. Little did customers know, the same store they'd drop off their Transformers movies was providing the ideal four-year cocoon for the development of a major musical talent.
Aly worked the 3pm-11pm shift. Each night, after locking up, she'd walk past Drama and Horror, pull out her music gear from behind a wall of movies, and write and record songs until morning broke. She did this every day, drawing strength from the monotony of her routine.
During those nightly creative spells, Spaltro tested out multiple techniques, approaches and instrumentation. She brought whatever state she was in that day to the music, which served as raw expressions of her lyrical thoughts. Anger, confusion, love, happiness, and sadness reigned, and the songs ran rampant, with little form or structure. Isolated for those many hours, Aly let melodies morph together, break apart, and pair up. This is how she taught herself to write music and sing.
Spaltro chose to give herself a band name, because she had only two outlets for giving out her music; Bart's & Greg's, and a record store next door, the beloved independent Bull Moose. She arranged her CDs on the counters as free offerings, and seeing how she was often the employee at the register, didn't tell people it was her music.
That's how Lady Lamb the Beekeeper became one of the most beloved performers in Portland. Her live shows were unhinged, as melodies followed an internal logic only apparent to Spaltro herself. She sang and played guitar, and the songs offered a vivid yet brief snapshot into her expanse world. Their full glory remained in her head for reasons of access and cost. And anyway, who the hell would be able to play along with her, seeing how they followed no formal logic? Thus, she developed as a solo performer, careening from hums to screams within seconds, but always maintaining self-control.
At 23, with five years of taking music seriously under her belt, when she ventured to the next milestone—recording an album. This would be the first time she did so in a professional studio (not just her and her 8-track) and the first time she shared the process with anyone else. Luckily, she met Nadim Issa at Let 'Em Music in Brooklyn. He was taken enough by her abilities to dedicate nine full months towards the recording of Ripely Pine, and she with his producing abilities to ease comfortably into making him a part of her recording process. She wrote everything. All the songs, all the arrangements. And the two of them assembled an album that finally fit what existed in Spaltro's mind. Keeping the songs' stark rawness, the record is a pure representation of her sound.
Ripely Pine shouts the introduction of a new talent from every groove. Here, finally, are recordings of Lady Lamb that come as close as possible to conveying the intense majestry of her live shows. And, much like her performances live, a narrative breathes through the record's progression. The album opens with urgency and anger, settles into reconciliation and reciprocation, and ultimately reaches towards resolution, realizing infatuation leads to a loss of self; instead, embracing one's own strengths is the most powerful thing of all.
No surprise that Spaltro ultimately sings a mantra of individuality. A listen to Ripely Pine proves she has a lot to say for herself and certainly doesn't need anybody's help to do it.
Collaborating with Issa kind of ruled, though. And it's going to be next to purely awesome seeing her play with a full band.
Lady Lamb the Beekeeper. You. Here. First.
The Ballroom Thieves
Rock disguised as folk. In January 2012 The Ballroom Thieves broke into the Boston scene with a five-song, foot-stomping EP entitled The Devil & The Deep. Since their debut release the trio has captivated audiences with their unique instrumentation and dazzling three-part vocal harmonies. In the span of just one year they have performed at over 50 colleges nationwide, shared the stage with established acts such as Dispatch, The Lone Bellow, Little Green Cars, and Houndmouth, and played to sold-out crowds at the The Sinclair, Great Scott and the historic Club Passim in Cambridge, MA.
The Ballroom Thieves consistently deliver inspiring live performances highlighted by the group's infectious passion and raw energy, which are unrivaled in the local acoustic music scene. The sonic diversity of their growing repertoire allows the band to entrance an intimate listening room one night and entertain a large festival crowd the next.
: Paper Castles : Burlington VT :
Fri, October 31
Fri, November 7
Tue, November 11
Sat, November 15
Thu, November 20
Thu, December 4