Swedish threesome NONONO, aka front girl Stina Wappling and production duo Astma & Rocwell, formed in Stockholm during the spring of 2012, following Stina's return from Brighton where she had spent three years studying for a degree in psychology.

This thoughtful sensibility is reflected in their much-hyped debut release "Like The Wind", to be released in the UK in early May through Best Fit Recordings. Described by Popjustice as "a song you are going to listen to once, then immediately feel like listening to again, setting in motion a repeat listening frenzy that will last well over three hours," it has also been championed by tastemakers including The Guardian, Notion and The Quietus.

"Like The Wind" is to be preceded by the anthemic "Pumpin Blood," set for a Scandinavia release this week. Having previously been described by The Guardian as "the kind of percussion-heavy, gloom-tinged pop which brought Niki & The Dove to the masses last year", this track swerves the group in a new direction, with its overwhelmingly positive sentiment and rousing whistling hook. In fact, we expect the track to be universally adopted as the far superior "whistle song". With its instant appeal and summery feel, expect to see this track propel NONONO to anthemic status.

The band are currently finishing their debut album, which they describe as "dark and beat-orientated," for the most part, although the mood will likely improve as the seasons change in Sweden.


A South Florida native, born to Ecuadorian immigrants and based in Brooklyn, Roberto Carlos Lange’s upbringing provides essential elements to his songwriting, including his consistently bilingual – English and Spanish – lyrics. While citing the influence of electro and Miami-bass he heard on the radio in his youth, his diverse work as Helado Negro points to shades of kraut rock bathed in his mesmerizing rhythms, loops and hair-raising melodies. Known for his craftsmanship, Lange has cultured his identity, ideology and musical dexterity with constant artistic and introspective development, pouring his heart and full sincerity into his music. His fourth LP Double Youth released in 2014 garnered acclaim with Pitchfork naming it “the boldest and most intricate Helado Negro work to date.” With a degree in Computer Art and Animation, Lange, a multifaceted creator, has worked with mediums such as video, sculpture, sound and performance. While Helado Negro is in a sense a one man band for the digital age, a constant collaborator, Lange has worked on projects with numerous artists including Sufjan Stevens, Julianna Barwick (as Ombre), Mikael Jorgensen (of Wilco), Guillermo Scott Herren (of Prefuse 73), Mouse on Mars, and sculptor David Ellis.

Helado Negro tours extensively and has performed in diverse venues from clubs to cultural organizations including the Wexner Center, Columbus; Walker Art Center; Mana Contemporary, Chicago; Museum of Natural History, L.A.; Mass MoCA, North Adams, Whitney Museum of Art, NYC. In 2015 he was the recipient of a Joyce Award and premiered an orchestral commission as part of the Liquid Music series during the inaugural festivities of the Ordway Center for Performing Arts in Saint Paul.

“Among the musicians currently redefining Latino culture worldwide, Helado Negro creates a sonic landscape that reflects 21st-century Latin America.” – NPR



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