CUT COPY

When Cut Copy offered their hand on Where I’m Going, the first leak of their third album, it was an open invitation to an uncharted destination. The festive explosion of kaleidoscopic Californian acid hippie reborn as UK glam star explored new terrain, hinting a further evolution for a group that is yet to make the same record twice.

Zonoscope was dreamt in the comedown of In Ghost Colours, the album which cemented Cut Copy as a global sensation. Their perpetual touring cycle found the band headline a stage at Lollapalooza, become the first Australian act to play Colombia since INXS, have fire marshals shut down an LA performance mid-set as crowds began to buckle the seams of the Henry Fonda Theatre and be raced to the Pitchfork Festival via police escort following a cancelled flight.

After over two years of exhilarating chaos, frontman Dan Whitford bunkered down at home to flesh out rough synth and vocal skeletons, before heading into the studio with the band to bring these textured grooves to life. Whitford describes the wonderland which he set out to create with Tim Hoey, Mitchell Scott and Ben Browning, “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping hypnotic trance and revise the whole palette of what Cut Copy was about.”

Rather than fighting the strictures of conventional studios, the band produced the album on their own terms in a warehouse located in Melbourne’s northern suburbs. Minds ran wild with a free approach to experimentation during elastic sessions held in a space littered with piles of vintage studio equipment and instruments. Cheaply decking out the makeshift playground with drum enclosures built from pyramids of op-shop mattresses, the surroundings facilitated a full-length of uncompromised high fidelity. After spending months in this low pressure environment, they were able to fully realize their aural utopia of organic psychedelia intersecting with repetitive robotics.

A melting pot of ideas streaming from a collective of music fanatics, the album embraces new combinations that span a rhythm section on motorik overdrive (Alisa), the reincarnation of Chicago’s raw house pioneers producing EBM deep in the wilderness (Pharaohs & Pyramids and Blink and You’ll Miss A Revolution) and the epic 15 minute closing minimal disco mantra (Sun God). Seamlessly bridged together by a series of ambient hallucinatory miniatures, the percussion drenched celebrations are lively awakenings. Whitford runs through the exotic arsenal of percussion which they gathered to give their tracks that infectious tropical propulsion; “we used all sorts of strange bongos, rototoms, congas, 10 kinds of shaker, 15 different cowbells; anything and everything. Even wine bottles filled with different amounts of water.”

The band mixed the record in Atlanta, working with Ben Allen who has previously elevated albums from Animal Collective, Deerhunter and Gnarls Barkley. Whitford explains that the decision to work with their newly found kindred spirit was due to their disparate musical backgrounds, “Ben comes from a different perspective having started out in hip-hop/urban culture [and he’s tapped into] Atlanta’s history of southern music, funk and soul. We were really interested in throwing ourselves into something like that, rather than work with someone from the house music or indie guitar world.”

In their own space and time, these audio architects have designed a stimulating world where nature and machines harmonize; a paradise for escapists to loose themselves in eternal euphoria. Zonoscope is Cut Copy boiled down to their purest form.

Inspired by the rural environment of his hometown, multi-instumentalist, singer and producer Panagiotis Melidis (born in Veria, Imathia, Greece) started to write music as Larry Gus* in 2006, soon after the early demise of his previous band Ginger (a bass and drums duo with a sound adjacent to the early 00s Providence scene, paired with HipHop overtones).

Initially he spent some time composing production music, and later on he got his name due to some intense and chaotic live performances. What he kept from his first band were the primitive aesthetics of groove based music, along with an obsession for late 60's / early 70's free-jazz. But he went on and combined them with sample-based ethics and crystal clear psychedelic pop melodies, all merged into an infinitely dense amount of layers and polyrhythms.

His first album proper, Stitches was released in 2009 for Greek HipHop label Cast-A-Blast and soon after that he resided for a year at the Music Technology Group in Barcelona (Reactable, Freesound) as an intern and postgraduate student. Then he relocated back to Veria to work on his next project, Years Not Living, an album directly inspired by Georges Perec's 1978 book Life: A Users Manual and Lucio Battisti's 1974 album Anima Latina. The YNL sessions had 85 songs as a result, and the whole process, set amidst financial crisis' Greece was documented and will be part of the feature film My Friend Larry Gus (directed by Vasilis Katsoupis), to be released in 2013.

Meanwhile, among many remixes, he also put out the mini-album 24 Beats (July '11) on the Lefse Records imprint, Waaga. Most recently, he released Silent Congas via DFA Records, a 9 song taster of the YNL material, with the actual Years Not Living LP coming up early 2013 on DFA.

So far he has performed at various venues around the world, and has also participated at the 2nd Athens Biennial and 2nd Nuit Blanche à Metz. Panagiotis currently lives and works in Milano, Italy, still carrying certain obsessions with Jorge Luis Borges, Georges Perec, Lucio Battisti, Woody Allen and Otis Jackson Jr.

*larry gus = ????: greek for larynx

Kauf self-released 2 songs, Relocate and When You're Out, in 2011, with heavy drum production, dense, cinematic synth buildups and his own high-pitched, echo-laden vocals. They found their way to Dan Whitford of Cut Copy, who soon after signed Kauf to Cutters Records for a 4 song EP. This led to DJ sets around his home base, Los Angeles, premiering his live show at Mexico City's M.N. Roy, followed by shows at LA venues like El Rey Theatre and The Roxy, a remix of Tony Castles for Lost in Records, feature film sync licensing, and scoring music for a video on Nowness.com. His first EP, As Much Again, was released on Cutters records in July 2013, and his full length debut is nearing completion . His first single, Relocate, has been remixed by Moons , Psychemagik (Psychemagik), Nile Delta, and Mind Enterprises.

"[Relocate] is dreamy, dirty and synthy in all the right ways, touting slightly yearning vocals and a neon-fused melody. " - Indie Shuffle

"[Relocate is] the best parts of SMD's "I Believe," Caribou's last album and The Presets "Girl and the Sea" with a whopping dose of Italo Disco via Tangerine Dream." - Virgin Mobile Live

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CUT COPY with LARRY GUS, KAUF

Wednesday, November 6 · Doors 6:30 PM / Show 8:00 PM at Marquee Theatre