"Their raucous set was like if the Velvet Underground had turned to the MC5 at their Boston Tea Party concert in 1968 and, instead of insulting them, had turned and made love to them—and that was how Lou Reed wound up wearing that dog collar. I couldn't make out a single lyric, but did they really close the set with 'Little Honda?'" --LA RECORD

"Swirling, distorted psych, bulldozed along by pounding primitive drums, fuzzed out vocals, all glued together with a heavy spaced out guitar drone. If that ain't the ingredients for record of the month my name is Prince Bloody William. Imagine if you will the best of THEE OH SEES jamming deep with MOON DUO, with the aid of some sort of retro type drug that only Brace Belden knows the name of and you would almost be right on the money. Heavy, without losing one single hook, repetitive without being the least bit boring and shamelessly stepped in the glory years of acid rock without being a boring regurgitating hipster. Be warned, this record will give you a contact high." --Maximum Rock N Roll #337

Gap Dream

"From glam to gunk this Ohio trippy man can be found making his home recordings that range from Peter Koppes to Slade. Or just at home resting with his pretty little pup Judy. Nothing stands in Gabriel Fulvimar's way."

together PANGEA

From Los Angeles by-way-of Newhall, Pangea play poppy, snotty, shitty, fitty, punky, stunky garage-pop and roll. est. 2005

The Resonars started out in 1992 as the brainchild of guitarist and chief songwriter Matt Rendon of Tucson, Arizona. Rendon, in fact, had adopted the "group" name as a tribute to a '60s Tucson band of the same name, which had featured his older brother, John Rendon. Rendon's four-track recordings -- made at his own Coma Cave home studio -- were a blend of moody, introspective psychedelic pop, folk-rock harmonies, and garage rock. Rendon continued to record on his own, and in 1998, released the first Resonars album, on which he had four-tracked himself on all instruments and vocals. This cassette-only release was issued on the Tucson-based Star Time Records (not to be confused with StarTime International Records of Brooklyn). After a lengthy period, Rendon added additional musicians -- guitarist Eric Royer, drummer Dustin "OJ" Moyer, and bassist Mick Huxley (later bassist Forest Dunn) -- to his Resonars' lineup for live shows and for additional recordings. Two 7" singles and numerous homemade cassette releases (including Tripping in Your Coffin) were made available to fans at their shows. Their second album, the critically acclaimed Bright & Dark, was issued by Get Hip in 1999, with Rendon again playing all of the instruments himself.
Lunar KitRendon had always intended to get a new band together to play live shows, but eventually retired the Resonars moniker in October 2000. By then he had accumulated scores of collected homemade recordings, some of which he began to release as Kilgore Trouts. He also continued playing shows with Al Perry & the Cattle. After moving to the Seattle area, Rendon joined the Vultures (he plays the drums under the name "Mickey Finch"). The group also featured Heath Heemsbergen, who had known Rendon when he was a member of the Tucson band the Fells. Rendon later returned to the Tucson area and joined the Knockout Pills, a garage punk band featuring members of the Weird Lovemakers and Los Federales. Royer, meanwhile, returned to his hometown, near Boston, and turned away from rock as his love of the banjo increased. He'd begun playing on the streets of Tucson, and eventually designed a "guitar machine" to play his one-man band shows, accompanying himself on the Dobro and harmonica. Royer has recorded several albums. In 2002, Rendon resurrected the Resonars name for a new release on Get Hip called Lunar Kit, which featured both sides of the 2000 released "Floor Lamp Eyes" b/w "She's in Love with Her" (Star Time Records) 7". In June of 2002, a new Resonars album was released on Get Hip Records. Titled Lunar Kit, it recalled the last album and even included the single released between the two albums.
Nonetheless Blue After a long break from the Resonars, Rendon returned in 2008 with the band's last album for Get Hip, Nonetheless Blue. Jumping over to the influential California label Burger Records, the band continued cranking out great records, with That Evil Drone in 2008 and Crummy Desert Sound in 2011. After recording an EP for Trouble in Mind (Long, Long Thoughts) in 2012, the label released The Greatest Hits of the Resonars, a career-spanning sampler of Rendon's genius, in 2013.

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