3025 Walnut Street
Philadelphia, PA, 19104
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Rhett Miller is the front man and main songwriter of the hard-charging rock ‘n’ roll quartet the Old 97’s, as well as an accomplished solo artist. In addition to his nine studio albums with the 97’s (most recently The Grand Theatre Volume One and The Grand Theatre Vol. 2 in 2011), he has released four solo albums; 1989’s Mythologies, 2002’s The Instigator, 2006’s The Believer, and 2009’s Rhett Miller. Miller is set to release his first live covers album, The Interpreter Live at Largo, on November 22, 2011 on his own recently established label Maximum Sunshine Records.
In addition to his music being featured in countless films and television shows, Rhett has appeared in an episode of the NBC hit series 30 Rock and the Old 97’s were prominently featured in the Vince Vaughn/Jennifer Aniston romantic comedy, The Break Up. Primarily known for his songwriting and awe-inspiring live performances, Rhett is also a critically-acclaimed author whose work has appeared in several books and such well-known periodicals as Rolling Stone, McSweeney’s, and The Atlantic.
Lilly Hiatt’s an old soul, a young woman wise beyond her years.
Listen. You’ll hear. Hiatt’s songs back equal measures edge (“3 Days”) and energy (“Big Bad Wolf”) with stunning lyrical elegance. Clear evidence: The Nashville resident’s buoyant Let Down. Hiatt’s seamless debut fortifies earthy (“Master”) and ethereal narratives (“Oh Mister”) with storytelling as sharp as a seasoned songwriter (“Young Black Rose”). Youthful restlessness guides the journey. “There was a selfloathing
theme throughout all those songs, hence the title,” the 28-
year-old explains. “It had a lot to do with being in the first half of my twenties and being in this transition from child to grownup. It’s kind of like hitting puberty again.”
If discovery defines early adulthood, Hiatt certainly spent fair time
seeking out songwriters far and wide to shape her own vision. “John Prine’s always a good place to go for inspiration for writing,” she says. “I really like early Liz Phair and Guy Clark and Townes Van Zandt and Neil Young and I’m obsessed with Pearl Jam.” Accordingly, the rapidly rising songwriter’s new collection soars with wild diversity. Hiatt moves and grooves between country-folk (“Championship Fighter”) and gnashing Crazy Horse rock and roll (“Angry Momma”) with an ease that boldly suggests all songs arrive branded within a single and uncompromising genre: Music.
“When people ask me, I usually end up saying I play ‘spacey country,’” she says, “but the lyrics and the band aspect are equally important to me. To me, it’s just singer-songwriter stuff with an emphasis on the band. I guess I’d put it in the indie or Americana or country category, but I’m just as big a fan of rock and roll. That’s what I’m trying to get at eventually.” Either way, Hiatt’s endless lyrical and musical searching scarcely wavers throughout Let Down.
Rewind “Knew You Were Coming.” Now, turn up the volume. Words dampen stereo speakers with tears so painful and pure. “And I felt like a woman, working and trying to fill in the blanks that come with someone dying,” she sings on the perfectly circular coming-of-age confessional, a song written as sharply as Lucinda Williams and sung as sweetly as Patty Griffin. “And I knew you were coming and I knew I was ready, but the hills were on fire and the heat was so steady.” Fighting through angst. Sounds like an Americana songwriting icon we all know whose composure, as Lilly sings, sometimes “turns to country
His name: John Hiatt. Lilly’s bond with her father runs deep. “My dad definitely serves as one of my biggest inspirations,” she says. “I really look up to him. I draw from his music. He’s my hero and always has been and he’s very good for advice. When I was younger, he’d treat it more delicately but now he shoots pretty straight with me. He doesn’t hesitate to give constructive criticism. He’s really supportive and sweet and roots for me.” Her father’s irascible wisdom (“People Don’t Change”) frequently appears on the new album, but Lilly’s hardly a facsimile.
In fact, the collection undeniably shows that she’s an accomplished songwriter in her own right. After all, Lilly’s been writing original songs more than half her life (since age twelve). Let Down only serves as her first official declaration of personal independence and purpose. “To listen to Lilly, you can hear a young artist discovering herself,” says the abum’s producer Doug Lancio (Patty Griffin, Todd Snider, Jack Ingram). “She also has a terrific sense of humor, listens attentively and draws from diverse music, creating a style that is personal and distinctly her own.”
She’s ready to tell the world. “I finished this record over a year ago,” Lilly says. “I’m so emotionally attached to it. I’ve never made a whole record before and I felt really invested in the whole process. All I want to do is get on the road. If I can make any sort of living, even if I live in a tiny house, I would feel pretty great. I want to play live shows and share the record with anyone who wants to hear. I’ve worked in a coffee shop for six years and that’s fine, but I get restless and I like to
$23.00 - $33.00
All sales are final. Ticket prices do not include processing fees. There are no refunds or exchanges. Cameras & recording devices are not permitted. Showtime and supporting acts are subject to change.
Mezzanine tickets are assessed an additional service fee. For more information, please read the Mezzanine FAQ.
Dining is available at World Cafe Live. Reservations are accepted for Upstairs Live, our full service restaurant; we recommend scheduling a reservation 1½ to 2 hours before show time. Downstairs Live offers a full service bar, and a limited food menu is available for most shows. For more information, please read the Dining FAQ.
WHEELCHAIR ACCESSIBLE SEATS are located on all seated levels of this theatre. For more information, please contact us at email@example.com or call 215-222-1400.
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