Sky Ferreira & Smith Westerns
815 V St. NW
Washington, DC, 20001
Sky Ferreira. Act like you don’t already follow her on Twitter – as if you haven’t Googled her, or checked her out on Wikipedia. Now check again. Before you can hit refresh, there might be another paragraph. She's co-written and recorded with half the Billboard chart, survived in Hollywood and on the Lower East Side, seen the world from thirty-five thousand feet, been shot by every photographer you can name off the top of your head.
Now get one thing straight: Sky was singing first. Just click on her piano-and- vocal only cover of Miike Snow’s 'Animal' on YouTube for your evidence that her other skills might pay the bills, but music is her life and her voice is bona fide. Her 2011 debut EP As If! hinted at her soulful range and stylistic versatility. But if you think it prepared you for the step Sky’s about to take on her first long-player, think again. She’s hard at work with a hand-picked team of collaborators. And this time she’s in charge, making the record she wanted to make all along.
In the four itinerant years since their self-titled debut, Smith Westerns have grown unphased by the rigors of touring. The melodic indie-rock group—whose latest album, Soft Will, drops June 25—has tested its mettle (and passed) with pivotal opening slots for MGMT and Wilco, not to mention high-profile stints in front of the itchy, overbaked masses at Coachella and Lollapalooza. Yet, come February 2012, after finishing up a whopping 140 dates to promote their second album (the critically hailed Dye It Blonde), Smith Westerns were apprehensive about returning home to headline a gig in their native Chicago.
When Smith Westerns finally arrived home, friends they looked forward to seeing had moved, and clubs they once frequented had disappeared. All the while, on the road, singer-guitarist Cullen Omori, bassist-brother Cameron Omori, and guitarist Max Kakacek had grown from—as they say in music parlance—boys to men. Everything, now, was ominously different.
This intersection between success and post-tour unrest culminates in the band’s third full-length, Soft Will, produced by Chris Coady (Beach House, Yeah Yeah Yeahs) and the first to feature new drummer Julien Ehrlich, formerly of Unknown Mortal Orchestra. It starts with “3am Spiritual,” the album’s dreamy opener. “You’re creating your own future,” says Cullen, “and lot of the ideas on the record were reactive. For a long time, you’re playing music every night where you’re bringing the party. And you go from having something to do every day to…nothing.”
Bummed out, he penned the song during the spring of 2012 on a mini-keyboard in the most mundane of places: his parent’s kitchen. “The lyrics came right away. It was supposed to be this uplifting ballad, to make myself feel better,” Cullen says. The song likewise marked a turning point for the group.“We decided to challenge ourselves with making songs that we hadn’t really done before,” explains Max. “With ‘3am Spiritual’ we didn’t want it to be as immediately poppy. It was more a progression of ideas, designed to build up to a big chorus.”
There’s a cool metamorphosis that pervades Soft Will. For instance, its first single, the shimmering, lovesick “Varsity,” actually began as an acoustic track that doubles as a tongue-and-cheek reference to being referred to as a high-school band by the press. “Then in the studio, it just came out as a mid-tempo pop song.” Max notes, adding, “There was an improvisation to some songs, that lead to them being catchier.”
They recorded the meat of Soft Will at Sonic Ranch, a live-in recording studio located 30 minutes outside of El Paso, Texas and a stone’s throw from the Mexican border. “It was like going to summer camp,” Cullen offers. They loved the isolation. “We pretty much stayed on the ranch and cranked them out,” says Cameron.
Soft Will, in kind, is an album of frontiers: mellifluous guitars, confident restraint, and pensive songwriting. But to Smith Westerns, recording an album about dreading their homestead feels almost like an interlude—because they can’t wait to play those songs on the road. “Sitting around doing nothing for a while,” admits Cameron, “it can be nerve-wracking.”
Blurring the line between pop aesthetics and studio science, Brett reps Washington, D.C., making music that celebrates the contrast between bright melodies and stark lyrics. The recent album for Cascine is arguably one of the label's stickiest, most immediate records to date. Crafted of dynamic, honest and mature songs, lovers of ageless pop will find much to appreciate in both the familiar constructs of their sound and in its alluring thematic qualities.