Protest The Hero ***This Show has been moved to The Social***Architects has dropped off the show***
The Contortionist, Affiance, The Kindred
54 North Orange Ave
Orlando, FL, 32801
This event is 12 and over
Protest The Hero
Hi, I'm Protest The Hero. I've been alive for 20 years now, and I finally have my own kitchen. I'm very excited about this, and generally excited by anything else that falls into the "cute" or "cozy" categories. I learned to play guitar when I was twelve fro m this guy named Ronnie who came over to fix my parents' computer. I like quilts. But that's probably because I'm always freezing cold. I LOVE Nashville. That's where I live, when I'm lucky enough to be there. I love the town so much, I sometimes feel like I should just roll the windows down in my car (nicknamed the Toyoat. Because it's a Toyota) and scream "I LOVE THIS TOWN" loudly out the windows. That wouldn't be weird, right? Every time I try and wink at someone, I mess it up and end up scaring people. My lucky number always has been and always will be 13. It pops up in front of me in the most obvious and undeniable ways, but only when something good is about to happen. I'm a Sagittarius. I think that means I'm always looking for something new. It also means I have a Christmas-themed birthday party every year. I love bright colors and things that make reality seem more whimsical than it is. I have a collection of ribbons and headbands, and I love them all the same. I over-think and over-plan and over-organize. I've been like this since I was a baby, before I was gigantically tall and over-talkative. These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about -- more than anything else I've ever experienced in my life. I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together. For the last three years, I've been writing and recording an album yet to be titled. I only have the option of writing about things that happen in my life, so thankfully a LOT has happened in my life in the last two years. I know I don't always say the right thing at the right time or speak up when I should, but I write it all down. I get my guitar and a pen and all of a sudden, I have a chance to say exactly what I meant to say in real life. Some of the things I wrote about are things everyone saw me go through. Some of the things I wrote about are things nobody ever knew about. I'm beyond excited for you to hear these stories and confessions. I think it's important that you know that I will never change. But I'll never stay the same either. Must be a Sagittarius thing. I'm pretty stoked that you read this whole thing. I commend you for that. This was ridiculously long, and you probably have other stuff you could've done in the last four minutes. So to you, or anyone else who has spent four minutes on me in some way-- listening to just one song, or watching one of my videos….Thank you. I love you like I love sparkles and having the last word. And that's real love. --Protest The Hero
Warped time signatures, percussive mathematics, spider-fingered fretwork, dazzlingly atmospheric keyboards and immediately arresting vocals collide within THE CONTORTIONIST, who have achieved a career defining milestone with a "sophomore slump" defying feat of agility dubbed Intrinsic. The Indiana based prog-metal alchemists conjure the kinetic texture of RUSH, the cinematic musicality of DREAM THEATER, the heavy but heady metallic might of jazzy death wizards CYNIC and the studied experimental precision of BETWEEN THE BURIED AND ME while simultaneously fashioning an overall sound uniquely their own.
In a short amount of time, THE CONTORTIONIST has enveloped audiences and nearly swallowed them whole. They've toured with a wide-ranging number of acts including PERIPHERY, ALL SHALL PERISH and THE ACACIA STRAIN. The band headlined the inaugural edition of the Summer Slaughter Survivors Tour, as well.
With their earliest self-released work, THE CONTORTIONIST remade the rules within emerging genres like "deathcore" and "djent" as they evolved beyond scenes and categories, even as they were integral enough to be instrumental in defining them. The band teamed with Ken Susi of UNEARTH for their marvelously refreshing, conceptually driven debut, Exoplanet. With album number two, THE CONTORTIONIST entrusted Eyal Levi (DAATH, JOB FOR A COWBOY) and Jason Suecof (TRIVIUM, DEVILDRIVER) to help them capture their at once complex yet defiantly easy-to-connect-with esoteric material, which shatters the boundaries of conventional heavy music note-by-virtuosic-note.
In popular culture we often hear space referred to as "The Final Frontier." And while it's true that the vast majority of our universe remains unknown and deserving of further study, much of the inner workings of human beings beg further contemplation and discovery. How wonderfully appropriate, then, that having delved into deep space with their expansive sound and contemplative narrative on the genre-challenging and wholly impressive Exoplanet, THE CONTORTIONIST turns inward with the stunningly mind-bending follow-up, Intrinsic.
Whereas the first album explored the idea of earth's destruction following the inevitable collapse of our star and the ensuing search for an inhabitable planet to call home, Intrinsic dives deep inside the mind. Moving across several operatic sections, the record transports listeners on a journey through the apparent holographic reality we call "experience," through our very consciousness and metaphysical archetypes. Toward the album's conclusion the band ultimately imagines advancements in neuroscience that would broaden and challenge who we are. All of the music, of course, captures these themes.
Canadian thrash architects VOIVOD would surely be proud of the band's science based subjects. Like IRON MAIDEN before them, THE CONTORTIONIST is the kind of band that can be enjoyed for the basest of reasons but can also send astute listeners running to the library, like all of the generations of people who wanted to read more about the origins of "The Flight of Icarus" or "The Rime of the Ancient Mariner."
Lyrical inspiration and reference points came from a stack of research, which included books like Antonio Damasio's The Feeling of What Happens: Body and Emotion in the Making of Consciousness and Simon Young's Designer Evolution: A Transhumanist Manifesto. Immediate standout cuts "Holomovement," "Causality" (about a person having a near death experience brought on by an obsession with lucidity in dreaming and astral movement) and "Dreaming Schematics" (where scientific minds develop procedures to strengthen and multiply synaptic networks) are epics. These songs and the rest of the album's material inspire food for thought and aesthetic pleasure in equal measure.
THE CONTORTIONIST continues to be a study in contrast. In their quietest, most ambient moments, the band is intimately melodic. Alternately their heavy parts are as alarmingly bombastic as possible. An emphasis on songwriting and structure has resulted in a series of musical journeys that are constantly climbing new summits. There is only one song on the album with anything like a "repeating chorus."
At the same time, the band is always ever careful to tastefully balance technique with purpose. They aren't shredding for shredding's sake. Each section of every song is rooted in logic, meaning and reason.
THE CONTORTIONIST has succeeded at creating intelligently tasteful metal that is as memorable and melodic as it is creative and dynamic. Within their formula, a listener paying close attention is as likely to discover elements akin to MINUS THE BEAR as MESHUGGAH.
Just as different genre-pushing bands broadened their own minds, the men in THE CONTORTIONIST are happy to lead fans through the gateway of heavy music down pathways of new music and self-discovery. With fervent attention to every detail of their composition and presentation, the band's future in the pantheon of heavy music is assured. Intrinsic is the next step in what will become a landmark catalog. THE CONTORTIONIST opens minds from within and without.
Bullet Tooth is excited to announce the signing of Affiance from Cleveland, OH. "Affiance", meaning to betroth in trust and confidence, is a name that can be taken to heart as these guys have banded together and endured every trial a new band faces. Affiance kicked down doors, shattering expectations, and broke the mold of how metal "should" sound. Affiance is confident that they present a new
breed of metal that is intense, with vocals that soar, and live performances that leave the harshest critics in awe.
Affiance is preparing for the release of their first full length album, "No Secrets Revealed" on Bullet Tooth this Fall. "We are very excited and we believe, with the help of Bullet Tooth, we will be able to work harder, push further, and accomplish more than we ever have before," says Brett Wondrak (Guitar). The album is 10 songs of intricately written metal fused with harmonies and vocals that will leave the listener humming along after the first listen. Lyrically Affiance touch on political and religious themes, and lyricist and vocalist Dennis Tvrdik commented, "We are a band that strongly believes in the pursuit of truth and happiness. In order to achieve these ideals we must delve into concepts and that we often don't want to think about. We hope that through our music we can inspire people to think for themselves and be pro-active in society".
The band wrapped up a recent full US tour with their friends in Across The Sun (Metal Blade) and No Bragging Rights (Blk Heart Group) and gained tons of new fans in the process. Most importantly, scoring a record deal. When Bullet Tooth Pres. Josh Grabelle saw the band on this tour, he said, "These guys were one of the best live bands I had ever seen. I truly needed to see them play live to make sure Dennis' vocals weren't studio magic, and they certainly weren't! I was blown away. The whole band was incredible, and the songs on this album are gonna knock people's socks off." It should also be noted that the night Affiance played in NJ there was a hurricane with 60+ MPH winds and rain... proving nothing will stop Bullet Tooth from seeking out the best new music!
Ottawa, Canada's progressive rock sextet The Kindred (formerly known as Today I Caught the Plague) is no stranger to the road or studio, DIY-ing themselves through a successfully self-financed full-length in 2011, which cultivated tours with bands such as Protest the Hero, The Devin Townsend Project, Periphery, The Faceless, Jeff Loomis and Scale the Summit. After leaving a trail of buzz from two back-to-back tours across the US, it was only a matter of days before the band would catch the attention of labels and management.
In February of 2013, the band made the trek 1,000+ miles to record with John Paul Peters (Propagandhi) at Private Ear Studios in Winnipeg, Manitoba, Canada. After five weeks, without a single day off, something genuinely special took form; an inspired album that seamlessly and tastefullyblends modern progressive elements, while at times creating tones reminiscent of classic artists such as Pink Floyd and Led Zeppelin. Utilizing resources most bands dream of, the band was fortunate to have grand piano, a choir, live trumpet, and even the 1st violinist of the Winnipeg Symphony Orchestra on the record, resulting in a one-of-a-kind product far greater than just the sum of its parts. Vocalist David Journeaux comments on the band's signing:
"As a band we've always taken a lot of pride in doing things in a DIY fashion — it's an attitude that has defined our lives for the better part of our post-secondary years. Now this is not to say that we never aspired to be able to work alongside movers and shakers who were doing big things in the music industry, but it did mean that we were resolute that if we were to partner up with anybody, it would have to be the right people.
From the first time that we had started to take notice of Sumerian Records we had a healthy respect for their seeming ability to make big waves with their artists. That ability and respect was something that never wavered over our years of slugging it out on the road, and after we were able to work our way on to bigger tours with some more notable acts (a snowball effect initialized in thanks to our friends in Protest the Hero), we were quite excited when we received our first correspondence from the label.
Needless to say, we were very happy to be welcomed in to the Sumerian family, and the work that we've been able to do together so far has been very enjoyable, as well as exciting. We're looking forward to getting better acquainted with more of the team, and continuing to work alongside the great people we've already gotten to know."
The Kindred will release their debut album Fall 2013 on Sumerian Records and promote the release heavily in live performances throughout the US, Canada, and in due time, beyond.
$17.00 - $20.00
Tickets Available at the Door
This show has been moved to The Social. All previously purchased tickets for The Beacham will be honored.
All lineups and times subject to change
***Architects has dropped off the show***
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