Live Nation / Stateside Presents
THE NAKED AND FAMOUS
201 East Jefferson Street
Phoenix, AZ, 85004
This event is all ages
After the last note played on the last song of a marathon set a few years ago, Dan Reynolds, frontman for Las Vegas based rockers Imagine Dragons, realized it was all starting to come together. “We were playing a gig at this place called O’Sheas, which has the cheapest beer on the strip,” Reynolds remembers. “I was basically standing on top of the drums, the stage was so small. We were on our final song of a six-hour set. I got to the end of the song and just fully passed out in the middle of singing. I came to, got up, finished the song, and we got a standing ovation from all these people at this tiny little casino at three am on a weekday in Vegas. Something about that moment bonded us and made us realize that we were building a connection with people from all over the country.”
Since then that connection has only grown. Reynolds and his bandmates – guitarist Wayne Sermon, bassist Ben McKee, and drummer Daniel Platzman – independently released three EPs, toured extensively, earning a grass roots following. Then, earlier this year, the band made their major label debut with the release of their Continued Silence EP, which included the breakthrough single “It’s Time,” an anthemic foot-stomping track that perfectly encapsulates the band’s unvarnished emotional sound. The song, which reached #3 at Modern Rock radio and #2 at AAA, earned the group a 2012 MTV VMA nomination for “Best Rock Video.” With the groundswell of energy “It’s Time” generated, Imagine Dragons are now preparing for the release of their full-length debut, Night Visions, available on Grammy award winning producer Alex Da Kid’s (Eminem, Rihanna) label, KIDinaKORNER. “This record has been three years in the making,” Reynolds explains of his excitement in finally getting to share the album with the world. “We feel that we have finally created something we are all truly proud of and that can hopefully inspire others and help them feel a little less alone. That’s what music is about. It’s the greatest communicator I know.”
Emotional struggle is central to Imagine Dragons ethos. From the beginning it’s been the group’s goal to take the pain they've each experienced in life and spin it into something redemptive and uplifting. That transformation – of emotional pain into art – is what drives them as people and it’s also what inspired their first hit. “I wrote ‘It’s Time’ during a very transitional period in my life,” Reynolds recalls. “It seemed like everything was going wrong. I was trying to decide what I wanted to do with my life, trying to figure out how seriously to take music. I was making decisions about who I was. I’m a pretty young guy and I’m still trying to figure out the answer to those questions.”
That balance between riding steady and risking it all is the core tension at the heart of Imagine Dragons’ sound and their identity and it’s a reflection of the city they call home. “Our band wouldn’t exist without Las Vegas,” Reynolds says simply. “It’s a great place for an artist to start out.” Sin City isn’t known as a creative hotbed but, weirdly, that works to the advantage of the musicians who live there. “It’s not oversaturated,” he explains. “As a new band you play the casinos - half covers, half your own stuff – and you make ends meet. We were able to rent a band house and support ourselves. Eating ramen, but still.” Eking out a living as a Vegas rocker might be relatively easy but competition is cutthroat because the city is like boot camp for performers. Unlike in New York or LA where your biggest concern is being the hottest rock act around, in Las Vegas you’ve got to compete with showgirls and roulette and Cher at the Caesars Palace. “You learn to stand out because you’re competing for the attention of people sitting at slot machines,” Reynolds explains. “You have to bring everything you have and learn what grabs people’s attention enough that they look up from the card table and say, hey, let’s check this out!”
For Imagine Dragons that means the brutal honesty and power of straight-ahead rock and roll interwoven with innovative backbeats, basslines, and percussion. “We like making raw natural noises and keeping them raw and natural but transforming them into synthetic noises,” Sermon says. “We are gearheads. We do a lot of experimenting with percussion that’s electric and acoustic on top of each other.” Every band member except Reynolds attended Boston’s prestigious Berklee College of Music, and the technical skill and precision that comes with that education has impacted Imagine Dragons’ sound and process. “I’m a musician that goes by ear. And when you put those two types of people in a room together that’s when the magic happens,” say Reynolds.
With the release of Night Visions, Imagine Dragons finally have a chance to show the world what that magic sounds like. They start off with a big statement in “Radioactive,” which blends a throbbing backbeat with delicate acoustic guitars and deals lyrically with facing the apocalypse. “We want people to hear that song and feel empowered,” Reynolds explains. Meanwhile, the delicacy of tracks like “Demons” balances the album’s expansiveness with a sense of human intimacy. “The album title came together very organically,” Reynolds recalls of the records overall theme. “We all sat in a room and wrote out what the band and sound of the album means to us. We all deal with our own demons and anxieties but we find that nothing calms the mind more than creating. Many of the songs on the album were written late into the night, and some of the lyrical themes came from dreams I've had, even some nightmares. So when the title Night Visions came up, it just seemed to fit perfectly. We hope it inspires other to create, and push through their own struggles.”
THE NAKED AND FAMOUS
The Naked And Famous reached the end of a remarkable two years in June 2012, finally leaving the road having completed a 250 gig campaign reaching 24 countries in support of their debut album Passive Me Aggressive You (Fiction Records).
The journey began with the release of the single “Young Blood” in their home country of New Zealand in June 2010. The delirious hit went straight in at the top of the NZ charts and has gone on to be viewed over 20million times on Vevo and Youtube and heard in countries many thousands of miles from their home. It is now certified Gold in the U.S. and Canada, and Platinum in Australia and New Zealand.
TNAF have built an ever-growing audience around the globe for their pulverizing live shows, a blend of the pure pop exhilaration of the hit singles “Young Blood” and “Punching In A Dream” with the thrilling dark electronic arts that drive the group’s sound.
In between sell-out tours of Europe, the USA and UK, the band took away a record-breaking haul of eight NZ Music Awards, including the big prizes of Best Album for Passive Me Aggressive You, Single for “Young Blood” and Best Group.
They add these to the NME Radar Award collected in February 2011 and the Silver Scroll songwriting prize already won in 2010 for “Young Blood”, the song that saw TNAF explode onto the world stage and airwaves this year. The group’s masterfully melodic blend of rock and electronic elements fronted by the boy-girl vocals of Thom Powers and Alisa Xayalith has made them a festival hit around the world in 2011 and Passive Me Aggressive You a critical favourite on its way to already selling over quarter of a million copies. The self-produced Passive Me Aggressive You received glowing four-star reviews in Uncut and Mojo and many other publications. NME’s 8/10 review called it a ‘glorious melting pot of pop perfection’, saying that the band’s ‘passive melodicism and aggressive innovation clash in a dazzling blaze of psych/sonic fireworks’.
TNAF’s 2011 festival triumphs include Glastonbury, Reading and Leeds and Latitude in the UK, Lollapolooza, South By Southwest, Fuji Rock in Japan, Australia’s Big Day Out, and Germany’s Rock Am Ring. These five young New Zealanders have at their disposal a seemingly effortless ability to capture the giddy fun and relentless hooks one has come to expect from the very best electro-pop, while at the same time striving for something grander, more brooding and atmospheric.
Their production skills were honed since the day TNAF formed in the early weeks of term at an Auckland music college. Initially they were a duo of Thom and Alisa, with Aaron Short providing behind-the-scenes production with Thom on their 2008 EPs, This Machine and No Light. Drummer Jesse Wood and bassist David Beadle had joined by the time TNAF began writing and recording Passive Me Aggressive You – the recording process itself still taking place in a mix of bedrooms and small studios with Thom and Aaron always at the controls.
Their achievements to date already mark this New Zealand band as an exciting one in the new generation of electronic rock acts. A young group of warped sound merchants making do-or-die, heart-in-mouth, chart-bound pop to invest your heart and soul in, they’ve taken their meteoric rise and the workload of hundreds of gigs and relentless touring that goes with it in their stride. Passionate about their music and connected to their equally fervent legions of fans, The Naked And Famous are very much not the emperor’s new clothes, they’re something special indeed.
The Naked And Famous are:
Aaron Short – keyboards, vocals
Alisa Xayalith – vocals, keyboards
David Beadle – bass, keyboards, vocals
Jesse Wood – drums
Thom Powers – vocals, guitar