So Many Dynamos

Patience. There’s a pregnant pause at the beginning of So Many Dynamos’ video for “Matter of Fact”, a new song from their much-anticipated LP set to be recorded this August, that may seem unsettling for fans of the St. Louis-based group. Patience is a virtue previously considered unnecessary to its loyal, and ever-expanding, fan-base. We’ve come to anticipate the waves of sound to unfurl fast, furious, and blissfully manic. Barbed, intertwined guitar riffs and drum assaults barrel down on you at dangerous speeds, and rarely let up for the duration... all to the ecstatic pleasure of warm, fuzzy eardrums and sweaty dance-floor workouts. And yet, now 10 years, 3 LPs, and close to 1,000 live performances removed from their inception, their sound sweetly, assuredly, patiently... builds. Each rhythm, note, and melody is meticulously calculated, plotted, and layered. We see the song constructing itself for a minute and a half until it locks into a groove... and what a groove it is. Don’t be afraid, friends: There’s too much Thriller in their blood to stay away from the floor. The closest touchstone would be New Order’s classic video for “Perfect Kiss”, wherein Jonathan Demme lingers on each individual component of the song, building in long, deliberate takes, helping you appreciate where the song is taking you, and not just how quickly it gets you there. This may seem like an oddly specific detail, but it’s a crucial one in understanding the craft, maturation, and patience So Many Dynamos have developed in their evolution as artists.

Realignment. Referring to 2009’s The Loud Wars as So Many Dynamos’ watershed moment would be a drastic understatement. They’ve lost and gained two members in the last few years, with Aaron Stovall and Clayton Kunstel welcoming Nathan Bernaix and Travis Lewis to the permanent roster. But, that lone fact merely hints at the group’s ubiquity in the intervening years. Defining itself as a pivot point of the local music culture in Saint Louis, it’s been a variegated deluge of collaborations, residencies, experiments, and refinements. For instance, whereas detailed liner notes were included in The Loud Wars to notate all the intricacies of the album’s dizzying clockwork, Dynamos have now allowed their work to breathe, contract, and expand in the presence of eager voyeurs. They’ve played host to improvisational electronic performances where a slew of artists, including the monolithic West Coast genius of Hawthorne Headhunters, assisted in stretching their palette to astral proportions. “Collaboration with other artists has become essential in finding new inspiration in how we think about writing and performing music”, Stovall explains, “It forces you to listen. It forces you to choose what's right for the song and not just for yourself. It's a great way to step outside of your own expectations and limitations as a performer. It's all about seeing how far we're able to push one another, while at the same time, furthering our individual growth.” It’s audibly apparent that no direction went unexplored in their burgeoning soundscapes, all the while developing their graduate thesis that intellectual pondering and romantic longing aren’t mutually exclusive, both sonically and lyrically.

Document. That progressive, adventurous spirit is well-documented on their eponymous EP, which is set to be released digitally on June 26th. When asked why they decided to go self-titled for this particular release, Stovall said, “We've been virtually inactive in touring and releasing music for the past couple of years. Nowadays, bands are constantly challenged with retaining relevance in a world where music is consumed faster and more efficient than ever before. And with that, this EP, for most people, will function as an introduction to So Many Dynamos and as a prologue to the next LP. In keeping with the theme of introductions, we decided a self-titled release was the most appropriate.” And, truthfully, introductions don’t get much better than this; So Many Dynamos is an addictive 3-song exercise in the discerning pleasures of drum patches and synth filters, and it constantly reveals new facets on each repeated listen. They conjure a sound that achieves the euphoric heights of being both next-level and reverential simultaneously, in the spirit of bands like the Talking Heads, New Order, and LCD Soundsystem. There’s a heady, physical amalgam of 80’s R&B, Thomas Mapfumo-style guitar musings, and the early days of Factory Records 12” dominance. Live, they’ve augmented their lineup with auxiliary members to replicate the many bells and whistles (both literally and figuratively) of the heavily percussive twist on their sound. That twist, is something which will only be expounded on in greater detail with the upcoming LP and subsequent tours.

There’s a brief line intoned ponderously in the lead track of the EP, ‘Analysis Paralysis’: “Impossible may take some time, I know”. If this is just a foregleam of the things to come, then impossible does indeed take some time. Nevertheless, this year you’ll have the document that So Many Dynamos have found it. It’s been worth the wait.

Me Like Bees

Me Like Bees is an indie/alternative rock band from Joplin Missouri and is made up of Pete Burton (lead guitar), Nick Bynum (bass), Luke Sheafer (vocals/guitar), and Timothy Cote (drums).

Formed in May of 2009, the group has developed their sound with influences from bands such as Modest Mouse, Arcade Fire and The White Stripes. The “Me Like Bees” sound, like many of their influences, is based upon the idea of moving music forward with interesting and simple melodies. Although simple, the band maintains the listeners’ attention using irregular dynamics and asymmetric song structure. The group takes a quality control approach to songwriting, with each member bringing their own creative ideals to every aspect of the process.

The lyrics of Me Like Bees music are both thought provoking and entertaining, with a wide range of themes. Many of their songs discuss matters of inner turmoil, and relate to issues like guilt and doubt. Sheafer is known for his creative wording and unique use of syllables; often times giving a positive spin on what would otherwise be depressing subject matter. His singing style has been said to be a cross between Isaac Brock of Modest Mouse and Jack White of the White Stripes.
Formed in May of 2009, the group has developed their sound with influences from bands such as Modest Mouse, Arcade Fire and The White Stripes. The “Me Like Bees” sound, like many of their influences, is based upon the idea of moving music forward with interesting and simple melodies. Although simple, the band maintains the listeners’ attention using irregular dynamics and asymmetric song structure. The group takes a quality control approach to songwriting, with each member bringing their own creative ideals to every aspect of the process.

The lyrics of Me Like Bees music are both thought provoking and entertaining, with a wide range of themes. Many of their songs discuss matters of inner turmoil, and relate to issues like guilt and doubt. Sheafer is known for his creative wording and unique use of syllables; often times giving a positive spin on what would otherwise be depressing subject matter. His singing style has been said to be a cross between Isaac Brock of Modest Mouse and Jack White of the White Stripes.

Bears and Company

The woods and the rest of the world are not big enough to hold the Bears and Company. A collaboration project started in hopes to bring a scattered music scene together led to the creation of the Bears and Company. Musicians who have a respectable amount of love and dedication to create a true and honest sound make up the Bears. The Company is made up of the ones who make the creating possible in the first place. When brought together anything is possible. The Bears and Company are more than the average band. With progressive and a mixture of experimental sounds they will give your ears a reason to smile. Join the Company today!

The Travel Guide

"The Travel Guide, in a few words, is the center of the crossroads where potential and execution meet. Being a band that has found their primary sound at an early point in their career, they have a certain edge and breath of maturity that's necessary when attempting to climb the musician's ladder. That sound is the potent combination of each of the two unique aspects of The Travel Guide that makes them immediately recognizable to anyone who has heard a portion of their live performance. The first ingredient is the bombastic instrumental work by each of the three band members, the most prominent being Coleman's spastic and unpredictable guitar work, paired with the quaking drums of Will Erickson and the grooving bass riffs of Josh White. Musically the group will strike a chord with fans of At The Drive-In and The Mars Volta, but thematically The Travel Guide are more of a Lonesome Crowded West-era Modest Mouse.

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So Many Dynamos with Me Like Bees, Bears and Company, The Travel Guide

Friday, November 8 · 7:30 PM at The Riot Room