Ryan Crosson

Ryan Crosson

Ryan Crosson makes house and techno inspired by the historical precedent set in his native city of Detroit and his adopted hometown of Berlin. His musical output is shaped by pioneering artists like Richie Hawtin, Kevin Saunderson and Moodymann in the US, in addition to European heavyweights like Pantytec, Ricardo Villalobos, and Thomas Brinkmann. Situated loosely between these two defining poles, alongside his partners in Visionquest: Shaun Reeves, Seth Troxler and Lee Curtiss, Ryan delivers a obsessive attention to the constant progression of his sound and embodies a ceaseless energy that carries itself from the studio directly into his live set and DJ performances. Whether it's solo in the studio or as a guiding hand in the Visionquest label and DJ/production partnership, Ryan consistently chooses to steer away from the predictable circuit of so-called "underground" club hits, instead favouring a process of constant renewal, returning both to early influential material and to emerging sounds that depart from well-trodden trends. As a key member of Visionquest, Ryan is responsible for much of the concepting and day to day running of what has rapidly become one of dance music's most cherished new labels. Between them, Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and more esoteric leftfield electronica, gambling against the predicable to introduce emerging talent like Tale Of Us, Maceo Plex, Footprinz, Laura Jones and Mathew Burton to the record buying public. Their efforts were rewarded when their label was voted number seven in Resident Advisor's 2011 label poll, no mean feat given that it's back catalogue has only recently hit double digits.

In the studio, Ryan's production and sampling practices depart from the world of electronic music by accessing histories of sound, referencing musique concrete, 1970's funk, and East African jazz. This is best demonstrated by the evolution of his sound from minimal hits like 'Gotham Road' and 'Hopskotch', through to the organic underground house strains of his 'Visionquest' remixes of Kiki's 'Good Voodoo' and more recently via his Visionquest remixes of David Lynch's 'Pinky's Dream' and Guy Gerber and P Diddy's forthcoming 'Eleven Eleven' project. In addition to dancefloor bombs like 'You've Got Me' EP on Supplement Facts he's also capable of conjuring up the haunting cosmic beauty of his recent 'Birds & Souls' project on Spectral Sound alongside the genre-busting sonic experiments that make up his recent DRM album collaboration with Cesar Merveille released at the start of the year on Visionquest.

In the past Ryan has released tracks on diverse and groundbreaking labels like m-nus, Telegraph, Trapez, and Wagon Repair and more recently Soma, Spectral Sound and Supplemental Facts. From the outset Ryan immediately gave himself over to a life of touring and performance that keeps a steady focus on both the avant-garde aesthetics and deeply emotional bonds of dance music subculture. Ryan's back-to-back live sets with Lee Curtiss, at the sold out Visionquest showcase at fabric last year and at Movement in Detroit, stole both these shows boding well for 2012 which will see him repeat his live show at some of the world's most famous clubs and festivals alongside a packed schedule of DJ gigs, both solo and as part of Visionquest, including his much anticipated new residency at Circo Loco at DC10 this summer.

Jubilee

Born in Casa Blanca, Morocco, Jubilee understood the power of music at a young age. He watched as his father played old records and instruments such as the tarbouga, the aoud and the bandir. Arriving to the U.S. in 2001, Jubilee immediately took to the streets of Washington D.C. as a club promoter for Panorama. During this time, his interest in becoming a DJ grew while watching people like DJ Alex Kelly in 2001 hit the tables for six-hour sets. Noticeably inspired, he was soon handed the headphones and hit the ground running with innovative sounds inspired by his own unique and culturally infused sense of rhythm and beats.

For Jubliee, now producing his own tracks, the medium of house music continues to evolve as an art form. He is dedicated to creating both a journey for his listeners as well as using music as a base for his own journey through the intricacies of life. His is known for his unmatchable creativity and his impenetrable work ethic. Yet, more than anything Jubliee is a product of the exclusive and ever growing house music scene in our nation's capital.

Though based in Washington D.C., he travels routinely between cities such as New York, San Francisco , and more With pals Gabriel , Benoit , Navid Jubilee has put together successful events at established venues like D.C.’s WAREHOUSE/THE LOFT along with a regular residencies at NAPOLEON, and U ST MUSIC HALL . He has booked and played with global talents such as Stephan Bodzin, Marc Romboy , Deepak sharma , Seuil, till von sein, Kate Simko, Ryan Crosson, Shaun Reeves, Ewan Pearson, Pantha du Prince, Nicolas Jaar and Nick Curly, just to name a few.

In 2010, Jubilee launched his production career with the critically acclaimed release “Dopamine” for New York City based Hidden Recordings. Label owner Deepak Sharma recently stated: “Jubilee is definitely one to watch. For me, he is D.C.'s best DJ and producer. I was immediately drawn to the tracks he submitted to Hidden Recordings. His style is deep and bouncy in all the right ways." Sharma was so impressed with Jubilee’s work that he has him slated for a new EP in 2011 on Hidden . already seeing support from alexi delano, DVS1, alland byallo, someone else, derek marin, signal deluxe, stefano infusino, kane roth, subfractal, funk shuei, roman kramer to name a few .

Jubilee’s previous work has also appeared on Mexico City’s Blaq Records and the esteemed Mo’s Ferry imprint.

$10.00

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***FREE BEFORE 11PM FOR 21+*** Advance ticket sales end one hour before doors open. No photo/video allowed.

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Ryan Crosson with Jubilee, Sami Y

Saturday, November 30 · 10:00 PM at U Street Music Hall