Tom Brosseau

Diversely talented writer, performer & actor, Tom Brosseau joins Punch Brothers for an autumn US tour and then hops a train as part of John C. Reilly & Friends for the Railroad Revival Tour with Willie Nelson.
Punch Brother Chris Thile covered Brosseau's song, "How To Grow A Woman From the Ground" for his 2006 album named after the song -- Thile's first record with the bluegrass group who evolved into Punch Brothers. Thile's bandmate from Nickel Creek, Sean Watkins, recorded and performs with Brosseau on Brosseau's forthcoming full length. On John & Tom, Brosseau duets with John C. Reilly for a Third Man Records (Jack White's label) 7" vinyl release. Brosseau and Reilly cover 2 songs by The Delmore
Brothers. Brosseau performed at the 2012 fabriQ Festival in Den Bosch NL and toured northern Europe, supporting Damien Jurado. With John C. Reilly & Friends (featuring Becky Stark & Tom Brosseau), Brosseau performed at Sasquatch, on the west coast and in his home state of North Dakota. In his debut star acting role, Brosseau plays the lead in Wonder Valley, a short fiction film
by Andrew van Baal. Brosseau appeared in van Baal's documentary about legendary LA club, Largo.
The Sundance-winning documentary, How To Die In Oregon, featured Brosseau's version of "In My Time of Dyin'" for opening credits. His music pops up on Showtime's Shameless, and Brosseau wrote & performs the theme music for indie film Bucksville, which garnered a soundtrack nomination from the Madrid Film Festival.
Raised in Grand Forks, North Dakota, Brosseau now resides in Los Angeles. In addition to duets with John C. Reilly, he joins Fiona Apple and the Watkins Family Hour (Sean and Sara Watkins) at Largo, is an oft-invited musical guest for comedians Paul F. Tompkins and Margaret Cho and has toured with PJ Harvey and John Parish. Brosseau has 3 full lengths & a duet album, Les Shelleys, on Brighton UK-based FatCat Records.

Sean Watkins

Sean Watkins co-founded Nickel Creek when he was just 12 years old, kickstarting a career that's taken him from the stage of the Grammy Awards to the top of the bluegrass charts. Along the way, he's become an award-winning guitarist, a singer/songwriter and a member of several different bands, not to mention one of the early pioneers of a genre now known across the world as Americana. Now, after 25 years of being either a band member or sideman, Watkins is throwing his full weight behind a new solo album, All I Do Is Lie.

"It's a culmination of the past 10 years," he says of the record. "It was borne out of a drive to step out of supportive roles in bands. I do like backing up other artists, but in the last couple of years, I've started owning my own personality as a musician. I've had the urge to put my name on something and step out of the supporting role."

Folk fans are already familiar with Nickel Creek's story. Formed decades ago as a bluegrass trio, the group expanded its sound — and its popularity — with albums like the Grammy-winning This Side, which became a crossover hit on the bluegrass, country and pop charts in 2002. Three years later, when Nickel Creek decided to take an open-ended break from the studio, Watkins found himself with more time to focus on other projects. He made the most of it, forming an indie-folk duo called Fiction Family with Switchfoot's frontman, Jon Foreman, and launching a monthly variety show called the Watkins Family Hour with his sister. Meanwhile, he also played with musicians from all different genres, even joining the touring bands of legendary songwriters like Jackson Browne and Lyle Lovett.

Working with those icons felt like going to music school, and Watkins learned all the lessons he could. By 2012, he'd grown into a considerably different player. His songwriting, too, had grown. It was time to do something new — something that redefined Watkins by showcasing his skills not only as a player, but also as a songwriter and singer. He began recording All I Do Is Lie that summer, rolling the influences and experiences of his past 10 years into a new batch of self-penned songs. Released in 2014 by Roaring Girl Records, it's a roots album that straddles the line between multiple genres, proof that Watkins' own influences are just as wide-ranging as his resume.

"It's always good to learn new ways of playing and new ways of looking at music," he says. "I started with bluegrass, but at this point, I'm a musician who's also taken on a lot of other influ-ences from the people I've been around over the years. I've finally got a sound that I feel like I can own. I can put my finger on it. I want to keep myself honest with who I really am, and de-spite the title, that's what All I Do Is Lie is all about."

All I Do Is Lie also marks the first time that Watkins has promoted one of his solo albums with a full tour. He's no stranger to the road, but this specific tour promises to be different. Watkins will be occupying the spotlight himself, acting as a frontman instead of a bandmate or sideman. Years ago, whenever he released one of his own albums, he'd immediately hit the road again with Nickel Creek… a move that turned his solo career into a project. It's not a side project any longer.

"This feels like starting over, in a way," he explains. "It's the beginning of the next phase."

Busman's Holiday

Busman's Holiday is a two person band blending the melodic charm of lo-fi acoustics with the ecstatic showmanship of classic rock 'n' roll. The singer/songwriter duo is accompanied by a string section who fill out their complexly euphonic ballads of love, loss, lust and outer space. Born and raised in Bloomington, Indiana, the pair and their intrepid band of string playing companions have toured the U.S. and Canada extensively the past three years, recently appearing on Day Trotter and If You Make It's Pink Couch Sessions.

Though adept in a D.I.Y. aesthetic of acoustic busking with only a guitar and a suitcase drum set, the brothers are equally at home when sharing the stage with their three talented string players, who add a rich, layered musical texture to their unique songs of wanderlust and first love. Evoking a classic tent-show rock sound joined with the affable atmosphere of the assured vaudevillian, Busman's Holiday both charms and impresses with their own unique blend of humor and assured musical talent.

$10.00 - $12.00

Tickets Available at the Door

Tickets available at Do317 Lounge at 7PM!

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Tom Brosseau & Sean Watkins with Busman's Holiday

Thursday, October 17 · Doors 7:00 PM / Show 8:00 PM at Do317 Lounge

Tickets Available at the Door