The Echo & KROQ Locals Only Present
Monday Night Residency with Night Terrors of 1927
Northern American, Avid Dancer, Parade Of Lights
1822 W Sunset Blvd
Los Angeles, California, 90026
This event is 21 and over
Night Terrors of 1927
What do we know about the mysteriously monikered Night Terrors of 1927? Well, they're from LA. We know that because it says so on their SoundCloud page, which only has one song on it. As does their official website. Perhaps there's more information on their Facebook page? Nope, they only signed up for that last week. Ah, but Twitter, everyone's on Twitter. Yep, they're on Twitter, but they've only tweeted three times and only have four followers. Still, it's all about the music, isn't it? Thankfully their debut offering, Watch the World Go Dark, is excellent. An impending apocalypse never sounded so good.
There’s a new rock quartet in town whose sophisticated pop may include your next breezy summer melody. You can go ahead and thank Northern American for songs like the shimmering “Record Forever” to go with your ice-cold beer beside the pool and the bluesy “Don’t Be a Star” to go down with that warm whiskey as you look over L.A.’s nightscape. They should know a good soundtrack to the City of Angels after all; Nate Paul, Shane Alch, Augusto Vega and Bruno Calenda all grew up in L.A. and after playing together for three years, they’ve finally released their debut EP, “Happiness Hungover,” with a lending hand from Norm Block (Plexi) on production. This isn’t noise-rock, but it’s deliciously smooth. A full-length by Northern American is in the works. - Buzz Bands LA
Jacob Dillan Summers has been many things. A sheltered fundamentalist Christian kid. A world champion drumline drummer. A marine. A lovesick transplant to icy Alaska. But in July 2014, he was just a man stabbing a nail into his own palm to draw enough blood to paint with. This is the story behind Avid Dancer – the nom de musique under which Summers is releasing his first full-length album 1st Bath.
Those recordings contain some of the most kaleidoscopic, distinctly individual – and above all, honest – pop music you’ll hear all year. Summers started Avid Dancer to express himself viscerally – sometimes literally. For 1st Bath’s artwork, he wrote the album’s title in, yes, his own blood over a collage of photos from his early childhood. “This music represents my entire existence up to making this record,” Summers explains. “I wanted to really let people in, so I decided to paint the album title in my own blood. I actually jabbed myself until I got a big enough pool to write with. I mean, what could be more ‘me’?” That philosophy boils down to the intensity suggested in Avid Dancer’s moniker. “I realized the name matches what I’m doing musically,” Summers says. “When we dance, we lose ourselves in it – we put ourselves out there and don’t give a fuck. I’m not a guitar player, not a singer – I’m just putting myself out there with this music.”
In fact, Summers began as a drummer – a champion virtuoso, who won top honors for rudimental snare at United Corps International’s prestigious annual bugle-and-drum corps competition. During the songwriting process, he’d start with rhythms he’d create on percussion. This process ultimately gave his material a righteous rhythmic heft across the board – from the highly danceable “All the Other Girls” and the smoky torch-soul ballad “Stop Playing With My Heart,” to even the pedal-steel Americana of “Why Did I Leave You Behind?”
Even when Avid Dancer’s music does evoke artists, say – from the trippy Madchester vibe of album opener “All The Other Girls,” evoking Stone Roses and Charlatans to the insistent Pixies-style bassline opening “Medication” – it’s a happy coincidence. Raised in a strict Christian household, Summers was forbidden to listen to any secular music until his late teens; as a result, his musical discovery remains ongoing. “Growing up before the Internet, I was cut off,” he notes. “I wasn’t even allowed to watch MTV! I lived in an alternate reality.” I remember sending some songs to a friend and he said, ‘Dude, you remind me of The Kinks.’ I thought they were maybe a new band, but when I listened to them I fell in love with their music. Another time, I got compared to Elliott Smith, and then I got really into him.”
Summers’ entrée into the world of popular music proves a most unlikely origin story. He dropped out of his freshman year studying music education at the University of Tennessee to join the Marines – enlisting, in fact, on September 12, 2001. “It was the day after 9/11, but I’d planned on doing it anyway,” says Summers. He ended up in the elite United States Marine Drum & Bugle Corps, with whom he’d play up to 300 performances a year in addition to regular combat training.
At the end of his time with the Marines, Summers moved to Los Angeles: there he endured a number of awkward stints drumming for bands and studied audio recording.
Another sharp turn in Summers’ life came when he moved (of all places) to Alaska for a woman, it was here some of the songs on 1st Bath rook shape. As they grew, Summers would eventually return to LA and make his home at Venice Beach, where he completed 1st Bath. “This album for me has been all about honesty – with myself and about myself” Summers says reflecting on how his vast array of experiences have come together to shape his songwriting. Blogs started raving about early Avid Dancer demos, and they also caught the ear of noted producer Raymond Richards (Local Natives, Ferraby Lionheart). Together, Summers and Richards began recording the Avid Dancer songs that would eventually appear on 1st Bath at Richard’s Red Rockets Glare studio in Culver City, California – all except for the version of “I Wanna See You Dance,” which was produced by Dave Trumfio (Wilco, OK Go, Built to Spill,The Mekons).
Since then, he’s formed Avid Dancer’s live touring unit, a fluid ensemble that’s already supported the likes of Mac DeMarco, Warpaint, Hamilton Leithauser and Cold War Kids with its energetic live show. “I try to learn from other bands,” Summers says, “seeing how they hone in on delivering their message.” Ultimately Avid Dancer’s own message manifested itself when he wrote the song “All Your Words Are Gone” – one of 1st Bath’s most memorably plangent moments. “I met a sad girl and wrote that song to make her feel better,’” Summers says. “Writing that was a defining moment. Previously, I tried to write music that had never existed before. But doing ‘All Your Words Are Gone’ made me realize there are no new chords; what I needed to do was write a song that means something to me. I now understood I could do whatever I want: I don’t have to carry around any baggage – I can do anything. Whether it’s an acoustic country song, an electro track, or a heavy guitar jam, the style didn’t matter: I just channel whatever I’m feeling into a song that has something to say. That’s how I’ve been doing it ever since.”
Parade Of Lights
Parade of Lights are an alt-electro band based in Los Angeles. Comprised of Ryan Daly, Anthony Improgo, Michelle Ashley & Randy Schulte, the group combines equal parts rock, new wave, and shoegaze to create a unique blend of 80's influenced pop drawing on inspiration from artists like U2, Depeche Mode, M83, and even Madonna.
Shortly after meeting in LA in 2006, they formed the band Polus. After releasing a four-song EP entitled "Wish" and garnering a significant buzz locally, Polus was put on hiatus due to considerable demand for both Daly and Improgo as touring musicians. Even with their rigorous touring schedules, the two managed to keep their friendship intact and exchanged song ideas via email until 2010 when they decided to officially reunite as Parade of Lights. They spent that year and 2011 releasing new music and playing shows in Southern California, Utah and Nevada, which eventually led to support slots for artists such as Imagine Dragons, The Neighbourhood, Fitz & The Tantrums and Thirty Seconds to Mars.
In the fall of 2011, POL signed a publishing deal with Imagem Music and got to work crafting their electronic shoegaze anthem rock sound. The debut of that new sonic direction was their September 2012 self-released EP,
"Born to Live, Born to Love." They followed up "BTL" with the June 2013 release of the single "We're the Kids," which quickly gained traction online and was added to SiriusXM's Alt Nation channel, where it continues to receive Top 10 spins and has charted as high as #14 on the channel's weekly Alt 18 Countdown. The Alt Nation airplay along with spins at stations like Live 105 in San Francisco, KROQ in Los Angeles and KXTE in Las Vegas led to a label deal with Astralwerks Records in August 2013.
Currently, the band is working on their follow up EP, which is scheduled for a January 2014 release.