Overthrow and Embrace Presents
Basel Castle 2013
SBTRKT (DJ set), Chance the Rapper, Gesaffelstein (live), Brodinski, Travi$ Scott, Been Trill, Heroes x Villains, The Knocks, Tamara Sky, Mystery Skulls, Cusses
721 NW 1st Avenue
Miami, FL, 33136
Doors 12:00 PM (event ends at 11:00 PM)
This event is all ages
Watch & Listen
Basel Castle 2013
SBTRKT (DJ set)
"Most of my ideas are written at night" explains SBTRKT. "Late at night, when everything around is silent - that atmosphere is where most of this record came from, and for me it explains it's sound"
SBTRKT is no stranger to writing, recording and releasing music. To date he's had multiple releases on Brainmath, Numbers, Ramp, Monkeytown and now home label Young Turks. Add to that reworkings of Radiohead and Goldie, and remixes of Modeselektor... However, this self-titled release is his first full-length album. "This release is the culmination of a longer period of constant writing and collaboration, tracks on previous EPs were written as singular pieces. This record is much more of a whole project, more representative of my thoughts and ideas as an artist and each track was completed with the aim to be coherent together."
The SBTRKT story starts from the sound system of an east London club called Plastic People, which is both underground in location and in the music it specializes in. It was here that SBTRKT met a gentleman named Tic and was schooled by the sounds that came pulsing from the club's now infamous speakers. It was through Tic he was signed to Young Turks, and also through him that he met Sampha, who is one of the key collaborators on the album and one half of the SBTRKT live show. Other key collaborators on the album are Roses Gabor, Jessie Ware, and Little Dragon. The album track "Wildfire" features the voice of Yukimi Nagano, who is the inimitable voice of Little Dragon. "I'm a big fan of their musical ethos, so to collaborate with them has been an ambition for a while. It has been really interesting seeing how our two worlds could co-exist."
Through the years, and his development as an artist and producer in his own right, SBTRKT has worked with collaborators both sonic and visual to emphasize his ideas and vision. The performance and visual style has also become an essential part of this setup. Performing in his trademark tribal mask, watching SBTRKT translate his sound live is the opposite of what one would expect from the traditional producer/DJ. "The live show is an expansion of what has been created in the studio and the tools I've used to make them. Just because a song has been created with a laptop, it doesn't mean that is the best way to perform it live, but for me, neither is bringing in a 5 piece band to re-interpret your songs. I see live shows in a very different light to producing in a studio as it's about translating into a medium for performance. The basic setup is myself on an acoustic drum kit with extra electronic triggers, and Sampha on 2 keyboards and vocals.... although it's constantly developing whilst we learn new ways to perform songs and experiment with new ways to route our live audio."
Speaking about his mask, he explains, "...it reflects that in worldwide tribal societies that wearing a specific mask would evoke the spirit of an ancestor or animal, and is prominently used in ceremony and celebration. It's about uplifting the soul and challenging the normality of electronic music and production."
SBTRKT's debut album pulls off a series of impressive feats: it's bursting with fresh ideas, and yet it sounds immediately familiar. It's sound-patterns and rhythms can easily soundtrack the ecstatic hands in the air dance floor moments as well as reliving the monotony of the morning commute. Its influences are incorporated with subtlety and sophistication: dense enough to interpret, yet light enough to dance to.
Chance the Rapper
A 19 year old Rap Master from Chicago, Chance The Rapper first made some noise on the Chicago hip-hop blog Fake Shore Drive with his video for Nostalgia in early 2011. Since then Chance has building a steady buzz, with packed out listening parties at Leaders1354 & JUGRNAUT in CHI, the full release of his premiere mixtape #10Day, and the SOLD OUT first ever #10DayLive show at Lincoln Hall. Check him out on twitter @ChanceTheRapper & Instagram @ChanceTheRapper
Whoever Gesaffelstein is—there's precious little information about him out there—he clearly comes from a dark, dark place. His previous offerings for Turbo Recordings, Ed Banger and The Hacker's Zone label, plus remixes for the likes of Miss Kittin, Cassius and Arnaud Rebotini, have been gritty electro-techno affairs, like waiting out the apocalypse in a Parisian underground sex club—scary and steamy in equal measure.
His "Conspiracy Vol. 2" EP, again on Turbo, is his heaviest offering yet, with a slow-motion bump-and-grind and analog menace to spare. It's the perfect complement to "Ghostriders," a black-and-white short that imagines fixed-gear bikers as an army of the undead.
Check out the full release here, and discover one of Turbo's brightest—well, darkest—new stars. And for more in a similar spirit, don't miss Terence Fixmer's excellent new single "The Night," also on Turbo, featuring a gothed-out remix from none other than Marc Houle. Freaks come out at night!
"Brodinski is the most exciting dj and producer to explode onto the scene in recent years. Yes, he may hail from France (Reims, Lille) but he is quite unlike any of his Parisian peers. His taste in music is broad and this is reflected in his own productions and dj sets which may encompass noisy techno, bass heavy house through to more melodic minimal. His programming is impeccable and he plays with such spirit that his 6'2'rame jerks and bounces when he gets excited by a track (yet he is neveruelled with anything more than Fanta Lemon!). The hot fuss started with his debut track Bad Runner which leaked onto blog sites months before it's release on Mental Groove in October 2007. Supported by everyone from Soulwax, Tiga, Chloe, Erol Alkan, A Trak, Busy P, Switch and Laurent Garnier the track peak time techno with Martian's yakking through it was one of the sleeper hits of the year. When it was eventually released the subject 'Bad Runner' had garnered over 3500 views on Erol Alkan's forum, people just couldn't wait to get their hands on it. The flipside Solaris was a more subtle and seductive slice of techno. At the time Brodinski told FACT magazine that he would like to record for both Erol Alkan and Damian Lazarus' labels and this record seemed to sum up that ambition. Since Bad Runner Brodinski has remixed Bonde de Role, Klaxons, Das Pop, Shoes, D.I.M, Heart Revolutions and Adam Sky. Each remix has had a different approach, from the acidic (D.I.M), to vocal techno (Das Pop) to melancholic end-of-nighters (Klaxons). This May he has two releases readied to rock the summer: Gold-digger which is a primitive house groove with ululating sirens and vocal gruntsollowed by an as yet untitled techno bomb. Brodinski has already been championed by Radio Soulwax, Tiga's Turbo and Bugged Out who have all already offered him multiple gigs and festival slotsor 2008. Expect to be hearing a lot more about Brodinski this year and beyond!"(Annie Mac)
At only 20 years old, Travi$ Scott's music has already taken him quite a few places, even if he isn't famous enough to be recognized in any of them yet. He's lived on the east and west coasts, as well as the "third coast" of his native Houston, Texas, but has seen exotic locales while traveling with the most famous of his early fans, Kanye West. Since meeting early last year, the two have spent countless hours in the studio, the fruits of which can be heard on "Sin City," Scott's standout contribution to the G.O.O.D. Music compilation album, Cruel Summer. In his verse, Scott paints a vivid picture of a girl caught up in the allure of the fast life: She stepped into hell, cause when it got cold/Don't look in her eyes, you might see straight to her soul/Don't say yes to that good cause you'll never know/Cause we lost in the city, where sin is no biggie! he raps. The charge is something Scott himself can identify with, his music career having taken flight at an astronomical speed over the course of just a few short years.
Travi$ Scott grew up in Houston the son of a drummer and grandson of a music scholar, bitten himself by the music bug after witnessing the showmanship of late 90's rap videos from Mase and Diddy and then later on, experiencing the revolutionary production of Kanye West and Pharrell Williams. Scott began making beats when he was just 17 and sought out the tutelage of the local names he had access to, who just so happened to be dirty south hip-hop legends N.O. Joe and Mike Dean. It wasn't long after that he would venture out to New York to see what he was actually made of. "I'm really into depicting what's in my life," Scott says. "Anything I say in these verses, that's who I am. Those are real stories." Things didn't quite take off the way he imagined in New York, Scott having to couch surf when money got low, so he bounced to Los Angeles for another fresh start. The leap of faith paid off with Scott catching the ear of the "King of the South" himself, T.I., who signed him immediately through his GrandHustle/Epic imprint. With Scott working with T.I., it wasn't long before Kanye West got wind of him, both superstars still utilizing the young prodigy whenever possible.
And though he continues to work on music with his mentors, Travi$ Scott's own Owl Pharaoh EP is soon to set the world ablaze, Scott using everything he's learned from his forefathers to make the project he's sure will satisfy a rapidly growing fanbase. "People are gonna feel the imagery, what my life consists of, what the world of Travi$ Scott is," he says. "What is this kid thinking? Who is this kid? What is he trying to tell us? That's what they gone feel through these songs." So far they've had only morsels to chew on, but the demand grows with each leak like "Blocka," the song he co-produced with Young Chop and raps on with Pusha T, or the super-stylized "Quintana" video or the riot-inducing, Mike Will-produced, "Pus$$y," which features Chuck Inglish, Fredo Santana and Gunplay. Travi$ Scott has collaborated with some of the biggest names in rap and he hasn't even released his EP yet. "It's like becoming friends," Scott says of his music. "Once people get to hang around you more and more, they'll start to understand you. They'll either catch on or they'll get left behind." And soon enough, the world will know what so many of our favorite rappers already do: That Travi$ Scott is the future.
Been Trill is a collective of artists featuring Matthew Williams, Virgil Abloh, Heron Preston, Justin Saunders, and YWP. They are artists, art directors, visual curators and designers first and DJs second
Heroes x Villains
"We're only interested in making music you can fight or strip to..."
Daniel Disaster and Pete Heartless, production duo behind Heroes x Villains, begin as two punk kids from the depths of the Dirty South, notorious for blowing speakers during their chaotic DJ sets as teenagers.
The pair remain creatively connected, despite divergent lifestyles: Heartless maintains a quiet, relatively normal life while Disaster seems content to exist with his feet dangling ever so slightly over the edge. He spends several years behind the boards at Grand Hustle Records as an engineer working alongside the likes of Justin Timberlake, Lil' Wayne, T.I. and Young Jeezy.
Armed with this experience, roots in punk/hardcore and an appreciation for Southern rap music, Heroes x Villains start their ascent with warbling, bass heavy, electronic dance music remixes of Waka Flocka Flame's 'Oh Let's Do It' and Gucci Mane's 'Lemonade'. These, a remix of Lil' Jon and Diplo's 'U Don't Like Me' and several others make up 'We Off That,' their first mixtape which garners critical acclaim.
Less speakers burst into flames these days but Heroes x Villains DJ sets remain as caustic as ever. Stage diving and raucous mosh pits are regular occurrences; champagne spraying in every direction and half naked women moving in ways their parents wouldn't likely approve of come standard. The raw, occult like energy and track selection is a manifestation of how Disaster and fans of Heroes x Villains choose to live: shameless, unrepentant, maximalist hedonism.
Heroes x Villains barreled into 2012 as diverse and dangerous as ever. Beginning in early January, they introduced the weekly 'BLXRRD OXT' series, manipulating records like Young Jeezy's ode to intoxication 'WXY 2 GXNE' and England's dark pop princess Charlie XCX 'NUXLEAR SEAXONX' into soundtracks for a haunting, drug-addled haze.
And in February, showcasing the two year progression of Southern rap music fusing with electronic dance elements, comes rising Atlanta rap group FKi's mixtape 'Transformers In The Hood' produced by Diplo, Heroes x Villains and Atlanta EDM producer Mayhem.
With genre-bending, rule breaking unpredictability as their calling card, it's pointless to attempt to figure out what Heroes x Villains may do next... best to just sign the waiver and enjoy the ride.
Everyone can now make music. The increasing access to music related technology and the liquid flow of music and information is a blessing to aspiring musicians, but a curse to those who have to sift through the terrible mash-ups and tunes in order to find quality music. Based out of New York City's Lower East Side, The Knocks are taking a stand and reclaiming good music for all.
The Knocks - Ben "B-Roc" Ruttner and James "Jpatt" Patterson - garnered their name from the early days of their production career when they tirelessly worked out of their home studios and complaining neighbors would knock on their doors. Coupled with DJing and making mixtapes, the pair cobbled together enough money to open their studio; HeavyRoc Music. Following the tried and tested route of classic New York producers of the past, the pair would head straight from the studio to the club with a new fresh jam to test on the crowd in their DJ sets.
They have since produced original material and remixes for Katy Perry, Britney Spears, Marina & the Diamonds, and now their own music. With heavy rotation on Australia's Triple J, their single "Make It Better" was released on Neon Gold Records and their hit "Dancing With the DJ" was #1 on both the Hype Machine and Japan's iTunes. The Knocks have been taking their energetic live dance party all over the world, including their sold out NYC Bowery Ballroom debut, Tammany Hall headlining show and their European tour with Sleigh Bells and M.I.A. They've shared the stage with acts like Big Boi, Chromeo, and just finished a U.S. tour with Ellie Goulding. Be prepared, because The Knocks will be knocking at your door and stereo very soon.
Tamara Sky is an archetype, a one of a kind, and a damn good DJ. Her tenacious presence at the forefront of the scene has placed her in the most important music events and in the most influential company around the world. Besides headlining events with celebrity names like Kim Kardashian, Janet Jackson, Scott Storch, Keri Hilson, Jenny McCarthy, Carmen Electra, DJ'ing Donald Trump's birthday, or DJ'ing with Tiesto, Tamara Sky also maintains omnipresence in the electronic club scene.
She is the co-producer and resident DJ of Los Angeles' infamous underground party Lil Death, where acts like Crystal Castles, Brodinski, Gaslamp Killer, Klever, Skeet Skeet, Hussle Club, and other secret guests play every week to LA's most discerning of tastemakers. She has played with and received praise from nearly every major electronic musician/DJ in the game. From headlining Hollywood's Supperclub to DJing Basel Castle in Miami with Yellawolf & Craze, to spinning alongside Tensnake, Fred Falke and Yuksek at WMC in Miami, to DJing with Nero, or headlining with Gucci Mane in ATL, Tamara's skill and taste behind the decks garner universal acclaim from fans and peers alike.
She's Been featured in E!'s hit reality T.V show The Girls Next Door, Miami based magazine Ocean Drive, influential fashion mag 944, and front page feature in New York's Missbehave magazine. Tamara is currently the spokesmodel for the clothing brand Luxirie of LRG, the campaign is out on NYLON, Seventeen, PAPER and ELLE. She's done commissioned mix tapes for Casio G-Shock, W Hotels, and Australian fashion brand WeAreHandsome. Her reputation as a master track selector with eclectic tastes landed her a contributing writer position at Gotta Dance Dirty, America's largest electronic music blog. Somehow Tamara finds time to be one of the best DJs on the international circuit, a music and fashion maven, a music producer, graphic designer and a stunning model.
Mystery Skulls is really the nom de plume of Los Angeles-based electronic artist Luis Dubuc. Formerly from Dallas, Texas, Dubuc sounds like Prince fronting Daft Punk, mixing his inspirations of '90's R&B and New Jack Swing with EDM music and futuristic sounds. Beyond Mystery Skulls, Dubuc is an active songwriter, producer and remixer, working with a wide range of genres and styles.
Cusses aren't easy to define. However, whether their guitar driven, fuzzed out brand of music reminds you of The Runaways meets The Ramones or Siouxsie and the Banshees meets Jet, or even Pat Benatar with some heavy handed riot grrrl sass, it is impossible to come away with any other conclusion than this: Cusses are bringing back real, effortless, speaker-blasting rock & roll. A band that would be
right at home taking center stage at CBGB. Lead singer Angel Bond was introduced to drummer Brian Lackey through mutual friends, and they have not separated since. The two headed to Savannah, Georgia in 2009, and met up with Brian's long time friend, guitarist and past band mate, Bryan Harder (they opened for post-hardcore legends Fugazi in their last band together!). The three formed Cusses that summer and played their first show in February 2010. And now their debut album, Cusses.
$40 - $60 at the door
A spectacle of bizarre proportions... Basel Castle is an art-centric festival combining some of the worlds most influential contemporary artists & musicians, with uniquely interactive games, installations, exhibitions, and live performances. The project is a full day event during the climax of Miami’s internationally esteemed Art Basel weekend and takes place in the heart of downtown Miami.
Grand Central Park
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