The Echo Presents
Jonwayne, Tony Crimekillz & Gnar, DJ Dark Alley
1822 W. Sunset Blvd
The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd
Los Angeles, CA, 90026
This event is 18 and over
Watch & Listen
When it comes to thought provoking, street-bred raw lyricism, The Wu-Tang Clan's fountain of wisdom, GZA takes his job very seriously. The way he crafts his double-edged rhyme flow mirrors the skill and precise technique of one who works with fine ceramics. GZA's metaphoric and multi-layered lyrics are often touted by critics as his rap name implies; genius. Born in Brooklyn, NY and raised in every borough of New York City, The GZA's workmanship can be found three albums deep with classics dating back to 1991 including the albums Words From The Genius, the gold-selling Liquid Swords and Beneath The Surface. Before his days of microphone notoriety, GZA found himself, during the early ages of rap music, traveling throughout New York City sharpening his rap skills in scattered rhyme battles. "I've studied rap in every borough," the GZA says proudly. "I've been rhyming before a lot of these cats out here were born. We've [Wu Tang Clan] always drank, ate and slept hip-hop. I love it." On his latest blockbuster album Legend Of The Liquid Sword, The GZA makes reference to his hip- hop foundation on the reflective "What We Die For." "I grew up around B-Boys, DJs, MCs, through rap, never thinking in ways of TV," the Genius raps. "It was strictly all about magnificent rhyme clout."
During GZA's travels, he encountered other rap veterans that recognized his promise and helped to nurture his talent. "I watched a lot of people come up that are big now," Genius says earnestly. "I used to make demo tapes with cats that rocked with Russell Simmons and people like that. The history goes so far back, I've always been really focused on writing dope rhymes."
The GZA's dream of perfection has been realized once again on his fourth album to date. Legend Of The Liquid Sword not only regains the powerful momentum started by the last three releases, it adds to the Genius' verbal legacy with uncompromising integrity. Heat-seeking darts like the introspective, "Auto Bio" where GZA breaks down the elements of his life that created the man he is and the crime thriller "Luminal."
What has always set The GZA apart from the ordinary is his ability to create complex images with simple context. In the same way it's said that a picture is worth a thousand words, Genius assembles his words to create thousands of vivid pictures. "I don't like to just be simple," he explains. "Even though some of my stuff can seem simple at times, I like to write in a way that when you listen to it over and over again, you hear something new and it requires you to think." Legend Of The Liquid Sword does just that. Whether the listener gets captured by the vocal acrobatics of Santi White (who has written songs for Res) on GZA's "Stay In Line" or the authentic old school soul production on the masterpiece "Animal Planet," Genius weaves satisfying brain food through his lyrics. In his phenomenally cerebral use of metaphors, The Genius flawlessly equates human city dwellers to animals in the jungle on "Animal Planet", which was produced by rhythm doctor Bink (who has produced heavyweight joints for Fat Joe, Nate Dogg, Mr. Cheeks and Faith Evans). With beats by fellow Wu Tang brother RZA, Jaz-O (Jay-Z's Reasonable Doubt album), DJ Muggs (who has produced for Cypress Hill, Mobb Deep), Wu producer Mathematics (Ol' Dirty Bastard, Method Man, Sunz of Man), Arabian Knight and other sonic masterminds, GZA's talents come across even heavier. On the adrenaline raising Hip Hop call to arms, "Knock, Knock" (the album's shining debut single), The GZA asks on the chorus, "knock, knock, who the f* is banging at my door, is it abstract, commercial or hardcore?" In his signature way of ill rhyme construction, GZA further defines the parameters of what rap music should be.
Don't call GZA's comeback just a comeback, it's a return of an entirely revolutionary thought process. "When we did "Back In The Game" on the Wu-Tang album, I did a verse about gambling," he explains solidly. "I didn't want to be 'back in the game' or 'back on the block,' that's typical. I made it all metaphorical." It's those same metaphors that makes the Genius' liquid sword a living legend in it's own time
Before joining the Stones Throw family, Wayne already had a recording system nailed down: he used to drag a synthesizer, his 404 and some turntables into the bathroom and set up shop: the “synthesizer sits on top of pulled-out drawers, 404 goes on one side of the sink and a turntable goes on the other side.” Any extra gear ended up on stacks of books. Wayne would sit in the bathroom composing tracks and beats, his eight-track resting on a trash can beside him, escaping to his bedroom when he needed inspiration for his rap lyrics. It was in the bathroom that he produced what later became his Alpha Pup debut, Bowser, a collection of sample-free beats blending the Warp Records’ distinct brand of IDM with video game-influenced melodies. Deeper, darker instrumentals followed with his sophomore album The Death of Andrew, released on Alpha Pup late last year, along with several essential, self-released mixtapes.
The success of Bowser allowed Wayne to graduate from his commode. He now works out of the Stones Throw headquarters in Highland Park, in a studio he helped build with Peanut Butter Wolf and close friend/collaborator Jonti, a fellow Stones Throw signee. At last, Jonwayne finally ended up where he was always meant to be: right next to the ever-elusive, always-brilliant producer Madlib, on the roster of one of the most innovative hip-hop labels in the world.
Tony Crimekillz & Gnar
TONY CRIMEKILLZ & GNAR
DJ Dark Alley
The return of DJ Dark Alley!!!
$19.00 - $21.00