Trampled Under Foot

Siblings Danielle and Nick Schnebelen have a life-long connection with the blues. Growing up in Kansas City, MO, they soaked up the music of their parents, who were active in the thriving blues scene. Trampled Under Foot was originally formed as a family band consisting of Danielle, Nick and Kris Schnebelen. The trio headed to Memphis in 2008 for the IBC and walked away from the competition with First Place honors. Riding the wave of support following the IBC, Trampled Under Foot was ready to take their style of power blues/rock to audiences around the world. After a series of headlining tours and stand out performances at blues festivals across the globe, TUF earned the reputation as one of the hottest bands on the blues circuit.

While watching their fan base grow world-wide, the trio released multiple CDs and DVDs under their own label, TUF Records, including the highly acclaimed 2011 album Wrong Side of the Blues. The success of that album caught the attention of many throughout the music industry and in 2013 the band partnered with Concord Music Group to release their major label debut, Badlands. Hailed by fans and critics alike, Badlands revealed a musical sophistication well beyond the band’s years and provided further proof that Trampled Under Foot was the real deal.

In 2014, after brother Kris announced he was leaving the band, Danielle and Nick solicited long-time friend and fellow KC musician Jan Faircloth to join them on drums. Jan brought with him years of experience as a musician in the Kansas City blues scene and provided a fresh take on the band’s trademark sound. The addition of Jan inspired TUF to make other changes in their line up and the group added keyboardist Mike “Shinetop” Sedovic as an official member, turning the trio in to a 4-piece powerhouse blues band and adding a new dimension to their already stellar live performance.

Moreland and Arbuckle

Guitarist Aaron Moreland and harpist/vocalist Dustin Arbuckle have spent over a decade exploring the edges of American roots music. In the process, Moreland & Arbuckle have forged a relentless and haunting sound that merges Delta blues, folk, rock, traditional country, soul and numerous other echoes and murmurs from an infinitely layered musical narrative that spans more than a century.

The Moreland & Arbuckle journey began when the two met at an open-mic jam at a club in Wichita, Kansas, in 2001. Moreland had just moved into town a few months earlier from Emporia – a city located some eighty-five miles to the northeast. A guitarist since age 15, his source material was admittedly diverse – Led Zeppelin, Creedence Clearwater Revival, Black Sabbath, Charley Patton, Motley Crue – but he’d settled into traditional blues by the time he’d arrived in Wichita in his mid-20s.

Arbuckle, a native of Wichita, had been playing in a blues rock bar band at the time, but his truest sensibilities ran a couple generations deeper, into the heart of the Mississippi Delta. He counts iconic figures like harpists Little Walter and Sonny Boy Williams and guitarist Son House among his most profound influences.

“It was kind of perfect,” says Arbuckle of the chance encounter between the two musicians. “We had a shared vision, in a place where there really wasn’t much interest in – or support for – country blues.”

Moreland joined Arbuckle’s blues rock band for the last few months before the project dissolved, then the two started a quartet called the Kingsnakes, which Arbuckle describes as “electrified Mississippi blues mixed with a sludgy, jam-oriented rock thing.” The project incorporated a range of sounds: soul, country, funk, jam rock, blues and whatever else worked. Horner joined in 2003, but left after just a few months. A few bass players came and went in the years that followed, until Moreland and Arbuckle discovered they could lay down a solid groove on their own.

Then again, Moreland does his share of work at the bottom end. In addition to the more typical Telecaster and Les Paul guitars, his arsenal also includes a hand-crafted instrument consisting of four strings stretched across a cigar box. One string feeds into a bass amp, and the other three into a guitar amp. It’s a gritty, electrified descendent of the cigar box guitars played by countless Delta bluesmen of the early 1900s who, for all of their innate talents, were too impoverished to afford the real thing.

“There was no real adjustment for me,” Moreland says of his first encounter with the instrument, which was crafted by a friend in Memphis. “I just picked it up and played it. When I play a regular guitar, I hold down those bottom strings with my thumb and pluck those to get a kind of groove going. So when I first started playing the cigar box with the bass string, it just worked perfect with my style of playing.”

Moreland & Arbuckle crafted three self-produced album in rapid-fire succession – Caney Valley Blues in 2005, Floyd’s Market in 2006 and 1861 in 2008. “There have been times in the past when I’ve gone on a rant that we’re not writing enough,” says Moreland. “But then I look at our catalog and say, ‘Well, that’s stupid. We’ve put out all this stuff in a short period of time.’ When I look at it that way, I’d say we’re fairly prolific.”

The band took that hefty catalog to Iraq for nearly two weeks in the fall of 2008 to play for the American troops stationed there. “It was a crazy awesome experience,” says Moreland. “Super-grueling. Twelve days of about four hours of sleep per day. From a physical standpoint, it was pretty tough. But to go into a tattered, war-torn area where tens of thousands of fellow Americans were putting their lives on the line every day, minute by minute, was a very rewarding experience. I’d never experienced anything like it before.”

Moreland & Arbuckle made their debut on Telarc International, a division of Concord Music Group, with the February 2010 release of Flood. The critically-acclaimed album was a giant step in the group’s never-ending quest to unearth the rawest and most honest elements of the American music tradition – without getting caught up in definitions and categories that would only serve to limit the vision.

After the release of Flood, Moreland & Arbuckle hit the road for tour dates with ZZ Top, George Thorogood, Jonny Lang, Buddy Guy, Robert Cray, Los Lonely Boys and other blues and rock veterans.

Moreland & Arbuckle built on that solid foundation with the August 2011 release of Just A Dream. Featuring a guest appearance by legendary soul guitarist Steve Cropper, the 12-song set is a showcase for Moreland’s dynamic and compelling guitar work and Arbuckle’s emotionally charged vocals and edgy harp.

On July 30, 2013, Moreland & Arbuckle, along with new drummer Kendall Newby, are set to release 7 Cities, their most ambitious work ever. Teamed for the first time with Seattle-based producer Matt Bayles (Mastodon, the Sword) and recorded in Stone Gossard’s studio, the album tells the story of Spanish explorer Coronado and his fabled search for the seven cities of gold in the Kansas plains, not far from where the band lives. The sounds of 7 Cities include vintage rock (“Kow Tow”) and twang (“The Devil and Me”), along with a few barnburners (“Tall Boogie,” “Road Blind”) and a surprising version of Tears for Fears’ “Everybody Wants to Rule the World,” all of it rooted in the spirit of the Delta blues.

“It’s hard to say exactly what we are and what we do,” says Arbuckle. “Blues is definitely at the core, but we’re huge fans of all sorts of American music, and all of that comes through as well. Obviously, there are elements of traditional country in what we do, elements of vintage rock and roll, soul and all that sort of stuff. We always try to stay grounded in that traditional blues center, and at the same time branch out and do as many different things as we can while still keeping it consistent with the sound we’ve developed.”

Justin Andrew Murray

Having just made the move up to Kansas City last August, Justin's musical journey has just begun. While pursuing musical efforts back home was fulfilling and educational, Justin always had his sights set elsewhere. Always. Justin will be the first to admit that he doesn't have much to his name, so that being said, he counts himself to have been VERY fortunate to befriend Kansas City’s own local rising star, Samantha Fish, and veteran blues rock master, Mike Zito. With their help, Justin was finally able to land on a musical destination where he could expand as a player and discover his own artistic identity. After a brief stint of playing guitar for the one and only Mary Bridget Davies, he has started the trek down his own musical path. Combining the likes of blues, rock, and country, he is just beginning to discover his own unique, musical sound.

$15.00 - $18.00

Tickets

All seating is general admission. A limited number of table reservations for groups of 4 or more are available at The Cotillion and by phone @ 316.722.4201.

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Trampled Under Foot, Moreland and Arbuckle with Justin Andrew Murray

Friday, November 29 · Doors 7:00 PM / Show 8:00 PM at The Cotillion Ballroom