CMJ 2013 - Baeblemusic Presents The Launch Pad
Until The Ribbon Breaks, Strange Talk, Luke Temple, Kingsley Flood, In The Valley Below, Bad Suns
186 Bedford Ave
Brooklyn, NY, 11211
Doors 5:30 PM / Show 6:00 PM
This event is 21 and over
Until The Ribbon Breaks
Pete Lawrie Winfield P.K.A Until The Ribbon Breaks is a British DJ, Producer, Singer, Songwriter and Visual Artist who's music embraces an old school passion for clever writing and the slicing together of sounds, samples and lyrics.
Having first caught everyone's attention earlier this year when he unleashed his self-made video for 'Pressure' on youtube. His powerful, dark, apocalyptic pop, tinged with infectious RnB style prompted critical acclaim from some of the biggest names in the music industry.
This year, as well as working on his own upcoming album and collaborative projects with EL –P, Burns and The Weeknd, a number of artists from 'Of Monsters and Men,' to 'Tegan and Sara,' and 'Laura Mvula' have called on Pete's remixing talents to work together on new projects earning him acclaimed reviews in key online powerhouses such as, Jay Z's 'Life and Times,' 'Pitchfork' and 'This is Fake DIY' but to name a few.
Recently signed to Universal Republic Records Pete's unique talent to award his audience a unique sensory experience with production skills not unlike that of previous genre hopping masters; Beck, Prince, Primal Scream and Massive Attack has the platform it requires to make 2014 a very exciting year.
Until The Ribbon Breaks first EP is due for release in Sept 2013 followed by a debut album in early 2014.
It's fair to say Strange Talk is passionate about pop, right down to the lyrics tattooed across the forearms of singer Stephen Docker. You can hear this passion and precision in their debut single 'Climbing Walls', a song that took them from a bedroom studio in Melbourne to shooting a film clip on a over-sized chess board in the middle of the Mojave desert.
Strange Talk is Stephen Docker, a former classical violinist from the Australian Youth Orchestra, and Gerard Sidhu, a DJ/Producer. At a house party in Melbourne, drunken bonding over pop heroes Michael Jackson and Queen – as well as new production outfits like Justice and Starsmith – inspired them to combine their musical abilities towards a sound that was classic in its approach but forward thinking in its production. The spark that flew was the track 'Climbing Walls'. This revved up dance pop track delivers what Neon Gold calls "an unwavering refusal to settle for mediocrity… with vocal chops that will set hearts on fire" – being the first melody ever written by Stephen, and his debut singing behind a microphone!
'Climbing Walls' hit No.1 on the Billboard's Uncharted Charts, No.1 most popular on Hype Machine, airplay on Radio 1, Triple J and Nova (as well as being Unearthed by Triple J), and receiving over half a million views on YouTube.
In the winter Luke Temple moved into a cottage, a small one, in upstate New York. The snow fell quietly. He had frozen blueberries and bread and eggs and Coors Original. He sang and drank and played and drank and ate and shoveled snow and when the snow melted and the roads cleared he had his friends. Eliot Krimsky of Glass Ghost (keyboards) and Mike Johnson of Dirty Projectors (drums) dug into Luke's hut and together they built a fire. Luke called it Good Mood Fool.
Originally from Cape Anne, Massachusetts, Luke moved to the North West, sleeping rough in the woods, working in a candy store and as a janitor at a suburban mall. While in Seattle Luke met some people headed down the coast. All of his aimlessness lasted a year and half before Luke had had enough. He enrolled in school of the Museum of Fine Arts and spent five years painting portraits, after which Luke moved to New York and worked as a muralist and plasterer. As painting drifted from the foreground little songs started to emerge. He tried them out at the famous Sidewalk Café Monday open mic and the people there liked it.
After recording two critically acclaimed albums for Mill Pond, to little commercial reception, Luke was at the point of quitting a career in music. In 2008, feeling free in his new state, he made what would become the first Here We Go Magic album, forming the band and releasing the self-titled debut in 2009. Positive critical and commercial response to the record kept Luke busy through touring and recording two more full lengths and an EP. Since Here We Go Magic's 2012 release, the Nigel Gordich-produced A Different Ship, Luke has returned to his original solo ideas.
In a sense Good Mood Fool is an extension of the first self-titled Here We Go Magic record. It was recorded with the same sense of freedom and joy. The meat of the record finds Luke taking a sharp turn in order to keep himself interested. First single "Katie" is a prime slice of mid-80s intelligent pop, almost So-era Peter Gabriel in its rhythms and sound. Meanwhile, "Florida" is a blue-eyed soul hit, a lazy sunny evening of summer beauty. Good Mood Fool draws from myriad influences, from the hushed soulful wail of Curtis Mayfield to the dense harmonies of Gill Evans and the Bulgarian Women's Choir. It is meant to be clear in production and in content, hiding nothing.
Boston and Washington, DC based six-piece Kingsley Flood released their first full-lenth Dust Windows in 2010, generating both critical acclaim and a passionate fan base. In 2011, the band issued the six-song EP Colder Still, with tracks that were touted by NPR, Esquire, and Paste.
The band, described by the Boston Herald as a "Rolling Thunder Revue with a punk rock sneer," has supported Grace Potter and Nocturnals, Angus and Julia Stone, Langhorne Slim, and Brett Dennen, among others, and is a two-time winner at both the Boston Music Awards and the Boston Phoenix Best Music Poll.
In 2013, Kingsley Flood has no plans to sit still. Battles, their latest full-length (released Feb. 5), is the band's most honed, complex, and meaningful project to date. Anchored by Rolling Stone premiere "Down" and MTV Buzzworthy premiere "Pick Your Battles," the album was recorded with producer Sam Kassirer (Josh Ritter, Langhorne Slim, David Wax Museum) at Great North Sound Society in rural Maine.
Battles amplifies the band's pension for dynamics — rock songs that can fill music halls, quiet songs that sound two feet away. The resulting sound blends Dylan-esque storytelling, Kinks-inspired melodies, and the urgency of the Clash. With songs inspired by everyone from delusional dictators to spray-tanned politicians to laid-off workers trying to get back on their feet, Battles winds a deliberate path from self doubt (opener "Don't Change My Mind") to quiet determination (closer "This Will Not Be Easy").
In The Valley Below
Vocalist Angela Gail puts it frankly: In The Valley Below make "mostly music that we would want to listen to," an honest and unapologetic statement from the Los Angeles duo, rounded out by vocalist/guitarist Jeffrey Jacob. In The Valley Below is a new musical pairing delivering hushed swirls of male and female vocals forged with dark stories of brooding riddles and romance. Jeffrey grew up in the storied musical town of Memphis, given a guitar at the age of 13 and creating music from that point forward. Angela left the binding depths of a "mostly cold and cloudy town in Michigan," for a life at sea, finding initial songwriting inspiration while living on a small boat in the West Indies. In The Valley Below was created when these two found each other, having crossed paths in artistic circles after they separately made their way to Los Angeles. The duo honed their craft together, using faithful archetypes as their inspiration, "Our biggest inspiration is powerful subjects like sex, crime and religion. And how that fits into the lives we've chosen, our dreams and struggles, mistakes and heartbreaks."
In The Valley Below produce and record their own songs, mixed by John Congleton (St. Vincent, The Mountain Goats, David Byrne) and vocals tracked by Pete Min (Debbie Harry).
Bad Suns are a band from Los Angeles. The band's back history is minimal: founded at the top of 2012, and spending the majority of that year writing and recording. However, in the first month of the band's existence, after sending out a demo of the song "Transpose" to KROQ 106.7 FM, Kat Corbett decided to air the song on their Locals Only program. Much to the band's surprise, the song reigned in the top 5 of the show for nearly three months (reaching number one on three separate occasions.)
This was an encouraging response for only a demo. The band continued writing, and in June entered Infrasonic Studios in Los Angeles, with producer Eric Palmquist (Wavves, Aloe Blacc, Trash Talk). The band quickly began to attain a steady Los Angeles following, playing to packed houses within the area (The Troubadour, Viper Room) and generating local buzz. "Cardiac Arrest" was chosen as the first single from these sessions.
As of March 3, 2013: "Cardiac Arrest" is being played on KROQ's Local's Only show, every Sunday night.
Thu, December 12
Fri, December 13
Sat, December 14
Sun, December 15
Mon, December 16
Mon, December 16
Tue, December 17
Thu, December 19
Fri, December 20
Sat, December 21