Wolf Eyes

Some say Rock N Roll will never reach the same primitive raw vein hit of Bo Diddley at his more subhuman lurch or no unit can ever scramble the marbles left of what brain boiling suburban electronic punk outsiders did in the mid 70's: Whatever you think, there is no denying the homemade nuclear war Wolf Eyes has left on music. Wolf Eyes was birthed in the shadows by a few liked minded individuals: Nate Young, Aaron Dilloway and John Olson in the late 90's in Michigan. However, Wolf Eyes has become more than band, but a collective mutant ensemble, an art abstraction unit: musicians, print makers, photographers and more, all who share a primal shadowy vision of decoding the wilderness into the soul of humanoid from the deep audio arsenals.

Today, Wolf Eyes are pleased to announce their return with a European tour (a US tour to follow) and a new a record, No Answer : Lower Floors. Wolf Eyes are returning to longtime friend base and Interzone of outsider art, De Stijl Records, with whom the band worked on No Face Lives, their collaboration with Smegma and the loner blues cerebration unit Stare Case's Lose Today.

The No Answer : Lower Floors material covers all bases: tough to toughest to tangled, all done in the Wolves' least convoluted smooth style simple yet tangled rhythms. The vocals, delays, primitive electronics, woodwinds and raw guitar of newest member Jamas Baljo create a new destroyed space to crawl through. No Answer : Lower Floors was recorded and mixed at the Michigan Underground Group's gambling/clubhouse/art space, with the usually 2D-flat quality of the drums and electronics given creeping new brightness-life within the hollow echo acoustics of the sacred space's cinder prisons. No Answer : Lower Floors shares a natural feel with previous Wolf Eyes efforts but goes much further in detailing their underworld of odd melodies and mangled harmonics. Within their system-based economic compositions, there remains zero room for wasted space. The whole record is less internal misery and more colorful: of a "could be life on mars" zone than rainbows.

No Answer : Lower Floors features former members Aaron Dilloway and Mike Connelly, and thus is a family homecoming of sorts. More important, it's the dawn of a new Wolf Eyes era. As the desconstructed skull mangled on the cover states: it's RNR from a waste world of 2001244 A.D.

Pleasure Leftists

Cleveland post-punk quartet Pleasure Leftists borrow more than a few gloomy moves from late 1970s Britain, but they've got the finesse to stake their own ground. Fronted by the grayly expressive Haley Morris, a powerful singer who claims equal influence from Factory Records and 1950s French balladeer Édith Piaf, the band breathes speed and energy into a formula that could otherwise be written off as mere posturing. "Elephant Men" builds its velocity off a hard-driving 2-D drum sound (claiming two former members of brutal Cleveland hardcore act 9 Shocks Terror doesn't hurt) and eschews a deadpan aesthetic for something that sounds desperate and poised. The 7" comes backed by "Not Over", and it's seeing release via the Brooklyn label Katorga Works (home to Merchandise, Wiccans, CREEM).

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Wolf Eyes with Pleasure Leftists, Black Baat

Thursday, October 31 · Doors 8:00 PM / Show 9:00 PM at Mahall's

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