Lapland, Plume Giant

Lapland

The beginning of Lapland started before it even had a name. It was born in a tiny half-bedroom in Brooklyn, where songwriter Josh Mease began recording a new batch of songs in early 2011. Mease has always found comfort in the solitude of his own thoughts, often preferring the landscapes within his mind’s eye over the bustle of the city that surrounds him. So it seems fitting that in making Lapland’s self-titled debut, he worked alone using whatever was within reach – only rarely using other musicians. Perhaps this self-imposed isolation is why Lapland has such an introspective tone. Themes of separation and loss are woven throughout the album, as Lapland moves fluently through different styles and genres while maintaining a uniquely personal sound. From the percolating electronic gallop of the opening track, “Unwise”, to the blue-eyed soul of “Aeroplane”, to the acoustic haze and layered harmonies of “Overboard”, Mease always keeps things interesting. One can hear the effect of the myriad of music styles and genres that informed Lapland – Early synth pioneers of the 60′s and 70′s, French Impressionists like Ravel and Debussy, and 1970′s staples like Fleetwood Mac.

“Josh Mease has put together one of the strongest debuts I’ve heard this year….Wilderness is beautifully crafted with some lovely melodies and harmonies. Mease has a warm and distinctive voice, and a real ear for arrangements that sound lush without becoming too cluttered. It’s the kind of album I can fall in love with from the opening notes of the first track.”
- NPR All Songs Considered

“Some very good music went down…And Mr. Mease, who seems to love the intimacy and chord changes in Paul McCartney and Brian Wilson’s work, made his case with music that kept alternately settling you and waking up your ear through harmony.”
- New York Times

“In such work, arrangements are crucial, and Mease resists the temptation to add clutter. Even when the setting seems fancy, with clavinet and backing choirs, the recording is spare—he is confident in his songs.”
- TimeOut New York

“Heavily reverbed piano, guitar arpeggios, fluttering synths, walls of wordless backing vocals and jazz-inspired chord changes produce a heady brew….[D]ebuts this promising are rare”
- Paste Magazine

Plume Giant

PLUME GIANT is orchestral music in dreampop clothes, borne first from the halls of Yale's music department but now calling Brooklyn home. With six hands they write and swap fifteen instruments like outer space quilters.

Raised in the urban sprawl, Stranger Cat was born out of a respite in the wilderness. As most stories go, she was seeking a noiseless place for musing, but found instead a sentient beast stalking through the woods, be it animal, alien, or deity; she memorized its sound.

Stranger Cat is the new project from Cat Martino. Her penchant for loop effects was inspired by homebound isolation from a debilitating neuromuscular affliction several years ago that mysteriously could not be diagnosed. Isolated to her bedroom for the better part of a year, a simple microphone and loop pedal became her new choir. Now restored to health, she celebrates her freedom of movement by creating lush layers with voice, synthesizers, and electronics that gamut ethereal, soulful, and turbulent chaos, inspired by the body in motion.

Cat retreated from Brooklyn, NY to winter in the Sierra Foothills and wrote and recorded new songs. Simple melodies or beats morphed into powerful walls of sound to melt in through snowstorms, howling winds, or stark silence nestled by gargantuan oaks and the infinite starry dome.

Joined by co-collaborator Sven Britt for a week, they traded recording each other on casios, synths, guitars, drum machines, branches and spoons.

Often a cat would come to the door to listen, meowing to be let in. When it appeared daily they called it Stranger Cat, observing its alien supernatural powers, as she’d heard tell of the Foothills’ history of UFO sightings and ghost haunts. One day they let Stranger Cat in. The plump feline ate all the kitty food and left.

The Brooklyn native was Sufjan Stevens’ right hand woman for Age of Adz andAll Delighted People records and world tour, and will co-release a Flexi-Disc with Stevens on Joyful Noise Records Fall 2013 they co-wrote/produced. Cat sings on the new Son Lux record Lanterns, recorded/toured with Sharon Van Etten circa Epic, appeared with The Shins on SNL and Williamsburg Park, played in Passion Pit at Governor’s Ball. She has opened tours in US or EU for Indians, Night Beds, Rufus Wainwright, Marissa Nadler, Black Rebel Motorcycle Club, Patrick Watson and more. She also really likes to jam and create with many of her brilliant creative friends you may never have heard of but will hopefully soon!

Martino has toured internationally, in support of Rufus Wainwright, RIDE frontman Mark Gardener, Black Rebel Motorcycle Club, and more. Cat has enjoyed singing with and/or organizing small choirs for local friends Sharon Van Etten, Sufjan Stevens, Joseph Arthur, & Swedish artists Anna Ternheim, Nina Persson (The Cardigans), A Camp, and Marit Bergman. Other musical conspirators have been found in multi-instrumentalist/Producer Jack Petruzzelli (Rufus Wainwright, Patti Smith), Ben Kalb (Regina Spektor), Nathan Larson (Angela McKluskey, Shudder to Think.), Matt Johnson (Jeff Buckley), and Joe & Robin Bennet (of Goldrush, Dusty and the Dreaming Spires Truckfest).

$10.00

Tickets Available at the Door

add to your calendar

Upcoming Events
Glasslands Gallery

Ticketfly

Lapland, Plume Giant with Stranger Cat

Saturday, November 2 · Doors 8:00 PM at Glasslands Gallery

Tickets Available at the Door