Gypsy Sally's Presents!
A.J. Croce w/ Steve Poltz
3401 K Street NW
Washington, DC, 20007
Doors 7:00 PM / Show 8:30 PM
This event is 21 and over
A.J. Croce w/ Steve Poltz
From his debut as a jazz influenced blues-based artist to his evolution into a pop music iconoclast, singer-songwriter A.J. Croce has traveled a circuitous musical road. Now, with Twelve Tales, A.J. unveils his most ambitious recording project to date: A dozen new tracks recorded by legendary producers across a variety of American cities to be released one song each month in 2013. A.J. recently signed with Compass Records Group (Colin Haye, Victor Wooten), an independent label that has been touted by Billboard Magazine as one of the leading labels of the past decade. Twelve Tales will come out in early 2014 on Compass Records.
A.J.’s notable producers on Twelve Tales are Nashville’s illustrious late "Cowboy" Jack Clement (Johnny Cash, Jerry Lee Lewis); New Orleans’ ambassador of funk Allen Toussaint (Dr. John, Paul McCartney); five-time Grammy winner Kevin Killen (Elvis Costello, Peter Gabriel) in Stamford, CT; Grammy and Golden Globe nominee Mitchell Froom (Crowded House, Los Lobos) and Tony Berg (Fiona Apple, Bob Dylan) in Los Angeles; and finally Greg Cohen (Tom Waits, John Zorn) in New York City.
The son of legendary singer-songwriter Jim Croce, A.J.’s career began with his first tour at age 18 opening up for B.B. King. In the span of a 20+-year career, A.J. has headlined festivals, concerts and major listening venues worldwide. He has been seen and heard on shows including Jay Leno, David Letterman, Conan O’Brien, Austin City Limits, Good Morning America, E!, and CNN, and he has shared the stage with an innumerable list of eclectic artists from Willie Nelson to Ray Charles, Béla Fleck to James Brown, Lyle Lovett to Morphine, and Rod Stewart to Ben Harper.
A loyal and appreciative audience and glowing press from Rolling Stone to the New York Times confirms the appeal of A.J’s genre-spanning music, with six of his albums positioned in various radio charts including Top 40, AAA, Americana, College, and Jazz. An ivory-searing New Orleans piano style established an essential juju, but his exploratory pop gems revealed a spectrum of influences from art rock to Americana and beyond. Initially signed as a jazz artist, he subsequently charted with an Americana roots release and recorded two well-regarded releases for BMG Records that expanded his audience exponentially. His subsequent albums were released on various independent labels and his own label, Seedling Records, established in 2003 to release his own records and that of other artists.
Having spent the past three years in Nashville where a packed weekly schedule of co-writing sharpened his writing to a keen edge, A.J. says that back home in California his song craft took an instant turn. “I began writing for myself again,” he confirms. He has recently begun collaborating with the great Leon Russell (“A Song for You,” “This Masquerade”). “It’s a thrill and a little surreal to collaborate with Leon Russell. He’s been an influence and an inspiration as long as I can remember,” says A.J.
A dedicated family man, an adventurous artist and a confident creator; in this phase in his life and career, A.J. is focused less on expectations and more on instincts. “I generally want to do the stuff that makes me feel good,” he says. And like the blues greats who influenced him, A.J. Croce continues to create stellar music with longevity, authenticity and truth. Twelve Tales marks the latest milestone on his illustrious journey.
To suggest that Steve Poltz isn’t normal is about as safe a statement as one could make. You would basically require the powers of the Hubble space telescope to locate Steve Poltz from any region of normalcy.
For music fans on both sides of the equator, this is a very good thing.
Born among the hearty seafaring folk of Canada’s Halifax, Nova Scotia, Poltz has lived most of his life in Southern California, where the sun treated his rocky Canadian DNA like clothes in a dryer. Naturally a spectrum of cultural and emotional tensions arose and he eventually sought refuge in the art of songwriting, where he tapped into an unforgettable and often horrifying depth of unhinged genius.
Among the music cognoscenti, Steve Poltz is regarded as one of the most talented and prolific songwriters of our time. His songs have been among the longest running ever on the Billboard Top 100 and they regularly appear in movie soundtracks, television shows, and even the odd commercial. His touring schedule is ferocious, ping ponging between continents with enough frequency to earn him manic followings in scores of different accents and languages.
Any musician who has traveled as extensively as Poltz will have their share of colorful road stories, but Poltz’ adventures read like a bucket list. Starting out auspiciously, Poltz recalls meeting Elvis Presley at a small airport and beaming proudly as The King hugged his sister for an inordinately long time. Growing up in Palm Springs, California, he trick-or-treated at Liberace’s house and was Bob Hope’s favorite altar boy. In an alcohol-soaked haze, he infamously accosted David Cassidy, who had summoned him to Las Vegas to write a hit song for the aging Tiger Beat cover boy.
His rich and colorful legacy is the stuff of legend, but it is his distinctive style of songwriting that has caused the world to offer up its stages, clubs, and alleys. Poltz’ sound is entirely unique- from his inhuman fingerstyle techniques to the inimitable melodies that roll from his guitar like cool waterfalls, you know a Poltz song as soon as you hear it. To see Steve to perform live is one of the most entertaining shows a human could ever see. Frenzied, aggressive, hilarious, and heartbreakingly sincere, his live performances have become bona fide events, with sub-cultures popping up all over the globe to entice him to come and tour. As relentless as he is in concert, he is also the guy who famously co-wrote the timeless ballad “You Were Meant For Me” with platinum-selling songwriter Jewel. Of course, because we’re talking about Steve Poltz, it should surprise no one to learn that the song was written on a lazy Mexican beach, where Poltz and Jewel were soon snapped up and sequestered by Mexican Federales and required to witness and eventually assist in a large marijuana bust on the beach. Don’t believe it? See for yourself in the pictures on his web site.
Poltz, an ex high school wrestler (98 pound class), is also an obsessive baseball fan, a die-hard yoga practitioner, a hopeless romantic, a smart-ass philosopher and a child-like adventurer with an absurdist’s view of the planet and all of its curious life forms.
Music fans have adored him since he first fronted the hallowed punk-folk legends, The Rugburns, whose live shows earned the band a following that is best described somewhere between the terms “cult” and “crazed substance-abusing fanatics.” Once touring over 300 days a year, the Rugburns occasionally reunite for wildly popular sold-out shows.
Poltz’ solo body of work is an impressive collection of ballads, rockers and uniquely melodic acoustic numbers that reflect his incomparable style of alternate tunings and savage finger picking techniques. Guitar geeks fall prostrate at his feet trying vainly to learn how to play his stunningly gorgeous and deceptively complex songs. To see him play guitar is a visual feast so frenetic that close proximity to his playing exposes one to risk of seizure.
His albums reflect the depth and expanse of his influences throughout the years (One Left Shoe, Chinese Vacation, Traveling and Unraveling). He has also released a children’s album (The Barn), a performance DVD (Tales From The Tavern) and a collection of other recordings that defy categorization, such as Answering Machine – a 56-track collection of 45 second “songs” culled from his answering machine’s outgoing messages. Neil Young has ranked it as a favorite album.
Steve Poltz’s latest recording project brought him back to Halifax, where he collaborated with Joel Plaskett, an award-winning Canadian songwriter, performer, producer and eminently kindred spirit. The two holed up in Joel’s Scotland Yard studio with a 2 inch,16 track analog tape machine, a 24 hour work ethic, their comfy clothes, and all the mojo they could conjure. The result was Dreamhouse,” Steve’s most accomplished and focused album to date. Critically acclaimed across the globe, it has been singled out by some critics as the 2010 Album of the Year.
His live shows have captivated audiences far and wide with a mix of singing, storytelling, shredding, and the occasional spoken word rants which have been known to incite riots. He can take an audience from laughter to tears and back again in the space of the same song. Steve Poltz transcends the word “talented.” He is unforgettable in all the right ways.
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