Collective Concerts Presents
Thomas D'Arcy, Jordan Klassen
1197 Dundas Street West
Toronto, ON, M6J 1X3
This event is 19 and over
A six-piece ensemble from Winnipeg, Manitoba, Royal Canoe give you everything, but on their own maniacally hybrid terms. It's one thing to reference a particular style, or even a range of styles. It's another thing entirely to grab huge handfuls of sounds from pretty much anywhere, throw them all together and come up with something both cohesive and totally distinctive—something that also happens to ripple and crack with energy. This is what Royal Canoe does best.
Royal Canoe's dedication to crafting a seamless musical pastiche is obsessive. For live shows, they'd rather lug hundreds of pounds of keyboards, mixers and pedals across the continent (very much like a voyager canoe, in fact) than rely on lengthy backing tracks. They actually play every part, every time. And while their van is packed with hardware, much of that hardware is, in turn, crammed full of widely-sourced samples and adoringly homemade sounds. Their fearlessness about using whatever they feel like is grounded, not in recklessness, but in a decisive confidence.
In 2012 alone, Royal Canoe released two independent EPs, Extended Play and Purple & Gold. They took part in Winnipeg Symphony Orchestra's New Music Festival, arranging and performing a portion of Beck's Song Reader, an album released as sheet music and published by McSweeny's. They brought so much musical goodness to CMJ that they landed on Best Of lists of The New York Times, KCRW and Consequence of Sound. And they played nearly one hundred shows. For 2013, the main act (so far) is releasing their full-length album, Today We're Believers, with L.A.'s Roll Call Records and Toronto's Nevado Records.
They have cited their hometown as a core influence for their work, in particular, Winnipeg's extreme perpetual cycle through euphoric summers under gigantic prairie skies, to near-debilitating winters that instill their own intense, almost aggressive energy into the psyche. While the 2012 EPs feel more consistently located in hot open spaces, more about floating in strangers' backyard pools without them knowing and biking all sweaty down roads that don't actually end, Today We're Believers leans more heavily into urban side of things, cruising the downtown core at night with streetlights fractured and smeared by frost patterns on the windows. The full cycle is balanced out.
If you really, absolutely had to reduce Royal Canoe to a single 'thing' you could say they catch the moment of explosive, blissful restlessness that hits you when a savage winter finally eases into light, and you feel some actual warmth on those pasty, vitamin-D deprived limbs and all they want to do, suddenly, is move.
Jordan Klassen makes music built out of pure imagination. A truly alluring voice, laid upon beds of shimmering strings, caressed guitar, and coaxing percussion. His latest work takes such a foundation, and continues to build.
Kindness, a 4 song EP, introduces rich and full-bodied singing alongside his now ubiquitous falsetto. The first single from the EP, "Go To Me" provides a glimpse as to what his upcoming LP might sound like. The song has been critically celebrated, with ChippedHip.com calling it a "cinematic pop rocker" and Holeytonal dubbing it a "gracefully dramatic little masterpiece."
Gracefully dramatic enough to be featured in 'Catch .44', an upcoming film starring Bruce Willis & Forrest Whitaker, joining other Klassen creations which have found their ways onto television series' including USA Network's 'Royal Pains,' and the upcoming iTunes version of late 90's TV show 'Felicity'.
It has been over a year since his 2010 release, the subdued St. Brigid EP. The spring centered album was the second in Klassen's chronicling of the seasons, the first being Tempest & Winter, an album which put him on the map with appearances at Calgary Folk Music Festival and Rifflandia, along with a live performance on CBC Radio 1 and extensive airplay on CBC Radio 2.
After 4 years spent in Calgary where he established himself as an emerging artist, Klassen returned to British Columbia in 2010, settling into his hometown of Vancouver. The return to the west coast allowed for the fruitful collaboration with Jonathan Anderson (Aidan Knight, In Medias Res) at Buena Vista Audio where Jordan Klassen's new material has taken shape.
While audiences must wait to hear the full-length release of Repentance, Kindness EP will make its way into the ears of listeners this coming February of 2012.
Mon, October 20
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