Every Time I Die

While there's no exact science to the resulting madness that is ETID's signature blend of turned-to-eleven hardcore mixed with southern-fried metal, over the last decade the band has consistently produced fan-favorite releases from albums Big Dirty to Hot Damn!, with New Junk Aesthetic as icing on the proverbial metallic cake.

"New Junk Aesthetic is not the next logical step in the progression of Every Time I Die," explains front-man Keith Buckley. "It is an evolutionary leap. It's as if we have morphed from a single-celled bacteria straight to the guy with the dirt bike that will let you watch his older sister suntan if you steal him a smoke from your parents. Certainly you may acknowledge similarities, but on a grand scale, they stand light years apart."

Maniacal, convulsive and completely unpredictable are but a few words that come to mind when listening to New Junk Aesthetic. With Big Dirty producer Steve Evetts at the helm again, ETID set out to corrupt souls and bring fans to their knees with an orchestrated chaos of their heaviest most skillful album.

It’s been awhile since music has had a rebellious voice. Not since Rage Against the Machine put their fist in the air, in the land of hypocrisy has there been such an unmitigated combustion of sonic ferocity fueled by relentless passion and intrepid ideology. At least not until letlive. came along... 

LA’s volatile four-piece rock band fanned the flames of discontent with their critically praised record, Fake History, for a new generation of fans three years ago, and today have announced their long-awaited return with one of the year’s most anticipated albums, The Blackest Beautiful out now via Epitaph Records. letlive. premiered their first new song, “Banshee (Ghost Fame),” in the form of a powerful video. 

Watch letlive.’s new video for “Banshee (Ghost Fame)” now at http://bit.ly/14eqe48

“This song explores the tragic humor in entertainment as an industry as opposed to an art,” explains letlive.’s inimitable vocalist Jason Aalon Butler. “Sonically this track was a pretty suitable representation of the record's sonic spectrum. We also employed some elements of groove that we have always been fans of.”

Named #1 on Kerrang!’s list of “The 50 Greatest Rockstars in The World Today,” Jason Butler, along with cohorts Ryan Jay Johnson (bass), Jean Nascimento (guitar) and Jeff Sahyoun (guitar), organically meld hardcore, punk, metal and even elements of jazz and R&B, on The Blackest Beautiful, creating a progressive, indelible sound that walks the line between aggressive and melodic and crosses a gamut of genres with an intensity that’s rarely found in music today. 

“The mindset was certainly a holistic one when regarding this record,” Butler adds. “The vibe developed on its own as we wrote it. While we certainly indulged particular tastes, stylistically, as individuals, we made sure that the product culminated as something we could all enjoy. Essentially we all got to explore elements we had always wanted to and somehow found a way to marry them tastefully on one album.”

Self-produced with the help of longtime co-conspirator Kit Walters and mixed by pop guru Stephen George (Mary J Blige, Michael Jackson), The Blackest Beautiful features eleven politically, socially and personally conscious songs like “The Priest and Used Cars,” which refers the tragic costs of poisonous zeal, “Virgin Dirt,” about self-sabotaging relationships, and “27 Club,” a personal tale of living life selflessly or selfishly. 

Like those that paved the path before them, Rage Against the Machine, Deftones, Mars Volta, At the Drive In, etc., letlive. transcend passing trends and scenes with a focus that is entirely devoted to their art and furthering their creativity through music. The Blackest Beautifulis their latest creation, which will undoubtedly be celebrated for years to come.

After two years on the road touring 20 countries, including performances at Download, Reading & Leeds, Soundwave, Pukkelpop, Orion Fest and tours with Deftones in both Europe and Australia, letlive. is ready to hit the road once again, this time in support of The Blackest Beautiful, leaving everything they’ve got on the stage.

Code Orange Kids

Savage, visceral hardcore from the blossoming Pittsburgh, PA scene.

$15.00

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