American Babies, Leroy Justice

American Babies

Since 2007, American Babies has been the mouthpiece for Philadelphia based musician Tom Hamilton. After spending the early 2000s building a national fan base fronting the electro-rock band Brothers Past, releasing two critically acclaimed albums, and averaging 150 shows a year, a change was in order. "Musically, I wanted to get back to the basics" he explains, "Get the song right, first. Then worry about the live show and how the music opens up from there."

Hamilton went back to his roots, rediscovering the Outlaw Country, Motown, and Grateful Dead records he grew up with, and assembled a pool of musicians to pull from for recording sessions and live performances. After two full-length LPs, an EP, and three years of touring, the American Babies are hitting their stride. The live band has been solidified with David Butler (Lee "Scratch" Perry) on drums, Adam Flicker (The Brakes) on keys, and Nick Bockrath (Nico's Gun) on bass. The band has shared the bill with numerous like minded acts such as Derek Trucks, Sheryl Crow, Umphrey's McGee, Railroad Earth, and The National to name a few.

Hamilton entered a Philadelphia studio in January of 2013 to start work on what has become the Babies' third long-player "Knives and Teeth" (via The Royal Potato Family). When asked to describe his new record, his answer is short and compact but, like his lyrics, is loaded with deeper meaning: “It’s a 40-minute existential meltdown.”

“When you're in your 20's,” he says, “you worry or focus on things that don't seem to maintain their importance as you get older. Chicks, partying, finding a place. Shit, all of my albums back then were about girls, in one way or another. Then you grow up and you realize none of it actually matters, so you dig deeper. I spent a lot of time with some activist friends and the Occupy movement. That pushed some buttons but, I kept digging. Then I had a couple of close friends pass away within a few months of each other and that made me really dig in. I started to think about my own mortality. Reconsidering what was really important to me.”

Throughout the course of the album, from the Lou Reed-inspired “This Thing Ain’t Going Nowheres” to the inspired punk energy of “Bullseye Blues” to the head-shaking acceptance of “Goddamn,” Knives & Teeth speaks of fragility, cruelty, frustration, and the search for what makes a life worth living.

Tom and company will be taking American Babies' re-energized live show back to the road this fall, and all through 2014.

Leroy Justice

Jason Gallagher, front man for Leroy Justice, is talking about Above The Weather – the band’s first major label release, coming in April 2013 on the Elm City Music label with distribution by Caroline/Capitol Music Group.

“We felt that if we wanted to keep playing music, we would have to explore new ways to write, arrange, and produce songs. The result is an album where we pushed our limits creatively, while still living in the world of rock and roll we love.”

The album title, he explains, “was inspired by the weather itself. There was a time when it seemed to rain every time we played a show – it became a running joke.”

Above The Weather is the next level for Leroy Justice, and a potential career breakthrough for the New York City quintet with roots in the Wyoming Valley (Scranton/Wilkes Barre) region of Pennsylvania. Here is a multi–hued portrait of a band that reaches back to the American musical bedrock – and the best qualities of the American character – to create contemporary rock music that may question our troubled present but also points to the better world that may yet be possible.

It’s a diverse and dynamic set that showcases Leroy Justice’s musical maturation since the release of The Loho Sessions in 2009. The new album also introduces 22–year–old guitar wunderkind Justin Mazer, who makes his disc debut with Leroy Justice on Above The Weather.

“The Valley is our home,” says Jason. “The music scene there is so alive with amazing players and bands. We knew Justin through friends, and after playing with him just once, we knew he was the perfect fit.”

The ten songs that comprise Above The Weather were subject to extensive pre– production rehearsals in the band’s own Pennsylvania rehearsal room. Jason Gallagher explains: “It's a converted bakery – there’s still a gigantic oven the size of a studio apartment, and there was no heat or a/c until we installed a heater. But the room sounds great.”


As album producer, Jason worked closely with two important non–members.

John Siket, credited with mix engineering and additional production, has participated in every Leroy Justice album since their 2006 debut Revolution’s Son in addition to working on projects with the Dave Matthews Band and Yo La Tengo.

Bil Emmons, whose credits include Lykke Li and Sonic Youth, came aboard as the band’s new front–of–house sound mixer but soon applied his talents as chief engineer for the Above The Weather sessions.

On Above The Weather, Leroy Justice displays the kind of songwriting and arranging skills that have characterized great American rock bands from Neil Young & Crazy Horse to the Allman Brothers Band. Songs like “Up On The Mountain,” “Blue Eyed Blues,” “So Long,” and “Two Trees” are destined to become staples of Leroy Justice’s compelling live show, an emotion–packed thrill ride shared by musicians and listeners alike.

That commitment to a collective musical experience is one that this group shares with such like–minded acts as the North Mississippi All Stars, Blues Traveler, and moe. – all of whom have been warmly supportive of Leroy Justice, sharing stage time, advice, and encouragement.

The highway calls, the crowds await...and Leroy Justice is ready to roll with Above The Weather.

with special guest Joe Russo

Tickets Available at the Door

TICKETS AVAILABLE AT THE DOOR $8 CASH ONLY

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Brooklyn Bowl

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American Babies, Leroy Justice with with special guest Joe Russo

Monday, October 14 · Doors 6:00 PM / Show 8:00 PM at Brooklyn Bowl

Tickets Available at the Door